rafssru

 ‘Oltre il giardino’ is a great song about reinvention in times of crisis, reflecting the artist’s own struggles.

 ‘Troppo vento’ is a classic of Fabio Concato’s repertoire with an upbeat and spirited chorus.

This review covers fifteen rare singles by Fabio Concato not included in his main studio albums. Highlights include charming outtakes, jazz-inflected instrumental versions, and meaningful collaborations. Songs often explore personal, social, and ironic themes with a consistent artistic voice. The overall rating reflects a solid and thoughtful collection that enriches Concato’s discography. Discover Fabio Concato's rare singles and experience the timeless charm and storytelling that define his unique career.

 "M'innamoro davvero is a great love song, not coincidentally remaining in the collective memory."

 "The album continues with 'Un’Aurelia che se ne va,' a memory of a childhood summer in Viserba di Rimini, a cult place for the singer."

This review revisits Fabio Concato's 1999 self-titled album through a personal and emotional lens, highlighting its romantic songs influenced by Naples and South American rhythms. Key tracks like "M'innamoro davvero" and "Buonanotte a te" evoke nostalgia and vivid memories. The album is praised for its heartfelt lyrics, varied musical styles, and enduring popularity, while noting the artist's later shift away from mainstream music. Listen to Fabio Concato's 1999 album and experience the romantic essence of classic Italian pop!

 "O bella bionda is truly a delight, it doesn’t tire even on the twentieth listen."

 "'Ciao amore' is a great song revealing the bitterness and disappointment of military life through heartfelt lyrics."

Fabio Concato's 1996 album Blu marks a return with original songs featuring heartfelt lyrics and memorable melodies. Standout tracks like 'O bella bionda' and 'Ciao amore' combine nostalgia, Italian social commentary, and personal emotions. The album introduces a new collaboration with Mercury Records and notable musicians like Flavio Premoli and Phil Palmer. Though slightly less impactful than previous works, Blu remains a cherished piece of Concato's discography with enduring appeal. Listen to Fabio Concato’s Blu and discover why 'O bella bionda' remains a timeless Italian classic.

 "La mia macchina" is a piece of great emotional impact, picking up the car becomes a pretext to talk about separation from the loved one.

 "Poveri noi" is another great and sarcastic social attack, against a life where it does not matter how money is earned, 'the important thing is to work hard/ do the stuff and think little.'

Fabio Concato's 1992 album 'In viaggio' is a concept masterpiece blending personal and physical journeys. It features emotional storytelling in songs like 'La mia macchina' and social commentary in 'Poveri noi.' The album remains a staple in concerts and marks a pivotal point in Concato's career with new collaborations. Praised for its introspection and musical craftsmanship, it captures Italy's early 90s mood and earns a 5-star rating. Listen to Fabio Concato’s 'In viaggio' to experience a timeless journey through emotions and Italy’s early 90s social landscape.

 "We are listening to the Masterpiece, with a capital M, of Fabio’s discography."

 "Every time you hear it, it’s hard to hold back a tear."

Fabio Concato's seventh studio album, Giannutri, stands as a near-masterpiece with rich jazz influences and deeply emotional storytelling. Produced by Phil Ramone, it offers varied formats with exclusive tracks on CD. Highlights include 'Gigi' and '251/222525,' emotionally charged songs that showcase Concato's songwriting maturity. The album balances romantic and social themes, establishing itself as one of Concato's best works. Listen to Fabio Concato's Giannutri and experience a timeless blend of jazz, emotion, and storytelling.

 Senza avvisare does not achieve the same success as the album of "Fiore di maggio" and "Ti ricordo ancora," but remains a good, interesting, and convincing work.

 "Il bel pianista" is about a jazz orchestra, and the author addresses his friend Bruno. They still play it on the radio.

Fabio Concato’s 1986 album Senza avvisare follows the success of his 1984 breakout with an emotional collection marked by jazz influences and tender songwriting. The review highlights standout tracks like "Il bel pianista," "Tornando a casa," and "Rime per un sogno," praising the heartfelt lyrics and musical depth. Though not reaching the same commercial heights, the album remains a compelling work appreciated by fans and critics alike. Discover Fabio Concato’s soulful journey in Senza avvisare—listen now and experience his heartfelt jazz-pop melodies.

 "Masterpiece? Masterpiece!"

 "A beautiful declaration of love for music and the reasons why one sings."

This review praises Fabio Concato's 1982 self-titled album, highlighting its romantic and pastoral themes supported by skilled musicians. 'Domenica bestiale' stands out as a masterpiece filled with vivid storytelling and musical charm. The album blends dreamy lyrics with evocative chords, capturing the beauty of Italian countryside life. Though mature and successful, it is considered slightly less refined than his 1984 release. Listen to Fabio Concato's 1982 self-titled album and experience the timeless charm of Italian romantic pop!

 "Svendita totale represents the fragmentation of the author into as many alter egos."

 "It’s funny to say, you even have to be thankful if you find a job."

Svendita totale, the second chapter of Fabio Concato’s cabaret trilogy, continues the poetic and ironic style introduced in his debut. The album features eight short tracks that explore various characters and social realities through inventive lyrics. Although a raw effort, it contains precursors to later famous songs and thematic richness. Fabio’s move to Philips the following year marked his artistic maturity. Discover Fabio Concato’s unique blend of irony and poetry in Svendita totale—listen now and explore his early cabaret trilogy!

 "Katia, a wonderful song about the first platonic love at school... Superb track, 5 stars!"

 "In 2020, after 6 years from the last unreleased tracks published, he releases digitally Milanochiama, which frankly is weak and worth no more than 2 stars."

This review collects Eugenio Finardi's non-album singles, evaluating each track with ratings mostly between 3 and 3.5 stars. Highlights include 'Katia' with five stars, and strong social and emotional themes throughout. Some weaker tracks appear, such as the 2020 release 'Milanochiama'. Overall, the review completes his discography with honest critiques of overlooked songs. Explore Eugenio Finardi’s rare singles and discover hidden gems from an iconic Italian rock artist.

 "The Song of the Earth personifies the earth, humanizes it, rendering the track among the best in the tracklist."

 "The title track is a singer’s struggle with ‘the snake’s head’ of the microphone, but in the end, Vladimir wins, having managed to sing and record despite the regime."

Eugenio Finardi collaborates with ensemble Sentieri selvaggi and conductor Carlo Boccadoro to reinterpret 11 classic songs by Russian poet Vladimir Vysotsky. The album blends theatrical and poetic elements, featuring orchestral arrangements that highlight the emotional depth of the lyrics. Finardi revisits some tracks from a previous tribute and adds new ones, delivering performances that range from ironic to heartfelt. The album receives praise for its evocative atmosphere and artistic ambition. Discover Eugenio Finardi’s heartfelt tribute to Vysotsky—listen now to experience poetic depth and orchestral beauty.