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 This album slightly distances itself from the 'radicalism' of pure folk research and begins to blend the traditional southern sound with Anglo-American genres of rock, blues, and country.

 ‘La buonasera’ closes with a lyrical salute to the great musicians who have given luster to the city of Naples.

Eugenio Bennato’s 1983 self-titled album marks a departure from pure folk to a blend of southern Italian sounds with rock, blues, and pop influences. Featuring diverse instrumentation and multilingual lyrics, the album explores cultural themes and personal stories, balancing traditional roots with contemporary music styles. Highlights include poignant ballads, blues tracks with electric solos, and socially engaged lyrics. Bennato’s innovative approach enriches Italian folk music with modern genres. Discover Eugenio Bennato’s unique blend of southern folk and modern rock – listen to his innovative 1983 album today!

 Teresa de Sio's passionate voice dominates the song and alternates with Pippo Cerciello's "devilish" violin and the various wind instruments of Robert Fix.

 Tarantella Finale, as the title suggests, is a fast and at the same time very melancholic tarantella that ends very slowly and sadly, like someone hinting at a subdued smile.

Musicanova's 1978 self-titled album is a rich collection of passionate folk songs deeply rooted in southern Italian culture. Featuring standout performances by Teresa De Sio and Carlo D'Angiò, the album covers themes of emigration, historical struggles, and local traditions with evocative instrumentals. Traditional instruments like violin, mandoloncello, and bagpipes bring authenticity and emotional depth. The album balances cheerful tunes with melancholic ballads, reflecting the resilience of the people it portrays. Discover the evocative sounds and stories of Musicanova's classic folk album—listen now and immerse yourself in southern Italy's rich musical heritage.