mistachuck

DeRank : 0,16 • DeAge™ : 5338 days

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  • Here since 1 december 2010

 There is groove, and the pulsations are the strength of this unchained music.

 The texts by the multi-instrumentalist-activist-polygamist Kuti were not only steeped in social themes and Pan-Africanism, but they also referred to an incident that happened to him personally.

Expensive Shit is a classic 1975 Afrobeat album by Fela Kuti and Afrika 70, showcasing the fusion of funk, jazz, and African rhythms. The review highlights Tony Allen's rhythmic mastery and Kuti's socially charged lyrics. The album's structure emphasizes percussion-driven grooves with complementary melodic elements. Its music remains relevant today, reflecting rich African cultural identity and resilience. Listen to Expensive Shit to experience the timeless power of Afrobeat and Fela Kuti’s legendary sound.

 Death and life - in this order - chase each other, catch up, and finally copulate only to abandon each other and start the chase again.

 Where the flute and chimes are not emotional and explicit enough, the synth carpet makes the matter more claustrophobic.

Kno’s solo debut 'Death Is Silent' builds on his work with CunninLynguists by intensifying his signature sample-based beats with haunting, ethereal atmospheres. The album explores themes of death, life, solitude, and everyday struggles through meticulously crafted lyrics and minimalist yet evocative production. With strong guest appearances and an instrumental version that appeals beyond hip-hop fans, this album is a standout in underground hip-hop. Kno proves himself not just as a producer but also a competent emcee. Listen to Kno's 'Death Is Silent' and explore a masterful blend of haunting beats and poetic rap.

 Despite the shadow of J Dilla, the disciple developed a personal sound and has grown further.

 'Album of the Year' is a remarkable amalgam of eclecticism with rough sounds—where the drums are always at the forefront.

Black Milk's 2010 debut album 'Album of the Year' showcases his impressive production talents rooted in Detroit's rich hip-hop tradition. Influenced by J Dilla yet distinct in sound, the album blends funk, rock, and afrobeat with live drums and strong collaborations. While the rapping occasionally dips in excitement, the overall quality and eclectic style make this an outstanding project. The reviewer highlights Black Milk as a rising star in hip-hop production and artistry. Listen to Black Milk's 'Album of the Year' and explore Detroit's influential hip-hop soundscape today!

 If then, in a gangster/mafia-themed musical work, you take out the cinematic combo 'Black Mozart' - 'Gihad' - 'New Wu' (RZA-Necro-RZA), the mission could be said to be concluded after a third of listening to the entire album.

 Chef Raekwon, Ghostface Killah and Inspectah Deck are unstoppable, Method Man is no less.

Raekwon's sequel to Only Built 4 Cuban Linx... arrives after 14 years with strong Wu-Tang Clan collaborations and outstanding production, including standout beats by J Dilla. Despite a long wait and some filler tracks, the album shines with classic lyricism and expert production, proving its worth as a solid addition to hip-hop history. The reviewer praises the musical craftsmanship and the cohesive family feel of the project. Explore Raekwon’s legendary sequel and experience the best of Wu-Tang’s classic hip-hop craftsmanship now!

 It probably is, the rap album of the year. Certainly among the top four or five. But it’s not like 2010 was a year so qualitatively prolific.

 Wu-Massacre is a work far from being a classic. It has some powerful bangers, no peaks, and quite a few fillers.

The reviewer eagerly awaited Wu-Massacre but found it disappointing compared to expectations. Although it is among the better rap albums of 2010, its short length and abundance of filler tracks diminish its impact. The album shines in a few powerful songs mostly produced by RZA and Mathematics, where all three main rappers come together. Guest features were underwhelming, and overall the album falls short of classic status, raising doubts about future releases from Def Jam. Explore Wu-Massacre to hear the legendary trio's raw chemistry and decide if it lives up to the hype!

 "If you’re white and part of the Establishment, don’t think of turning it into a controversy because these are topics against you."

 "I’m fed up with this rap and RnB scene made of fake criminals occupying the radio all day long. Always the same skits in the videos: it’s a monotonous material. But you don’t hear me, do you?"

Dead Prez's album Let's Get Free stands out as a powerful, uncompromising political hip hop record. The duo uses direct, radical lyrics to challenge societal and racial issues. Backed by minimalist, percussive beats, the album delivers a fierce critique of the music industry and establishment. This work demands attention for its unwavering commitment to activist themes without irony or dilution. Explore Dead Prez's Let's Get Free for a fearless dive into activist hip hop and raw social commentary.

 With Redman, these labels are unnecessary; he is Redman and that’s it.

 Listening to one of his records means leaving everyday life behind and entering a relaxed world consistent with his self-confident personality.

Redman’s 'Whut? Thee Album' from 1992 remains a hip-hop classic that defies simple labels like old or new school. Incorporating heavy funk influences and creative storytelling, it showcases Redman’s confident personality and unique lyrical style. The album features intricate production mostly by Redman himself, with input from Erick Sermon and Pete Rock. Memorable tracks like 'Blow Your Mind' highlight the album’s lasting impact and originality. Dive into Redman’s iconic 'Whut? Thee Album' and experience one of hip-hop’s greatest creative journeys.

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