Mr Wolf

 This is an album of great charm: deep, genuine, gritty, hypnotic, and muddy, where tradition and contemporaneity go hand in hand.

 An art that conveys feelings, not necessarily 'innovative,' but that has and comes from a history told out of necessity and urgency.

Jimmy 'Duck' Holmes' album Cypress Grove is a heartfelt representation of the blues tradition, blending history and genuine emotion. With strong performances and masterful covers of classic songs, the album honors Bentonia blues roots while modern touches by producers and collaborators enrich the sound. Holmes’ powerful voice and skilled guitar work shine throughout, making this release a true declaration of love for blues music. Listen to Cypress Grove and experience the raw power and timeless soul of genuine blues!

 Sweet Tea is a record full of surprises, which suffers a little in sound output, but remains a great blues album and one of the best in Buddy’s stellar career.

 From Junior Kimbrough, Buddy found an originality and new way of making blues, drawing inspiration for the textures of this album.

Buddy Guy's 2001 album Sweet Tea marks a creative resurgence, blending raw Delta blues with electric guitar distortion. The album pays homage to Junior Kimbrough and southern blues traditions while showcasing powerful solos and a gritty sound. Despite minor production flaws, it stands out as one of Buddy Guy's best works in recent decades. The record captures a fresh, inspired side of the legendary Chicago blues guitarist. Listen to Sweet Tea now and experience Buddy Guy’s powerful Delta blues revival!

 McDowell seems to have sculpted them in a marble-like classicism from the very start.

 We will never be grateful enough to Mr. Alan Lomax for these recordings, which allowed McDowell, who risked oblivion, to embark on a musical career.

This review highlights the importance of Mississippi Fred McDowell’s 1959 Alan Lomax recordings that captured his raw and hypnotic blues style. It explores the unique rhythms, vocals, and instrumental mastery preserved in 23 tracks. The collaboration with Lomax allowed a forgotten bluesman to influence future generations. The collection remains a fundamental must-listen for blues enthusiasts and historians. The review praises McDowell's emotional intensity and the enduring charm of these historic sessions. Dive into the soul of authentic blues—listen to Mississippi Fred McDowell’s Alan Lomax recordings now and experience a blues legend’s timeless power.

 Willie Dixon didn’t compose just with himself or the song in mind, but he wrote specifically for the musician at hand.

 "The Blues Every Which Way" could be a definition that fits Dixon’s life perfectly, even though he himself would say, "I am the blues."

This review highlights Willie Dixon's profound impact on blues through his songwriting and bass performance, coupled with Memphis Slim's distinctive piano and vocals. The 1960 album 'The Blues Every Which Way' showcases a unique piano and double bass duo format. Noted for its deep emotions and classic blues elements, the record is considered essential in blues collections despite not being a masterpiece. Explore the soulful blues artistry of Memphis Slim and Willie Dixon—listen to The Blues Every Which Way today!

 The album opens explosively, with a compelling version of the classic by Willie Dixon 'The Little Red Rooster' which immediately immerses us in the rapid expressive power that permeates the entire album.

 'Bad News Is Coming' is a song that penetrates the soul... technique, inventiveness, poetry, and heart are sublimely intertwined, creating a track of rare emotional intensity.

This review highlights Luther Allison's 1972 debut album 'Bad News Is Coming,' the first blues LP issued by Motown. The album features electrifying Chicago blues mixed with soul and funk influences. Allison’s powerful voice and skilled guitar work stand out, especially on the title track and reinterpretations of blues classics. While extra tracks on the remastered edition offer little, the original album remains a landmark in blues history. Discover the electrifying power of Luther Allison's 'Bad News Is Coming'—listen to this blues classic today!

 Williams' country blues leaves no room for escape; it is dry, hard, and raw, with such authority that it may prove challenging for a blues newcomer.

 With Free Again, Williams creates an album that gives no escape: heartbreaking, desolate, and bitter, revealing a solitary soul intent on liberating all the ghosts that stir within.

Robert Pete Williams' album Free Again is a raw, authentic collection of country blues recorded shortly after his release from prison. The music is emotionally intense and deeply personal, challenging for newcomers but rewarding for those who resonate with his painful poetry. The album's traditional songs are reinterpreted with unique character and haunting guitar work, reflecting Williams' struggles and soul search. This work influenced other notable artists like Captain Beefheart. Experience the raw power and haunting beauty of Robert Pete Williams' Free Again—listen now and dive deep into authentic country blues.

 This is also a record-document of significant historical importance, interspersing 35 songs with Broonzy’s effective and precious stories.

 With the recording of this album, which would only be released in ’61, he left a true sonic testament of his life but above all of his personal way of understanding the blues.

Big Bill Broonzy's final album, 'The Bill Broonzy Story,' is a comprehensive showcase of his blues artistry and storytelling. Recorded in 1957 and released in a 5-LP box set, it blends traditional blues, personal narratives, and historical context. The album highlights his unique role in bridging rural and urban blues, proving his enduring influence. Rich in emotion, technical skill, and historical insight, it's regarded as a sonic testament to Broonzy's life and legacy. Dive into Big Bill Broonzy's powerful blues journey—listen now to experience the roots and stories of a true blues pioneer.

 "His guitar is always in a minor key, in order to emphasize the sadness that lingers in most of his songs."

 "'I’m So Glad' turned into a high-level piece, where the guitar line seems to trace a different trajectory from the singing thus giving the song a completely unique atmosphere."

This review explores Skip James' 1931 Paramount recordings, highlighting his unique blend of East Coast blues styles with spiritual and folk influences. It praises his minor key guitar technique and falsetto vocals, underscoring the emotional depth of his songs. The review also notes the excellence of the remastering and the historical context of these seminal blues tracks. Classic songs like "Cypress Grove Blues" and "Hard Time Killin’ Floor Blues" are emphasized for their dark, haunting atmosphere. Listen to Skip James’ haunting 1931 recordings and experience the roots of blues history.

 "He manages to work on multiple registers concurrently creating a unique and powerful polyphonic style and probably remains the greatest virtuoso of all blues guitarists."

 "The rhythmic and harmonic interlocking between guitar and voice that Davis serves up is chilling with poetic mastery."

This review praises Rev. Gary Davis's 1961 album Say No to the Devil for its extraordinary fingerpicking guitar skills and powerful vocals. It highlights Davis's blend of gospel and blues with deep emotional intensity. The reviewer admires specific tracks for their technical and expressive mastery and endorses the album as a masterpiece of blues history. Dive into Rev. Gary Davis's Say No to the Devil and experience blues guitar mastery and soulful gospel like never before!

 "I consider it one of his masterpieces, confirming that Lee is one of the most important and influential bluesmen of all time."

 "His six-string is there to remind us that daily sadness perpetuates throughout our existence, but John makes us aware that at times one can also find simple but important moments of joy."

Travelin’ is John Lee Hooker's second LP, recorded in a single session with key collaborators. This album stands as one of his finest works, blending melancholic blues and upbeat rhythms. It is an emotional journey through sadness and fleeting joy, exhibiting Hooker’s raw expressive power. The record includes early versions of classics like 'Whiskey And Wimmen' and showcases Hooker's signature guitar style. Dive into the soulful world of John Lee Hooker's Travelin'—listen now and experience a timeless blues masterpiece.