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DeRank ™: 1,52 • DeAge™ : 5709 days
It is existence, and it is existence in the way that “man is the nothingness of a speck in the infinite universe, and he is at the same time the depth of a being who cannot know the universe, and who can reveal it within himself as known” (Jaspers). The exorcism is not an act against Satan but in favor of the person, an operation on the body of the possessed and not on the demon itself.
It is existence, and it is existence in the way that “man is the nothingness of a speck in the infinite universe, and he is at the same time the depth of a being who cannot know the universe, and who can reveal it within himself as known” (Jaspers).
The exorcism is not an act against Satan but in favor of the person, an operation on the body of the possessed and not on the demon itself.
This review offers a profound philosophical interpretation of James Wan's The Conjuring, emphasizing the film's exploration of existence, demonic presence, and family unity. It interprets the demon not just as a ghost but as a symbol of deeper metaphysical forces, highlighting the unique portrayal of exorcism as an intimate act focused on the possessed rather than the demon. The analysis connects complex ideas from Heidegger, Wittgenstein, and psychoanalysis to enrich the understanding of the film's narrative and themes. Dive into this insightful analysis and discover the deeper meaning behind The Conjuring's chilling horror.
Tarr looks at the family, the cell that makes up society - a society, that described in his films, that has very little social, very little human. The camera, among the embraces and clashes of family members, is surplus, finds itself out of place in the dialectic of the family nest.
Tarr looks at the family, the cell that makes up society - a society, that described in his films, that has very little social, very little human.
The camera, among the embraces and clashes of family members, is surplus, finds itself out of place in the dialectic of the family nest.
This review discusses Béla Tarr’s first feature film, 'Családi tűzfészek', highlighting its focus on family struggles in 1970s Hungary. It portrays Tarr’s emerging artistic vision shaped by his youthful experiences with political repression. The film’s intimate handheld camera work emphasizes personal suffering within a broader societal context. The review traces Tarr’s early exploration of social and human themes that foreshadow his later masterpieces. Dive into Béla Tarr’s early work to discover the roots of his cinematic genius and explore profound family and societal struggles.
A film about the revolution where the revolution is only at the margins, it is the backdrop of a missed youth. "Happiness is not smiling but believing, having faith, believing a lot in something so as to be able to obtain it."
A film about the revolution where the revolution is only at the margins, it is the backdrop of a missed youth.
"Happiness is not smiling but believing, having faith, believing a lot in something so as to be able to obtain it."
Infancia Clandestina focuses on the secretive childhood of Juan/Ernesto amidst Argentina's harsh dictatorship. The film contrasts political activism with intimate personal struggles, emphasizing the pain of lost youth and the awakening of self-awareness after family tragedy. It highlights the importance of intimacy in turbulent times rather than grand revolutionary ideals. Discover the poignant story of Infancia Clandestina—explore a unique perspective on youth and revolution in Argentina's darkest era.
The album seems constructed like a disaster film, with opening and closing credits, as well as Morricone reminiscences. It eludes in an unpleasant way, and, after listening to it, the feeling is that of the unsaid, of having missed something of a story we know by heart.
The album seems constructed like a disaster film, with opening and closing credits, as well as Morricone reminiscences.
It eludes in an unpleasant way, and, after listening to it, the feeling is that of the unsaid, of having missed something of a story we know by heart.
Baustelle's Fantasma is a complex and moody album filled with tensions reflecting present-day anxieties. It evokes a nostalgic yet plastic romanticism overshadowed by the theme of human extinction. The album unfolds like a disaster film, exploring despair and surrender, with rare glimpses of hope. It presents matured themes compared to earlier works but leaves listeners with an elusive and unsettling feeling. Dive into Baustelle's Fantasma and experience its haunting blend of romance and apocalypse—listen now and explore its complex moods!
Béla Tarr’s cinema is one that transcends: it transcends space and transcends time, and yet it remains still, true to itself, black and white, like a tango without music, honest. What they build and what they will build, what they do and what they will do is only deceit and lies. What they think and what they will think is ridiculous. They think because they are afraid. And those who are afraid know nothing.
Béla Tarr’s cinema is one that transcends: it transcends space and transcends time, and yet it remains still, true to itself, black and white, like a tango without music, honest.
What they build and what they will build, what they do and what they will do is only deceit and lies. What they think and what they will think is ridiculous. They think because they are afraid. And those who are afraid know nothing.
This review praises Béla Tarr's Werckmeister Harmonies as a transcendent cinematic work that confronts human pain, existential despair, and societal illusions. Set in a bleak Hungarian village, the film uses stark black-and-white imagery and philosophical narrative to explore themes of fear, rationality, and truth. The reviewer highlights the film’s misanthropic yet vital message urging humanity’s awakening. Tarr's cinema is described as both an artistic and emotional effort, inviting viewers to face uncomfortable realities to rediscover authentic existence. Dive into the haunting world of Werckmeister Harmonies and experience Béla Tarr’s powerful cinema of truth and pain.
Tarantino is no longer the one from Pulp Fiction. He is a director who knows his craft, period. The dialogues no longer surprise, the referentiality feels stale and too often masks an underlying emptiness detectable in the film’s moral that racism is a bad thing (no kidding).
Tarantino is no longer the one from Pulp Fiction. He is a director who knows his craft, period.
The dialogues no longer surprise, the referentiality feels stale and too often masks an underlying emptiness detectable in the film’s moral that racism is a bad thing (no kidding).
The review acknowledges Quentin Tarantino as a skilled director who delivers an enjoyable blockbuster with Django Unchained. It critiques the film for lacking originality, relying heavily on verbose dialogue, familiar references, and a predictable plot. While the movie has strong elements like its anti-racism message and acting performances, it ultimately feels formulaic and less impactful compared to Tarantino's earlier works. The reviewer sees it as a solid but muddled film that caters to fans aware of Tarantino’s aesthetic. Explore our detailed review and discover whether Django Unchained lives up to the Tarantino legend!
An awareness of the unamendability of reality would constitute... an abolition of the postmodern koinè (irony, desublimation, deobjectification). It is intellectually dishonest to blame a generation of thinkers from Nietzsche to Deleuze for the cathodic existence of Barbara d’Urso.
An awareness of the unamendability of reality would constitute... an abolition of the postmodern koinè (irony, desublimation, deobjectification).
It is intellectually dishonest to blame a generation of thinkers from Nietzsche to Deleuze for the cathodic existence of Barbara d’Urso.
This review delivers a critical and complex examination of Maurizio Ferraris' 'Manifesto of New Realism.' It challenges the new realism's rejection of postmodernism, arguing that it is improperly grounded and misinterprets the legacy of postmodern thought. The review highlights the intellectual dishonesty of dismissing postmodernism as solipsistic and warns against the perversion of philosophical traditions. Overall, it expresses strong skepticism towards new realism's claims. Dive into this thought-provoking critique of new realism and explore the complex dialogue between reality and philosophy today.
And then there are the flops like "The Hobbit," R.I.P. There are films that transcend the very idea of cinema to delve into the folds of your deepest self, and most of the time, they shake you.
And then there are the flops like "The Hobbit," R.I.P.
There are films that transcend the very idea of cinema to delve into the folds of your deepest self, and most of the time, they shake you.
This review critically examines Peter Jackson's The Hobbit: An Unexpected Journey, describing it as a disappointment and a flop. Despite the potential for cinematic transcendence, the film fails to resonate or impress, contrasting with more memorable and impactful movies. Read the in-depth review to understand why The Hobbit falls short despite its grandeur.
It’s essentially Kinder Colazione Più blended with the elusive crunchiness of Kinder Pan e Cioc. Perhaps a bit too dry, perhaps more suited for children than others.
It’s essentially Kinder Colazione Più blended with the elusive crunchiness of Kinder Pan e Cioc.
Perhaps a bit too dry, perhaps more suited for children than others.
The Kinder Pan e Cioc Tortina Cacao combines the crunchiness of Kinder Pan e Cioc with the flavor of Kinder Colazione Più. While not revolutionary, it features appealing packaging resembling paper. The snack may be a bit dry and seems more suitable for children. Overall, it delivers expected taste without surprises. Check out Kinder Pan e Cioc Tortina Cacao and decide if its crunchy charm suits your taste buds!
How is it possible to create such a sweet, romantic, tender, clear image of death, far from anguishing and almost dreamy? Guccini is the quintessential human artist, the kind of person you listen to not only because he does his job excellently but also because having listened to one of his albums you end up enriched, sad or relieved however you feel finally.
How is it possible to create such a sweet, romantic, tender, clear image of death, far from anguishing and almost dreamy?
Guccini is the quintessential human artist, the kind of person you listen to not only because he does his job excellently but also because having listened to one of his albums you end up enriched, sad or relieved however you feel finally.
This review reflects the deep emotional bond between the fan and Francesco Guccini's album L'ultima Thule. The album is seen as Guccini’s artistic testament, blending themes of memory, death, and life’s journey. It highlights standout songs that evoke nostalgia and historical reflections. The reviewer expresses gratitude for Guccini’s role in their life and honors the album as a final, meaningful farewell. Discover the heartfelt journey of Guccini's final masterpiece—listen to L'ultima Thule and experience a profound farewell.
DeRank™: 35,89
DeRank™: 2,07
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DeRank™: 4,40
DeRank™: 1,45
DeRank™: 2,22
DeRank™: 2,21
DeRank™: 18,52
DeRank™: -1,08
DeRank™: 0,13
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