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 Rother hides behind his table overflowing with effects and his laptop, assaulting the audience’s ears with terrible sound lashes, metallic yet incredibly deep.

 The concert hypnotizes the audience that moves, stirs, is dragged by the rhythm, and stunned by the flow of thoughts expressed through the guitar.

This review covers Michael Rother + Friends' live show at Circolo degli Artisti, emphasizing the innovative use of effects and looping that reimagined Neu!'s classics. Steve Shelley and Aaron Mullan contribute solid performances, with Shelley notably enhancing the rhythmic structure. Rother’s reserved stage presence contrasts with the intensity of his music, reflecting historic differences with Klaus Dinger’s style. The concert captivates the audience with hypnotic grooves and expert musicianship. Discover the mesmerizing live reinterpretation of Neu! classics by Michael Rother + Friends – listen and feel the hypnotic power!

 "The best way to describe madness is through the distorted and childish vision of reality that a child can have."

 "Wyatt managed to rationalize madness by expressing it in a 'manneristically' Dadaist key."

Robert Wyatt's 1970 solo album 'The End of an Ear' artistically explores the irrational side of human nature through a fusion of free jazz and psychedelic rock. Using a Dadaist approach, Wyatt creates chaotic yet structured soundscapes that challenge conventional music. Though dense and hard to access, the album rewards focused listeners with its depth and innovation. Its blend of improvisations and experimental noise expresses a unique vision of madness and freedom. Dive into Robert Wyatt's chaotic masterpiece and experience the sound of madness in music—listen now!

 "The union of such instruments makes me shout at the miracle... what deeply amazes me is the cohesion of sounds that Morphine managed to create."

 "The humanity of 'Good' is incredible; its fake simplicity ensnares the average listener who does not dwell on the infinite facets of each track."

The review praises Morphine's 1992 album 'Good' for its unique blend of jazz, rock, and avant-garde influences. It highlights the band's minimal yet cohesive instrumentation—baritone bass, saxophone, drums—and Mark Sandman’s emotive voice and poetic lyrics. Each track is explored for its harmonic subtlety and emotional resonance. The album is celebrated as an innovative and deeply human musical experience lasting just over 38 minutes. Listen to Morphine's 'Good' and experience a groundbreaking blend of jazz, rock, and avant-garde innovation.

 Rusty is the whole target — encompassing styles from classical to metal, jazz to punk.

 Rusty is the description a madman might give of his mental state just before falling into the abyss of madness.

Rodan's 1994 album Rusty stands out for its unique blend of genres, defying easy categorization between punk, metal, and post-rock. Produced by Bob Weston, the album is a psychological exploration of repression and madness, with lyrics and sounds depicting inner conflict and frustration. It draws inspiration from and compares closely with Slint's Spiderland while maintaining its unpredictability and raw emotional power. The album's conceptual depth is further highlighted by its cover art and complex compositions. Dive into Rodan's Rusty and experience a gripping post-rock journey that challenges musical boundaries and explores the depths of the human mind.