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DeRank ™: 0,18 • DeAge™ : 6170 days
Almost the entire second half of 20th-century music is present in seven minutes! The freedom of the arrangement catches the eye because it’s as if the three instruments are playing completely disconnected things.
Almost the entire second half of 20th-century music is present in seven minutes!
The freedom of the arrangement catches the eye because it’s as if the three instruments are playing completely disconnected things.
This review praises Vital Tech Tones' self-titled album as a fundamental piece of 90s fusion, highlighting the unique contributions of Scott Henderson, Victor Wooten, and Steve Smith. It focuses on the blend of genres, expert musicianship, and the album's innovative approach to blues and funk within fusion. The reviewer laments the band's short lifespan but appreciates their lasting impact. Dive into Vital Tech Tones' fusion masterpiece—experience the genius of Henderson, Wooten, and Smith today!
It’s as if he’s 'preparing a dish,' since the song structures are pleasantly studied and compelling, all to satisfy all kinds of palates. An optimal work, perhaps some tracks required a 'reconnaissance of ideas,' but it is still appreciable.
It’s as if he’s 'preparing a dish,' since the song structures are pleasantly studied and compelling, all to satisfy all kinds of palates.
An optimal work, perhaps some tracks required a 'reconnaissance of ideas,' but it is still appreciable.
Jeff Loomis' solo album 'Zero Order Phase' showcases his passion and technical prowess as a guitarist young in career but mature in skill. Mixing thrash, technical metal, and neo-classical influences, the record presents a compelling instrumental journey. Guest artists such as Ron Jarzombek and Michael Manring enrich the soundscape. Despite some less original dissonances, the album is thoughtfully structured, cleanly produced, and enjoyable for metal fans. Discover Jeff Loomis' masterful guitar work in Zero Order Phase – listen now and experience a metal solo project like no other!
Shostakovich represents the avant-garde indeed. Thanks to this sublime music, at the end of this disc you feel filled as if you have completed a journey.
Shostakovich represents the avant-garde indeed.
Thanks to this sublime music, at the end of this disc you feel filled as if you have completed a journey.
This review delves into Dmitry Shostakovich’s Piano Sonata No.1 and 24 Preludes, emphasizing their avant-garde nature and emotional depth rooted in the Russian Revolution era. The 2001 recording by Konstantin Scherbakov is praised for its perfect interpretation and technical mastery. The preludes are compared to Bach’s compositions in structure while highlighting their modernist and contrasting tonal language. The recording by Naxos offers high-quality sound, making this album a rewarding experience for listeners seeking profound classical piano music. Discover the avant-garde brilliance of Shostakovich’s piano works – listen to Scherbakov’s acclaimed recording now!
The group’s skill lies in 'playing' with all these constructs, entertaining and also intriguing the listener. Face First dated 1993, though not an easy album to listen to, excellently demonstrates the great diversity present in this group.
The group’s skill lies in 'playing' with all these constructs, entertaining and also intriguing the listener.
Face First dated 1993, though not an easy album to listen to, excellently demonstrates the great diversity present in this group.
Face First by Tribal Tech is a sophisticated fusion album showcasing the band's versatility and musicianship. With a blend of funk, blues, and complex rhythms, the album defies easy categorization. Each track offers unique sonic exploration, highlighting Scott Henderson's guitar and Gary Willis's inventive bass lines. Despite being challenging, it remains a smart and engaging listen. The review celebrates the band’s legacy and musical wisdom. Explore the innovative sounds of Tribal Tech's Face First—listen now and dive into fusion’s rich textures!
Patitucci is one of those few bassists who 'plays' his bass lines with his body, giving a human character to each note. 'Line by Line' is an album to listen to in one breath, as it is a crescendo of calm improvisations, very intelligent counterpoints, delightful melodies.
Patitucci is one of those few bassists who 'plays' his bass lines with his body, giving a human character to each note.
'Line by Line' is an album to listen to in one breath, as it is a crescendo of calm improvisations, very intelligent counterpoints, delightful melodies.
The review praises John Patitucci's album 'Line By Line' for its stylistic maturity and expressive bass playing. Highlighting collaborations with jazz legends, the album is described as a cohesive journey of calm improvisations and intelligent melodies. Each track flows seamlessly, balancing emotion and musicality without dissonance. The production is high quality, though optimal sound requires attentive listening. Recommended for jazz lovers and those appreciating heartfelt, experimental music. Dive into John Patitucci's 'Line By Line' and experience the soulful mastery of jazz bass. Listen now and discover a journey of timeless jazz elegance.
The work that the three propose to us is one of the most avant-garde, mind-bending, complicated, schizoid, elaborate, and thoughtful albums of the math-metal scene. "Laser Lobotomy" is like a drill penetrating the brain.
The work that the three propose to us is one of the most avant-garde, mind-bending, complicated, schizoid, elaborate, and thoughtful albums of the math-metal scene.
"Laser Lobotomy" is like a drill penetrating the brain.
Blotted Science's "The Machinations Of Dementia" showcases an intense, avant-garde blend of math metal with complex rhythms and virtuoso playing by Jarzombek, Webster, and Zeleny. The album offers intricate compositions with uncommon time signatures and dynamic shifts. It blends technical precision with musical creativity, producing a challenging yet rewarding listen. Exceptional production enhances its chaotic yet structured atmosphere, making it a standout release for fans of technical and experimental metal. Dive into the sonic maze of Blotted Science’s The Machinations Of Dementia—explore this math metal masterpiece now!
"Willis plays almost all the instruments, except for some drum parts played by Kirk Covington..." "It's not a perfectly successful album, but definitely worth listening to and understanding because it still involves Gary Willis."
"Willis plays almost all the instruments, except for some drum parts played by Kirk Covington..."
"It's not a perfectly successful album, but definitely worth listening to and understanding because it still involves Gary Willis."
Gary Willis' album 'Actual Fiction' blends jazz fusion with electronic elements, showing his mastery of fretless bass rooted in Jaco Pastorius' style. While innovative, some electronic and synthesized sounds feel overused, affecting the overall cohesion. The album features contributions from Kirk Covington and showcases a mix of complex rhythms and grooves. Though not a breakthrough fusion album, it remains engaging and worth exploring for fans of jazz fusion and progressive bass playing. Discover Gary Willis' 'Actual Fiction' and dive into a unique fusion of jazz, bass mastery, and electronic sounds!
The beautiful unison of guitar and violin built on scales never played before, and enriched by a seismic rhythm section and the sonic wall of keyboards, help create a vibrant atmosphere of great musical and emotional tension. Anyone seeking a descriptive meaning in this album will fail in their quest because Mahavishnu Orchestra’s music, being sophisticated music, does not describe, but underscores.
The beautiful unison of guitar and violin built on scales never played before, and enriched by a seismic rhythm section and the sonic wall of keyboards, help create a vibrant atmosphere of great musical and emotional tension.
Anyone seeking a descriptive meaning in this album will fail in their quest because Mahavishnu Orchestra’s music, being sophisticated music, does not describe, but underscores.
Mahavishnu Orchestra's 'Birds Of Fire' stands out as a pinnacle of 70s jazz fusion, showcasing virtuoso performances and innovative arrangements. The album blends classical, blues, and electric jazz elements with powerful rhythms and sophisticated melodies. Tracks vary from intense and complex to delicate and emotive. The fusion of guitar and violin, along with a dynamic rhythm section, creates a timeless and revolutionary sound. Despite the band's brief career, this album remains a lasting landmark in jazz history. Dive into the groundbreaking fusion sounds of Mahavishnu Orchestra's 'Birds Of Fire'—listen now and experience jazz innovation at its peak!
The trio’s skill lies precisely in proposing very different musical situations, as if they wanted to 'play' with the listener’s heart, fully succeeding in their endeavor. The sound always keeps the listener attentive, rarely tiring them, recommended for lovers of more mature experimentation.
The trio’s skill lies precisely in proposing very different musical situations, as if they wanted to 'play' with the listener’s heart, fully succeeding in their endeavor.
The sound always keeps the listener attentive, rarely tiring them, recommended for lovers of more mature experimentation.
Medeski Martin & Wood's 1998 album Combustication blends acid jazz, funk, and hip-hop with avant-garde and psychedelic jazz elements. The trio showcases skilled rhythmic interplay and innovative keyboard and bass work. Tracks vary from playful grooves to complex atonal explorations, offering a mature and engaging listening experience. The album marks an important evolutionary step with their signing to Blue Note Records. Recommended for fans of experimental jazz looking for fresh, genre-bending sounds. Dive into Medeski Martin & Wood's Combustication and experience innovative jazz fusion at its finest. Listen now and explore their genre-bending sound!
Coltrane tackles the notes and dissects the musical themes as if he wanted to lay bare his pain. Shepp’s set is calm but never banal, completely destroying pre-established jazz forms with a variety of emotions.
Coltrane tackles the notes and dissects the musical themes as if he wanted to lay bare his pain.
Shepp’s set is calm but never banal, completely destroying pre-established jazz forms with a variety of emotions.
This review analyzes the iconic 1965 live album 'New Thing At Newport' featuring John Coltrane and Archie Shepp. It contrasts Coltrane's intense, emotionally charged performance with Shepp's hypnotic and abstract style. The record is praised for capturing the spirit of '60s avant-garde jazz and remains a definitive and powerful documentation of this era. The reviewer highlights the historic lineup and the deep emotional and musical impact of the recording. Dive into this powerful live jazz experience—listen to Coltrane and Shepp push the boundaries of 1960s avant-garde jazz now!
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