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"We must go back, without any fear, to the origin of everything! To the land! The land of the fathers!" "A language can smell of Irpinia: dialectical, onomatopoeic, ancient. A language can become body, matter."
"We must go back, without any fear, to the origin of everything! To the land! The land of the fathers!"
"A language can smell of Irpinia: dialectical, onomatopoeic, ancient. A language can become body, matter."
The review explores Vinicio Capossela's Il paese dei coppoloni as a poetic journey into forgotten lands and identities. It delves into the tension between modernity and tradition, myth and reality, and the search for a lost sense of belonging. The evocative language and vivid place names evoke a fading world rich with spirit and matter. Ultimately, the work invites reflection on loss, regeneration, and the quest for deeper understanding. Dive into Capossela's evocative world—listen, read, and rediscover lost identities and ancient myths today!
Aah, the abstract heights that man's imaginative mind can reach! Here we move from classic Celtic folklore (multi-voice harmonies, mandolin) to what we’ve discussed above.. India! Africa! Middle East! Ireland!
Aah, the abstract heights that man's imaginative mind can reach!
Here we move from classic Celtic folklore (multi-voice harmonies, mandolin) to what we’ve discussed above.. India! Africa! Middle East! Ireland!
Bröselmaschine's eponymous 1971 album showcases an imaginative fusion of German folk rock with instruments and styles from India, Africa, and the Middle East. Rooted in Duisburg's industrial backdrop, the band offers a unique acoustic sound enriched by global influences. The review celebrates the cultural exchange and experimental spirit of the early 70s folk scene, highlighting the band's diverse instrumentation and evocative soundscapes. Despite its obscurity, the album stands as a testament to musical creativity and the imaginative potential of human expression. Explore Bröselmaschine's 1971 folk fusion album and experience a unique blend of global sounds from Germany's creative underground!
"Marquez strikes me as a technician, an expert in artifice, a literate person." "One Hundred Years of Solitude isn’t ugly, it’s simply innocuous, and all the pounds of rhetoric intended to entertain and move risk making this book almost apathetic."
"Marquez strikes me as a technician, an expert in artifice, a literate person."
"One Hundred Years of Solitude isn’t ugly, it’s simply innocuous, and all the pounds of rhetoric intended to entertain and move risk making this book almost apathetic."
The review presents a thoughtful and somewhat skeptical perspective on Gabriel García Márquez's One Hundred Years of Solitude, highlighting the author's technical mastery but questioning the emotional depth and originality. It discusses the novel's cinematic qualities and the clichés it may employ, acknowledging its significant cultural status while expressing personal reservations about its impact. Explore this candid review and decide if One Hundred Years of Solitude is your next literary journey.
Reading the prose of The Magic Mountain often brings to mind... a slimy worm moving, slithering slowly, with the characteristic sluggishness of slimy creatures. You who were a mediocre bourgeois from the plains become like a modern Perceval in search of the Holy Grail, not the magical cup, the Grail for you is something else, the sense of the human, its ideal and its consistency.
Reading the prose of The Magic Mountain often brings to mind... a slimy worm moving, slithering slowly, with the characteristic sluggishness of slimy creatures.
You who were a mediocre bourgeois from the plains become like a modern Perceval in search of the Holy Grail, not the magical cup, the Grail for you is something else, the sense of the human, its ideal and its consistency.
The review captures the challenging yet rewarding experience of reading Thomas Mann's The Magic Mountain. It highlights the slow, intricate prose and the deep themes of time, illness, and human idealism portrayed through Hans Castorp’s extended stay at a Swiss sanatorium. Though dense and digressive, the novel offers profound literary and philosophical reflections, culminating in a transformative journey. Dive into Thomas Mann’s masterpiece and experience a profound literary journey through time, illness, and humanism.
He only needs a banjo, a guitar, and a violin, he says. Oh yes, and some plywood. He plays the violin so fast just to show off, I’m telling you.
He only needs a banjo, a guitar, and a violin, he says. Oh yes, and some plywood.
He plays the violin so fast just to show off, I’m telling you.
John Hartford's album Mark Twang is a quirky solo effort where he plays banjo, guitar, violin, and even uses plywood for percussion. The review highlights his eccentric style and storytelling about riverboat life and southern characters. Despite the reviewer’s mixed feelings about the solo approach and odd choices, the album’s charm shines through. The record blends upbeat fiddle performances with slower bluesy tunes, offering a unique folk experience. Listen to John Hartford's Mark Twang for a unique solo folk journey full of charm and musical eccentricity.
"Minimalism doesn’t necessarily mean restraint." "The whole thing is a pretence, to make music. It’s an act of pretending."
"Minimalism doesn’t necessarily mean restraint."
"The whole thing is a pretence, to make music. It’s an act of pretending."
Adult Jazz's album Gist Is presents a complex and carefully crafted musical experience where voices lead through changing melodies and sudden pauses. The album blends elements of art pop, post rock, and free jazz without fully committing to any one genre. Its refined minimalist approach uses thoughtful musical forms to express introspective themes. While the songs build tension, they rarely climax conventionally, reflecting the band's unique avant-garde style. Discover the subtle depth of Adult Jazz's Gist Is—listen now and experience their unique blend of art pop and experimental sounds.
It sounds like Delta blues disguising itself as hard rock, hiding behind the seemingly modern approach. The male voice screams quite a lot, sometimes turning into a lament that becomes a scream.
It sounds like Delta blues disguising itself as hard rock, hiding behind the seemingly modern approach.
The male voice screams quite a lot, sometimes turning into a lament that becomes a scream.
Kill It Kid’s album Feet Fall Heavy blends Delta blues with hard rock through intense guitar work and powerful male/female vocals. Despite limited fame, the album delivers raw, heartfelt songs that balance simplicity and depth. The review highlights the band's energetic approach and mentions the album’s remarkable survival amid real-world turmoil. It's a solid and evocative indie record from the Bath-based band. Listen to Kill It Kid’s Feet Fall Heavy now for a gritty blend of blues and rock with powerful vocals.
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