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DeRank ™: 0,15 • DeAge™ : 6338 days
Magic Pie’s music is a progressive metal with a high technical rate and with that “sentimental” ingredient typical of LaBrie & co.’s repertoire. As long as they push on the metal pedal, they are a thrilling spectacle, but if they slow the pace, the emotion quickly dwindles.
Magic Pie’s music is a progressive metal with a high technical rate and with that “sentimental” ingredient typical of LaBrie & co.’s repertoire.
As long as they push on the metal pedal, they are a thrilling spectacle, but if they slow the pace, the emotion quickly dwindles.
Magic Pie’s album Circus Of Life delivers a technically impressive and emotionally charged progressive metal experience inspired by Dream Theater. The album features a lengthy title track suite and strong moments like 'Freakshow' and 'Pointless Masquerade.' While the band excels when pushing heavy metal elements, slower parts occasionally lose impact. The vocalist’s tone brings a distinctive, feminine Bruce Dickinson quality. Overall, it’s a compelling album with potential to gain wider recognition. Dive into Magic Pie’s Circus Of Life and discover a thrilling blend of progressive metal mastery and heartfelt emotion.
The display of technique doesn’t come at the expense of the enjoyment it provides. And to think there are still those who say that prog is cold music made only of technique for its own sake. Thank you for proving them wrong, beardfish.
The display of technique doesn’t come at the expense of the enjoyment it provides.
And to think there are still those who say that prog is cold music made only of technique for its own sake. Thank you for proving them wrong, beardfish.
Beardfish’s Sleeping in Traffic: Part One is a fresh and eclectic progressive rock album that pays homage to 70s prog classics while incorporating emotional depth. The album balances technical skill with enjoyable melodies, and tracks like 'Roulette' showcase the band’s rare flair. This reflective first installment contrasts with the more energetic Part Two, revealing a layered and heartfelt musical journey. Listen to Beardfish’s Sleeping in Traffic: Part One and experience a fresh take on classic prog rock!
The tones are somber: it’s like moving under a sky covered with heavy dark clouds reverberating with echoes of threatening lightning. This music creates an atmosphere, there’s nothing to be done: it dazes at first listen, it’s true, but then it makes its way well in the midst of the storm.
The tones are somber: it’s like moving under a sky covered with heavy dark clouds reverberating with echoes of threatening lightning.
This music creates an atmosphere, there’s nothing to be done: it dazes at first listen, it’s true, but then it makes its way well in the midst of the storm.
Frogg Café's album Bateless Edge is an intense and challenging fusion of jazz and progressive rock, rich with dissonant and evocative tones. Influences from Frank Zappa, Mahavishnu Orchestra, and King Crimson permeate the album, creating an apocalyptic, stormy atmosphere. Key tracks like 'Terra Sancta', 'Pasta Fazeuhl', and 'Under Wuhu Son' showcase complex instrumentals and mood shifts. While not an easy listen, the album rewards attentive listeners with its atmospheric depth and musical sophistication. Dive into the stormy and intricate world of Frogg Café’s Bateless Edge — listen now to experience this unique jazz-progressive fusion.
The Disco Biscuits are nothing transcendental: there are no particular virtuosity displays, nor unusual intersections between rock’s roughness and the slickness of the clubbing dimension. Planet Anthem partially convinces: in parts, it has exactly what you’d expect, in others, it surprises you.
The Disco Biscuits are nothing transcendental: there are no particular virtuosity displays, nor unusual intersections between rock’s roughness and the slickness of the clubbing dimension.
Planet Anthem partially convinces: in parts, it has exactly what you’d expect, in others, it surprises you.
Disco Biscuits’ Planet Anthem is a heterogeneous studio album blending jam band improvisation with electronic and dance influences. While the band excels live, the record reveals uneven songwriting and clichéd lyrics. Some tracks show intriguing stylistic variety influenced by artists like Radiohead and Faithless. The album’s production and artwork are notable, but it falls short of transcending typical genre constraints. Discover the eclectic sounds of Disco Biscuits’ Planet Anthem—stream the album and experience their unique jam band fusion!
Going to see dear Sergino Tankian at the Auditorium Parco della Musica was like meeting up with an old friend who has changed circles. Serj has rightly focused on a completely orchestral setup for the songs, adding only piano and guitar... the experiment has succeeded.
Going to see dear Sergino Tankian at the Auditorium Parco della Musica was like meeting up with an old friend who has changed circles.
Serj has rightly focused on a completely orchestral setup for the songs, adding only piano and guitar... the experiment has succeeded.
The review praises Serj Tankian's live Elect the Dead Symphony concert at Rome’s Auditorium Parco della Musica, highlighting his successful fusion of orchestral and rock elements. Tankian's charismatic stage presence and vocal command shine throughout the set. The concert’s unique symphonic arrangements bring new life to tracks from his solo album, showcasing his artistic growth beyond System of a Down. The audience engagement and atmospheric venue added to a magical musical evening. Experience the captivating fusion of rock and orchestra—listen to Serj Tankian’s Elect the Dead Symphony and explore this unique musical journey!
Les Claypool! He is truly the greatest living bassist. A few hours of live music, and a change of season were enough to drown everything.
Les Claypool! He is truly the greatest living bassist.
A few hours of live music, and a change of season were enough to drown everything.
The reviewer recounts a transformative experience at the Jam in the 'Dam 2010 festival in Amsterdam’s Melkweg venue. From cold, troubled memories of a past trip to newfound appreciation, the live sets by Yonder Mountain String Band, Josh Phillips, The Bridge, Umphrey's McGee, New Mastersounds, and especially Les Claypool are praised for their musical talent and atmosphere. The festival helped the author reconcile with the city and rediscover its vibrant spirit. Dive into the vibrant Jam in the 'Dam festival experience and discover unforgettable live performances by legendary jam bands!
Their music is a form of avant-garde-post rock with jazzy and heavily electronic tones. The key track of the album is titled 'Persophone Under Mars'; it begins with piano dissonances that would gladly accompany the opening credits of a horror film.
Their music is a form of avant-garde-post rock with jazzy and heavily electronic tones.
The key track of the album is titled 'Persophone Under Mars'; it begins with piano dissonances that would gladly accompany the opening credits of a horror film.
The review praises Critters Buggin's 2004 album 'Stampede' for its unique fusion of avant-garde post-rock, jazz, and electronic elements. The album's varied tracks create a hypnotic and immersive listening experience. Key songs like 'Persophone Under Mars' and 'Punk Rock Guilt' highlight the band's creativity and intensity. The reviewer notes only one less appealing track but overall finds the album captivating and perfect for creative focus. Dive into Critters Buggin's 'Stampede' and experience a mesmerizing blend of jazz, electronics, and post-rock. Listen now and get inspired!
Give it just one listen; it’s worth it. When you come across collectives like these Umphrey’s McGee, you can’t help but notice that you are in front of something unusual.
Give it just one listen; it’s worth it.
When you come across collectives like these Umphrey’s McGee, you can’t help but notice that you are in front of something unusual.
Umphrey’s McGee’s 2007 album The Bottom Half impresses with its blend of genres from funk-metal to reggae and melodic pop rock. The album showcases technical clarity, versatility, and captures the essence of a strong live band. Alongside the main disc, a second disc features outtakes and improvisations adding depth for fans. The reviewer highly recommends giving the album a listen and expresses curiosity about their live shows. Explore The Bottom Half and experience Umphrey’s McGee’s unique blend of genres and masterful jams today!
Once listened to, though not immediately catchy, it is one of those records that compel you to hit play again and to thank from the bottom of your heart the people who, once they reach success, truly know how to explore other paths. Al Posto del Fuoco consists of twelve tracks as direct as a punch in the face.
Once listened to, though not immediately catchy, it is one of those records that compel you to hit play again and to thank from the bottom of your heart the people who, once they reach success, truly know how to explore other paths.
Al Posto del Fuoco consists of twelve tracks as direct as a punch in the face.
Meganoidi’s album Al Posto del Fuoco marks a mature and experimental direction away from their earlier ska influences. The band blends powerful electric sounds with dark, hypnotic atmospheres and thought-provoking lyrics. Tracks like “Altrove” and “Scusa Las Vegas” highlight their artistic growth while still delivering impactful rock. This album rewards listeners who appreciate bold, independent musical journeys. Dive into Meganoidi’s Al Posto del Fuoco and experience their daring blend of rock innovation and deep emotion today!
The Roman theater was hit for two full hours by a psychedelic avalanche of sounds and lights. The duo Cedric and Omar is a perfect example of stage animals: without addressing a single word to the audience, they entertained and thrilled us with solos and only seemingly disorganized dances.
The Roman theater was hit for two full hours by a psychedelic avalanche of sounds and lights.
The duo Cedric and Omar is a perfect example of stage animals: without addressing a single word to the audience, they entertained and thrilled us with solos and only seemingly disorganized dances.
The Mars Volta’s live performance at the Teatro Romano di Ostia Antica was a mesmerizing mix of psychedelia, progressive rock, and intense improvisation. The unique venue enhanced the show’s atmosphere with great acoustics and visual spectacle. The band showcased technical mastery and wild energy, particularly through Omar and Cedric’s solos and the powerhouse drumming. Despite not playing any tracks from 'De-loused in the Comatorium,' the concert was captivating and proved the band’s live prowess. The reviewer was deeply impressed, calling it a monumental and unforgettable experience. Dive into this legendary live show and discover The Mars Volta's explosive experimental rock energy!
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