ProgRock

 The French trio ... succeed in the arduous and rare task of recovering the albums of the Zeuhl masters, wiping off some of the dust accumulated over the years.

 The hypnotic Moog, Segersian bass, and jazzy drumming create a vortex of sounds and colors that bring this splendid debut to life.

Xing Sa's debut album Création de l'Univers showcases a unique blend of French avant-garde prog and Zeuhl, delivering a sophisticated and engaging instrumental experience. The trio avoids typical guitar-driven prog, focusing on keyboards, bass, sax, and jazz-influenced drumming. Released via the Soleil Zeuhl label, the album pays homage to late seventies prog masters while presenting a fresh, modern sound. The concept centers on cosmic themes divided into elemental sections, offering a captivating and memorable journey for enthusiasts. Explore Xing Sa's Création de l'Univers and experience a fresh take on classic Zeuhl prog—listen now and dive into the cosmic soundscape!

 "'Trouble In Dreams' is perhaps the artist’s most reflective work, highlighting difficulties and life experiences that reappear like theatrical scenes in our minds."

 "The arrangements by keyboardist Ted Bois in 'Shooting Rockets' create the most intense moment of the work, serving as a perfect backdrop to Nicholas Bragg’s guitar."

Destroyer’s Trouble In Dreams (2008) is a reflective indie album from Daniel Bejar that explores dream imagery and personal struggles through poetic lyrics. With intricate arrangements by Ted Bois and guitar work from Nicholas Bragg, the album showcases Bejar’s compositional talent. The work stands alongside other acclaimed Canadian indie releases, balancing singer-songwriter finesse with inventive indie rock influences. It offers a unique listening experience marked by intellectual depth and emotional resonance. Listen to Destroyer’s Trouble In Dreams and dive into a poetic indie journey full of dreamlike depth and musical artistry.

 This could be a definition attributed to the term Post-Rock, or rather to the experience of certain artists like Tortoise or to the projects undertaken later by the members of Squirrel Bait.

 The bass lines almost obsessively resembling a Trip-Hop track... soundscapes where it feels like looking at the night sky from a metropolis.

Hurtmold's album Mestro explores the boundaries of post-rock with jazz-like percussion and trip-hop influences. The Brazilian band advances their sound from previous albums, creating atmospheric and experimental music. Their sound recalls early Tortoise and For Carnation, with distinctive Paulista rhythmic elements. The record appeals to those seeking innovation rooted in 80s and 90s post-rock aesthetics. Listen to Hurtmold's Mestro and dive into a unique blend of post-rock and jazz fusion today!

 "An album that leaves behind the melancholy, the 'brevity' and some characteristics of the tracks from the previous work, making room for symphonic evocations of Progressive Rock."

 "The splendid opening and closing Suites of the album are the moments most akin to the romantic Rock in their discography, where brass and a neurotic Sax interlude precede acid guitar solos in a Hackett-like fashion."

Hypnos 69's Legacy album offers a rich fusion of psychedelic and progressive rock with influences from 70s underground sounds. The album features complex compositions, hypnotic moments, and sophisticated instrumentation including brass and Mellotron. It evolves from their previous work, maintaining engagement and quality. A must-listen for fans of eclectic and symphonic rock. Discover Hypnos 69's Legacy and immerse yourself in a unique blend of psychedelic and progressive rock excellence.

 A simple sound, but in its emotional intimacy, rich in nuances.

 Practically encapsulating the overwhelming passion that 'burns' within their art.

Galaxie 500's 1988 debut album 'Today' showcases a dreamy, poetic rock sound influenced by the Velvet Underground and 80s underground scene. The album blends shoegaze, dream pop, and post-punk elements with emotional intimacy and simplicity that leaves a lasting impression. Tracks like 'Tugboat' and the instrumental highlight the band’s melodic and textured style. The review praises the album as a timeless hybrid sound suitable for any listening moment. Dive into the dreamy world of Galaxie 500's 'Today' and experience a foundational indie rock masterpiece.

 ‘Why Are We Not Perfect?’ is the most melodic, direct, and above all simple of Broadrick’s works.

 Three songs of pure crystalline beauty that make you want to listen to them repeatedly.

Jesu’s EP 'Why Are We Not Perfect?' showcases a melodic, ambient-rock style, diverging from Justin Broadrick’s industrial past with Godflesh. Featuring three standout songs, it blends dreamy shoegaze and subtle electronics, creating a unique and introspective listening experience. The EP highlights the artist's evolution into more melodic and simpler forms, earning praise for its crystalline beauty and emotional depth. Listen to Jesu’s evocative EP 'Why Are We Not Perfect?' and immerse yourself in its dreamy ambient rock soundscape today!

 Beyond The 4th Door begins with the hypnotic guitars of 'Ancient Echoes', reminiscent of Ash Ra Tempel and early Gottsching.

 'Galactic Derelict' stands out as a Hawkwind space ritual with acid guitars and prominent drums in improvisation.

Eternal Tapestry’s 2011 album Beyond The 4th Door presents a richly atmospheric blend of psychedelic and ambient rock. The band delivers hypnotic, spatial soundscapes with clear influences from Floyd, Hawkwind, and Popol Vuh. Standout tracks feature acid guitar riffs and cosmic rhythms, creating an immersive listening experience. It's a rewarding album for fans of cerebral and exploratory psychedelic music. Dive into Eternal Tapestry’s cosmic psychedelic sound—listen to Beyond The 4th Door today!

 'Iridule can be considered as a kind of unsettling and introspective sonic journey, enriched by almost fairy-tale-like interludes.'

 An album that represents a further stylistic maturity for the 'homegrown' ensemble, it hardly strikes at first listens, but after that, it becomes impossible to stop listening to it.

Yugen's 'Iridule' is a sophisticated and original avant-prog album that blends rock with chamber music elements. Featuring notable collaborations, it builds on the 80s avant-prog tradition while showcasing compositional excellence. Though its complexity demands attentive listening, it rewards with rich, memorable moments and a strong vocal presence. The album highlights the band's stylistic growth and offers a promising glimpse of their future work. Explore Yugen's 'Iridule' for a compelling journey through modern avant-prog and experience its intricate blend of rock and chamber music.

 The music of Xiu Xiu is a flow of imperceptible feelings, a massacre of a simple pop song, fragmented, dissected, torn to pieces, and fed to the listener through an agonizing melody.

 "Gray Death" and "Chocolate Makes You Happy"... best represent the intent of this latest musical endeavor produced by Kill Rock Stars.

Xiu Xiu's album 'Dear God, I Hate Myself' marks a shift to more structured and catchy tracks while preserving their experimental roots. Jamie Stewart and new keyboardist Angela Seo offer an emotionally intense blend of post-punk and synth-driven melodies. The album balances accessibility with artistic depth, though longtime fans might find it less experimental. Despite the band's signature challenging cover art, the music shines as a remarkable continuation of their unique style. Dive into Xiu Xiu’s hauntingly catchy soundscape—listen to ‘Dear God, I Hate Myself’ and experience their unique post-punk evolution now!

 Splendid combination, free of frills, of Symphonic Prog and Jazz Fusion, keyboard symphonies halfway between Keith Emerson and Alan Gowen.

 The few minutes of vocal parts in Argentine language on the record distinguish the peculiarity of the product and the stylistic meeting point with their country of origin.

Alas' 1976 self-titled album blends symphonic progressive rock with jazz fusion, influenced by Weather Report and the Canterbury scene. The Argentine trio delivers complex keyboard-focused suites enhanced with native language vocals. The album stands out for its experimental synth use and symphonic eclecticism. EMI's reissue with bonus tracks makes this classic accessible. A notable work in Argentine prog history. Listen to Alas' groundbreaking fusion of symphonic prog and jazz—discover their classic 1976 album today!