veramazzotta

 Comedy never excessive, somewhat irreverent but never sarcastic and lots of music, transformed, adapted, recreated but always felt, authentically and truly interpreted.

 Music, whether lived or merely observed, acts as a mediator: play, fun, authenticity in expression, possibility of communication and sharing, no loftiness nor arrogance and protagonism.

Igudesman and Joo combine exceptional musical talent with sharp humor and parody, creating an engaging performance that resonates with both musicians and general audiences. Their show at Villa Doria in Rome expertly uses play as a medium to critique, entertain, and evoke shared laughter. The duo’s blend of music and theatre delivers a unique artistic experience that celebrates imperfection and human nature. Experience the thrilling fusion of music and comedy—watch Igudesman and Joo’s unforgettable show and laugh through virtuosity!

 Pappano is a true deus ex-machina, co-directing every crescendo, expression, and light effect.

 This show is hard to define, not an oratorio, melodrama, or opera – just pure emotions.

Antonio Pappano’s production of Jeanne d’Arc au Bucher at Rome’s Auditorium Parco della Musica delivers a powerful blend of music and drama. The work, with music by Honneger and text by Claudel, explores themes of nationalism, sacrifice, and truth. The staging is innovative and emotionally engaging, with Romane Bohringer delivering an intense performance. Pappano’s direction ensures a masterful fusion of sound, light, and acting, creating a memorable season opener. Discover the emotional depth and innovative artistry of Antonio Pappano’s Jeanne d’Arc – listen or watch this captivating musical drama today!

 I want my Zimerman back.

 Zimerman 'grants' something, but does not reveal himself, much less gives.

This review reflects on Krystian Zimerman’s 2008 live concert in Rome, highlighting his exceptional technical control and refined style. While his performance impresses with precision and intellectual rigor, the reviewer misses the thrilling emotional vulnerability of his earlier years. The program’s choice of Bach and Beethoven pieces mirrors Zimerman’s disciplined yet sometimes detached interpretation. Ultimately, the review appreciates his mastery but longs for a greater emotional connection. Discover the delicate balance between precision and passion in Zimerman’s live performance—listen and form your own connection.

 For forty minutes I cried and laughed, and the emotions blended and blurred in that tornado of notes.

 Volodos enters the stage like the operatic singer he once was, but he doesn’t give himself airs as a great virtuoso; frank, authentic, extroverted, confident.

The review praises Arcadi Volodos' live performance at Santa Cecilia, emphasizing his extraordinary technical skills and deep emotional interpretation. The writer is overwhelmed by the intensity and passion Volodos delivers, particularly highlighting the Rachmaninoff 3rd Concerto. Despite some criticism regarding the orchestra's ability to keep up, the pianist's performance is ranked alongside other virtuosic legends. The concert evokes a whirlwind of emotions, leaving the reviewer deeply moved. Discover Arcadi Volodos' extraordinary live piano artistry—listen and feel the whirlwind of emotion!

 Lang’s has all the colors and even the sounds of water: crystal-clear and pure, opalescent and adamantine in the execution of the most beautiful Mozart I have heard in recent years.

 Many consider theirs a “vain” attempt to follow in Horowitz’s footsteps, but in Horowitz no sounds, no colors of water. Horowitz, by now, has been far surpassed.

The review captures Lang Lang's dynamic live performance at Rome's Parco della Musica. Despite initial skepticism about his theatrical style, the reviewer acknowledges his growing maturity and virtuosity. The concert featured demanding classical repertoire mixed with traditional Chinese pieces, highlighting Lang's unique musical personality. His interpretations balanced showmanship with depth, culminating in an impressive Liszt rhapsody finale. Overall, the experience was engaging and memorable. Experience Lang Lang’s mesmerizing live piano artistry—listen to his vibrant interpretations blending classical depth and vibrant showmanship.

 I considered it a gift to have met people who always remind me of the meaning of 'communicating ideas and emotions', communicating oneself: PLAYING.

 Pollini demonstrated undeniable technical skills, but his interpretation was anxious, not very communicative, and not musically convincing.

The review critiques Maurizio Pollini’s performance of Brahms' Concerto in D minor at Rome’s Parco della Musica. Despite Pollini’s undeniable technical skill, the interpretation lacked emotional depth and convincing communication. The long encore was seen as disrespectful to the orchestra. Overall, the performance was unmemorable and disconnected, overshadowed by Pollini’s anxious approach and uniform sound. Discover the nuanced critique of Pollini’s Brahms Concerto and explore deeper interpretations of classic piano performances.

 It was like traveling, like dreaming guided by the vital and creative imagination of a pianist who talks and does so in a straightforward, simple way, with the depth that only a child can have.

 When 'you have music inside', it is there, it exists, and no one will ever be able to touch or take it from you, yet at the same time, you cannot help but let it flow and share it.

Konstantin Bogino delivered a stunning recital at Campagnano di Roma, impressing with his emotional depth and poetic musical storytelling. His performance of Liszt, Schumann, and Debussy was marked by natural flow, nuanced plasticity, and imagination. Despite some acoustic limitations, Bogino's ability to convey the music’s essence captivated the audience. The review praises his versatility and the genuine connection he creates between music and listener. Discover the heartfelt piano artistry of Konstantin Bogino—listen to his recital and explore the vivid emotions behind each note.

 'Music does not die as long as there are new generations... to inherit the cultural legacy.'

 ‘Massimiliano Ferrati’s interpretation was never anonymous or colorless... captivating like a fairytale story.’

This review celebrates a concert featuring young talents Tanganelli, Ferrati, and Buccarella performing Beethoven’s early Piano Concertos with fresh, vivid interpretations. Though Tanganelli shows some hesitation, Ferrati delivers a compelling and personal performance. The conductor Buccarella’s leadership unites the orchestra into a cohesive, emotional whole. The review highlights the importance of young musicians in preserving and renewing classical tradition despite financial struggles in the orchestral world. Discover the passion and skill of young musicians breathing new life into Beethoven’s piano concertos—listen and be inspired!

 Even child prodigies have to grow up, and perhaps, in Eugenij Kissin, the amazing and astonishing child begins to finally give way to the Musician.

 Kissin’s touch, open, clear, in some ways sparkling, even if not dense or perhaps not yet varied and differentiated in timbre.

This review of Eugenij Kissin’s 2007 concert in Rome praises his remarkable technical skill and extensive repertoire. It notes Kissin’s ongoing transition from prodigy to mature musician, emphasizing his poetic touch and intellectual approach. The program’s thematic cohesion in Eb major and the contrasts between lyrical and rhythmic elements are highlighted. While still prioritizing virtuosity, Kissin shows signs of deeper musical expressivity, particularly in Brahms. Discover Eugenij Kissin’s brilliant performance and hear the evolution of a piano prodigy into a true musician.

 Barenboim deliberately ‘highlighted’, juxtaposing the old and the new of a ‘traditional’ performance practice ... a Piano Concerto No. 3 in search of something that had not yet been done and that remained unexplored.

 A special concert, not very ‘captivating’ from an emotional point of view, but fascinating from an intellectual one.

Daniel Barenboim's performance of Beethoven's and Liszt's piano concertos blends tradition with innovation, offering a measured and intellectually engaging interpretation. His approach is clear and firm, sometimes prioritizing structure over emotional depth. While Beethoven's concerto reveals a calculated restraint and irony, Liszt's is delivered with boldness and playful originality. The concert captivates more on an intellectual level than an emotional one, showcasing Barenboim's unique artistic choices. Discover Barenboim's unique take on Beethoven and Liszt—listen to this thoughtful interpretation and experience classical music reimagined.