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Comedy never excessive, somewhat irreverent but never sarcastic and lots of music, transformed, adapted, recreated but always felt, authentically and truly interpreted. Music, whether lived or merely observed, acts as a mediator: play, fun, authenticity in expression, possibility of communication and sharing, no loftiness nor arrogance and protagonism.
Comedy never excessive, somewhat irreverent but never sarcastic and lots of music, transformed, adapted, recreated but always felt, authentically and truly interpreted.
Music, whether lived or merely observed, acts as a mediator: play, fun, authenticity in expression, possibility of communication and sharing, no loftiness nor arrogance and protagonism.
Experience the thrilling fusion of music and comedy—watch Igudesman and Joo’s unforgettable show and laugh through virtuosity!
Pappano is a true deus ex-machina, co-directing every crescendo, expression, and light effect. This show is hard to define, not an oratorio, melodrama, or opera – just pure emotions.
Pappano is a true deus ex-machina, co-directing every crescendo, expression, and light effect.
This show is hard to define, not an oratorio, melodrama, or opera – just pure emotions.
Discover the emotional depth and innovative artistry of Antonio Pappano’s Jeanne d’Arc – listen or watch this captivating musical drama today!
I want my Zimerman back. Zimerman 'grants' something, but does not reveal himself, much less gives.
I want my Zimerman back.
Zimerman 'grants' something, but does not reveal himself, much less gives.
Discover the delicate balance between precision and passion in Zimerman’s live performance—listen and form your own connection.
For forty minutes I cried and laughed, and the emotions blended and blurred in that tornado of notes. Volodos enters the stage like the operatic singer he once was, but he doesn’t give himself airs as a great virtuoso; frank, authentic, extroverted, confident.
For forty minutes I cried and laughed, and the emotions blended and blurred in that tornado of notes.
Volodos enters the stage like the operatic singer he once was, but he doesn’t give himself airs as a great virtuoso; frank, authentic, extroverted, confident.
Discover Arcadi Volodos' extraordinary live piano artistry—listen and feel the whirlwind of emotion!
Lang’s has all the colors and even the sounds of water: crystal-clear and pure, opalescent and adamantine in the execution of the most beautiful Mozart I have heard in recent years. Many consider theirs a “vain” attempt to follow in Horowitz’s footsteps, but in Horowitz no sounds, no colors of water. Horowitz, by now, has been far surpassed.
Lang’s has all the colors and even the sounds of water: crystal-clear and pure, opalescent and adamantine in the execution of the most beautiful Mozart I have heard in recent years.
Many consider theirs a “vain” attempt to follow in Horowitz’s footsteps, but in Horowitz no sounds, no colors of water. Horowitz, by now, has been far surpassed.
Experience Lang Lang’s mesmerizing live piano artistry—listen to his vibrant interpretations blending classical depth and vibrant showmanship.
I considered it a gift to have met people who always remind me of the meaning of 'communicating ideas and emotions', communicating oneself: PLAYING. Pollini demonstrated undeniable technical skills, but his interpretation was anxious, not very communicative, and not musically convincing.
I considered it a gift to have met people who always remind me of the meaning of 'communicating ideas and emotions', communicating oneself: PLAYING.
Pollini demonstrated undeniable technical skills, but his interpretation was anxious, not very communicative, and not musically convincing.
Discover the nuanced critique of Pollini’s Brahms Concerto and explore deeper interpretations of classic piano performances.
It was like traveling, like dreaming guided by the vital and creative imagination of a pianist who talks and does so in a straightforward, simple way, with the depth that only a child can have. When 'you have music inside', it is there, it exists, and no one will ever be able to touch or take it from you, yet at the same time, you cannot help but let it flow and share it.
It was like traveling, like dreaming guided by the vital and creative imagination of a pianist who talks and does so in a straightforward, simple way, with the depth that only a child can have.
When 'you have music inside', it is there, it exists, and no one will ever be able to touch or take it from you, yet at the same time, you cannot help but let it flow and share it.
Discover the heartfelt piano artistry of Konstantin Bogino—listen to his recital and explore the vivid emotions behind each note.
'Music does not die as long as there are new generations... to inherit the cultural legacy.' ‘Massimiliano Ferrati’s interpretation was never anonymous or colorless... captivating like a fairytale story.’
'Music does not die as long as there are new generations... to inherit the cultural legacy.'
‘Massimiliano Ferrati’s interpretation was never anonymous or colorless... captivating like a fairytale story.’
Discover the passion and skill of young musicians breathing new life into Beethoven’s piano concertos—listen and be inspired!
Even child prodigies have to grow up, and perhaps, in Eugenij Kissin, the amazing and astonishing child begins to finally give way to the Musician. Kissin’s touch, open, clear, in some ways sparkling, even if not dense or perhaps not yet varied and differentiated in timbre.
Even child prodigies have to grow up, and perhaps, in Eugenij Kissin, the amazing and astonishing child begins to finally give way to the Musician.
Kissin’s touch, open, clear, in some ways sparkling, even if not dense or perhaps not yet varied and differentiated in timbre.
Discover Eugenij Kissin’s brilliant performance and hear the evolution of a piano prodigy into a true musician.
Barenboim deliberately ‘highlighted’, juxtaposing the old and the new of a ‘traditional’ performance practice ... a Piano Concerto No. 3 in search of something that had not yet been done and that remained unexplored. A special concert, not very ‘captivating’ from an emotional point of view, but fascinating from an intellectual one.
Barenboim deliberately ‘highlighted’, juxtaposing the old and the new of a ‘traditional’ performance practice ... a Piano Concerto No. 3 in search of something that had not yet been done and that remained unexplored.
A special concert, not very ‘captivating’ from an emotional point of view, but fascinating from an intellectual one.
Discover Barenboim's unique take on Beethoven and Liszt—listen to this thoughtful interpretation and experience classical music reimagined.
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