Cristo

 Bernardo Lanzetti’s vibrato recalls Roger Chapman of Family and at times even Peter Gabriel.

 A work that is too easily forgotten when discussing Italian progressive, which... features extraordinarily played songs, highlighting the characteristics of symphonic rock.

Acqua Fragile’s self-titled debut album from 1973 is a standout in Italian progressive rock, featuring English vocals with strong parallels to Genesis, Gentle Giant, and Peter Gabriel. The review praises the melodic craftsmanship, symphonic influences, and dynamic instrumentation across the tracks. Despite being underrated, this album showcases exceptional musicianship and a rich, harmonious atmosphere. It remains a significant yet often overlooked contribution to the prog rock genre. Explore Acqua Fragile’s 1973 prog masterpiece and immerse yourself in classic symphonic rock today!

 "Alone in Georgia is a small gem, with delicate atmospheres thanks to clever arrangements of strings, choirs, and flute."

 "Excellent 'goosebumps' choruses highlight the end, left to the orchestra."

(A Ballad Of) A Peaceful Man is Gravy Train's second album, released in 1971. It features delicate orchestrations, evocative vocals by Norman Barratt, and a mix of progressive and hard rock styles. The first half of the album shines with songs like "Alone in Georgia" and the title track, enhanced by flute, strings, and choir arrangements. While the quality dips slightly towards the end, the album remains a captivating listen for fans of 70s rock. Dive into Gravy Train's classic 70s sound—listen to (A Ballad Of) A Peaceful Man and experience a timeless rock journey today!

 Distorted guitar, driving rhythm, angry voice, and gut-wrenching solos that leave you speechless.

 The Gibson ES 335 expresses itself in an unheard-of way in the hands of one of the best guitarists my ears have ever heard.

Ten Years After's 1969 album Ssssh marks their transition from blues to hard rock, showcasing Alvin Lee's pioneering guitar work. The review highlights standout tracks like "Bad Scene" and "Good Morning Little Schoolgirl," praising the album's blend of driving rhythms and blues roots. Instrumentation and strong performance throughout make it a classic of its time. Dive into Ten Years After's Ssssh and experience a hard rock classic with legendary guitar solos—listen now!

 "Hear Me Calling" features a guitar solo in full Alvin Lee style, probably the best of the whole album.

 Stonedhenge can be considered the last of the purely blues line from Ten Years After, as from Ssssh the band will move to decidedly more hard rock territories.

Stonedhenge is Ten Years After's third album, recorded in 1968, known for its strong blues rock foundation with hints of psychedelia. Alvin Lee's guitar solos stand out, especially in tracks like 'Hear Me Calling' and 'No Title.' The album showcases individual musicianship with short instrumental pieces and marks the band's last pure blues record before shifting to hard rock. Dive into Ten Years After's 'Stonedhenge' and experience iconic blues rock masterworks infused with psychedelic flair—listen now!

 From listening to this album... one can deduce that the members of the group were all excellent musicians and not just Alvin Lee.

 'I'm Going Home' is unnecessary to describe as everyone should remember it being played at Woodstock.

Released in 1968, 'Undead' by Ten Years After captures the band's live performance at Klooks Kleek, showcasing extended solos and excellent musicianship. The album features a mix of original tracks and covers, blending blues, boogie, and rock and roll. Each band member shines, especially guitarist Alvin Lee, making it an essential listen for blues rock fans. The recording quality and live energy highlight the essence of their early style. Listen to 'Undead' and experience Ten Years After's legendary live blues rock energy today!

 "God Of Darkness is considered alongside 'Hand Of Doom' as one of the first songs that eventually gave birth to doom metal."

 "Trevor Thoms' guitar style closely resembles Tony Iommi, particularly in the fast solos."

This review explores the 1970 album Maiden Voyage by the original Iron Maiden, a blues and hard rock band distinct from the famous metal act. It covers the band's formation, lineup changes, and key tracks like God of Darkness. The album is noted for its early influence on doom metal and similarities to Black Sabbath, despite modest sound quality. The review praises Trevor Thoms' guitar work and highlights the album's historical significance in rock and metal evolution. Explore the roots of heavy metal with Iron Maiden's Maiden Voyage—listen to the blues-infused early tracks that shaped a genre!

 "Who the hell is that guitarist?!"

 An extraordinary guitarist who delivered performances even more impressive live than in the studio.

The review praises Ten Years After's 1967 debut album for showcasing Alvin Lee’s outstanding guitar skills. It highlights the blend of blues and rock with energetic solos and memorable covers. The album is recommended especially for blues lovers interested in classic guitar work. Lee's performance at Woodstock is noted as a turning point that revealed his genius alongside legends like Hendrix and Clapton. Listen to Ten Years After's debut to experience Alvin Lee’s timeless guitar brilliance.

 The differences between this work and the previous one are striking; the use of synthesizers is almost entirely abandoned.

 Overall, a good album played with slightly superior quality compared to its predecessor, and perhaps for this reason, it loses something in enthusiasm and intensity.

Quella Vecchia Locanda’s second and final album, Il Tempo Della Gioia, marks a clear shift with fewer synthesizers and more violin prominence. The album delivers a calmer, more classical-infused progressive rock sound with jazzy touches and elaborate choirs. While it may lack some intensity compared to their debut, its higher quality musicianship stands out. Memorable tracks include the piano-violin rich opener and the jazzy title track. Discover the refined classical prog sound of Quella Vecchia Locanda on Il Tempo Della Gioia—listen and explore the band's elegant final masterpiece.

 This album is a cornerstone of Italian progressive, where no leading or weak pieces can be found, simply because they are all masterpieces!

 The stunning violin introduces the central part where the gentle vocals, typical of the Locanda, are hidden.

Quella Vecchia Locanda's self-titled 1972 album stands as a cornerstone of Italian progressive rock. The band uniquely blends flute, violin, and keyboards to create rich, atmospheric compositions. The review highlights standout tracks filled with classical elements and hard-prog influences. Each piece is praised for its craftsmanship, making the album a seamless and timeless masterpiece. Explore the rich sounds of Quella Vecchia Locanda—listen now and dive into a timeless Italian prog rock journey!

 "This work absolutely deserves to be part of the list above, not so much for the sonic impact but for the originality of the music expressed by the group."

 "'An Escape From A Box' proves to be an excellent album, with a very distinctive sound, capable of stirring much more emotion in just over half an hour than most modern albums do in over an hour of music."

Released in 1972, Circus 2000's 'An Escape From A Box' is an overlooked Italian progressive rock album with unique psychedelic atmospheres. Featuring Silvana Aliotta's powerful vocals and Marcello Quartarone's brilliant guitar work, the album evokes emotions rarely matched by modern releases. The review highlights key tracks like 'Need' and praises the originality and emotional depth of this 34-minute masterpiece. Explore Circus 2000’s rare psychedelic masterpiece and experience a timeless journey through Italian progressive rock.