You are not logged in
DeRank ™: 1,73 • DeAge™ : 6820 days
John Bongiovi, the one with the “g”, was certainly a credible artist. The production, by Tony Bongiovi, is superb for that era.
John Bongiovi, the one with the “g”, was certainly a credible artist.
The production, by Tony Bongiovi, is superb for that era.
This review examines John Bongiovi's early solo recordings from 1980-1983, highlighting their vibrant 80s pop rock style. The reviewer finds the collection superior to Bon Jovi's first two albums and notes the album's catchy, optimistic sound. Several standout tracks are praised, emphasizing John’s vocal performance and the solid production by Tony Bongiovi. Although some filler tracks exist, the album is regarded as a credible and enjoyable look into Jon’s formative years. Dive into John Bongiovi’s early solo tracks and rediscover the roots of classic 80s rock magic!
Adam rationalized the sex, drugs, and rock 'n' roll paradigm by explaining the why and providing new and decadent perspectives. If you don't know Adam Bomb, I politely tell you that you cannot continue to ignore him.
Adam rationalized the sex, drugs, and rock 'n' roll paradigm by explaining the why and providing new and decadent perspectives.
If you don't know Adam Bomb, I politely tell you that you cannot continue to ignore him.
The review highlights Adam Bomb's 1993 album Grave New World as a significant post-glam rock work. It praises his extensive career and unique artistic vision, combining glam rock influences with sleaze and grunge elements. While some tracks feel like fillers, the album overall demonstrates strong musicianship and songwriting. Key songs such as 'Johnny In The Sky' and 'Magenta Sky' stand out as emotional and innovative. The reviewer encourages listeners new to Adam Bomb to explore this often overlooked album. Discover the depth of Adam Bomb's Grave New World—listen now and explore a unique post-glam rock journey!
Stan Getz with Guest Artist Laurindo Almeida, 1963... gifted me, after a good 47 years, a day that for me means the winter of the mind ends here. The music... has such a power over my woman... I want to be disturbed by this atmosphere that has made another appearance in my days.
Stan Getz with Guest Artist Laurindo Almeida, 1963... gifted me, after a good 47 years, a day that for me means the winter of the mind ends here.
The music... has such a power over my woman... I want to be disturbed by this atmosphere that has made another appearance in my days.
The review describes a deeply personal and atmospheric listening experience of the 1963 album "Stan Getz with Guest Artist Laurindo Almeida." It praises the smooth fusion of bossa nova rhythms with jazz saxophone and guitar, highlighting the album’s relaxing and elegant mood. The reviewer reflects on the music’s ability to evoke warmth, cultural richness, and the joy of shared moments. The album receives a solid four-star rating as a very good, though not masterpiece, work. Listen now to this timeless blend of Stan Getz’s sax and Laurindo Almeida’s guitar – perfect for your next relaxing moment.
"In The Heart Of The Young does not forget at all to be a part of a trend. But it wants to estrange from it, wants to keep it under and under slap." "This album has the power to keep you wide-eyed while dreaming of dreaming, emotionally and physically involving your thoughts..."
"In The Heart Of The Young does not forget at all to be a part of a trend. But it wants to estrange from it, wants to keep it under and under slap."
"This album has the power to keep you wide-eyed while dreaming of dreaming, emotionally and physically involving your thoughts..."
This review praises Winger's 1990 album 'In the Heart of the Young' as a brilliant work of hard rock that captures societal moods and emotional depth. The author highlights the album’s technical skill, compositional intelligence, and its lasting influence on rock music. Particular focus is given to the emotional states conveyed through the album and its blend of styles including AOR and prog. The review regards Kip Winger as a visionary artist whose work remains relevant and influential today. Dive into Winger's 'In the Heart of the Young' and experience a timeless hard rock masterpiece that still resonates today!
"Come to record depressed and angry, otherwise I'll depress you myself." If you think you are bastard sons of bitches, losers, potentially psychotic, and feel you have a strong tendency towards mass murder with bare hands, indulge in this rotten hard rock album without a care and without virtue.
"Come to record depressed and angry, otherwise I'll depress you myself."
If you think you are bastard sons of bitches, losers, potentially psychotic, and feel you have a strong tendency towards mass murder with bare hands, indulge in this rotten hard rock album without a care and without virtue.
AZ.U.R.'s 'Rock Like Pigs' is a raw and gritty hard rock album fueled by punk spirit and blues metal roots. The review celebrates the album's unrefined and angry vocals, capturing the essence of blue-collar American life. The record mixes heavy, destructive tracks with moments of human vulnerability. It's praised for its authentic, socially charged rock identity and overall powerful emotional impact. Joey Gaydos and Tommy Farless bring a uniquely aggressive, unpolished sound that reflects a tough, no-nonsense rock attitude. Experience the raw power and gritty passion of AZ.U.R.'s 'Rock Like Pigs'—listen now and feel the wild heartbeat of American hard rock!
"It’s a real and serious glam record (as serious as these lost druggies from Chicago can be) that has nothing to do with that music only rich in misery promoted by filthy dry wicks like Wig Wam." "I enjoy, you enjoy, he enjoys, we enjoy, you all enjoy, they enjoy."
"It’s a real and serious glam record (as serious as these lost druggies from Chicago can be) that has nothing to do with that music only rich in misery promoted by filthy dry wicks like Wig Wam."
"I enjoy, you enjoy, he enjoys, we enjoy, you all enjoy, they enjoy."
The Last Vegas' 'Whatever Gets You Off' delivers a potent mix of glam, garage, and sleaze rock rooted in raw energy and classic 80s influences. Produced with passion and skill, the album is praised for its visceral feel and vibrant tracks. The band’s journey from obscurity to touring with Motley Crue highlights their dedication. This album revitalizes the glam rock scene with powerful anthems and memorable performances. Dive into The Last Vegas’ explosive 'Whatever Gets You Off' and experience a raw glam rock revival packed with energy and attitude!
Betsy shows her limitations right from the start when it comes to competing on the same level, but her voice evidently suits heavy metal more than Californian-style hard rock. The chorus remains heavy; this track is the best of the set Betsy offers.
Betsy shows her limitations right from the start when it comes to competing on the same level, but her voice evidently suits heavy metal more than Californian-style hard rock.
The chorus remains heavy; this track is the best of the set Betsy offers.
Betsy Weiss’s 1988 solo debut showcases a powerful blend of hard rock and heavy metal rooted in 80s glam and NWOBHM influences. While not groundbreaking, the album highlights Betsy’s strong voice and authenticity amidst a competitive female hard rock scene. Tracks like 'Cold Shot To The Heart' and 'You Want It You Got It' stand out for their fierce energy and solid songwriting. Despite some standard solo work and less originality, Betsy offers a genuine, energetic record appreciated by metal fans. Discover Betsy’s raw 80s metal energy—listen to her bold solo debut now!
Sweet Teaze carry certain characteristics that make them interesting interpreters of that music scene. The tarry riff is immediately served with the title track opener, revolving perfectly around a cheeky and rude guitar.
Sweet Teaze carry certain characteristics that make them interesting interpreters of that music scene.
The tarry riff is immediately served with the title track opener, revolving perfectly around a cheeky and rude guitar.
Sweet Teaze’s 1989 debut album, Do It Till It Hurtz, is a solid sleaze rock record that blends classic glam and street rock influences with a raw vintage production. The band brings originality through their Canadian AOR echoes and arena-ready refrains. While some tracks show familiar territory, the album delivers gut-punch energy and commendable riffs, making it a noteworthy underground gem beyond the Los Angeles scene. Discover the raw energy and vintage charm of Sweet Teaze’s sleaze rock debut—listen to Do It Till It Hurtz now!
Femme Fatale definitely make sex. And it is known that sex and hard rock are prosthetic to each other and vice versa. Lorraine could have been Warren DeMartini’s partner, they would be two similar figures because that type of woman would belong to that type of man.
Femme Fatale definitely make sex. And it is known that sex and hard rock are prosthetic to each other and vice versa.
Lorraine could have been Warren DeMartini’s partner, they would be two similar figures because that type of woman would belong to that type of man.
The review highlights Femme Fatale's 1988 self-titled album, emphasizing Lorraine Lewis's magnetic presence and the band's dark, seductive glam rock style. Compared more aptly to Ratt than Bon Jovi, the album blends sharp guitars and provocative themes with an 80s noir street vibe. Key tracks like "Waiting For The Big One" and "Cradle's Rockin'" showcase their blend of melodic hard rock and punk energy. Though the band had no follow-up, the album stands out as a notable expression of female-led glam rock. Discover Femme Fatale's seductive 80s glam rock—listen now and experience Lorraine Lewis's captivating power!
Blonde On Blonde still proves to be an enjoyable musical composition, made with full respect for the hr/aor rules. Bente sings with a protractor... a professional-grade singer with great skill in managing her voice.
Blonde On Blonde still proves to be an enjoyable musical composition, made with full respect for the hr/aor rules.
Bente sings with a protractor... a professional-grade singer with great skill in managing her voice.
This review highlights the rarity and quality of Perfect Crime's sole album Blonde On Blonde from 1990. The Norwegian hard rock record features strong female vocals by Bente Smaavik and skilled guitar work by Bernie Mardsen. Despite limited exposure in Northern Europe, the album offers well-crafted tracks exploring hard rock and AOR elements. The reviewer praises the band's disciplined sound and anticipates the potential the band had for future releases. Listen to Perfect Crime's Blonde On Blonde and uncover a rare & captivating slice of 90s Norwegian hard rock!
DeRank™: 0,40
DeRank™: 0,00
DeRank™: 2,29
DeRank™: 0,03
DeRank™: 25,46
DeRank™: 0,09
DeRank™: 4,40
Drag here or click to upload a photo.
Drag here or click to upload a video.
Drag here or click to upload an audio file.
You can take a note on this content. What you write here is visible only to you. To view your notes, go to the bookmarks section.