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DeRank ™: 8,47 • DeAge™ : 8077 days
Anyone who knows Hollis as I do only for his excellent work with Talk Talk will be enchanted by the delicacy and absolute refinement of this music. In these 8 tracks, you will not find electric guitars or drum machines, but rather soundscapes of whispered piano chords, double bass, jazz rhythms, and a poignant, whispering voice.
Anyone who knows Hollis as I do only for his excellent work with Talk Talk will be enchanted by the delicacy and absolute refinement of this music.
In these 8 tracks, you will not find electric guitars or drum machines, but rather soundscapes of whispered piano chords, double bass, jazz rhythms, and a poignant, whispering voice.
The review praises Mark Hollis’ self-titled album as a delicate and refined masterpiece far removed from his earlier 1980s works with Talk Talk. The music is characterized by acoustic instruments, jazz influences, and whispered vocals that create an intimate and melancholic soundscape. It is considered a precursor to later collaborations like 'Out of Season' by Beth Gibbons and Rustin Man. The reviewer fondly recounts discovering the album and highlights its timeless artistic value. Listen to Mark Hollis' sublime solo album and experience a breathtaking journey through delicate and refined soundscapes.
The purpose of this work is to accompany the listener in an oblivion of stimulating and soothing sensations and reflections. The music opens borders, reaching even the African continent where it takes rhythms not without rock reminiscences.
The purpose of this work is to accompany the listener in an oblivion of stimulating and soothing sensations and reflections.
The music opens borders, reaching even the African continent where it takes rhythms not without rock reminiscences.
Dead Can Dance's 1993 album Into The Labyrinth is an ambitious and introspective work blending new wave, new age, and world music elements. Lisa Gerrard and Brendan Perry guide listeners through a complex soundscape of haunting melodies and diverse influences. The album demands attentive listening to be fully appreciated and offers a rich emotional experience. Highlights include tracks like "The ubiquitous Mr. Lovegrove" and "The carnival is over." Dive into the mesmerizing world of Dead Can Dance and experience the unique soundscape of Into The Labyrinth today!
Perhaps in this case, the surprise comes more from Sylvian, who has never lent his voice so directly to synthesizers as he has this time. If it was meant to be an experiment, I believe that the intent has been fully achieved, if only for its very 'curiosity.'
Perhaps in this case, the surprise comes more from Sylvian, who has never lent his voice so directly to synthesizers as he has this time.
If it was meant to be an experiment, I believe that the intent has been fully achieved, if only for its very 'curiosity.'
The First Day showcases a bold collaboration between David Sylvian and Robert Fripp, featuring hypnotic and repetitive electronic themes dominated by Fripp's experimental style. Sylvian's vocals are more direct here, a departure from his usual romantic and classical touches. Fans of both artists, especially Fripp, will appreciate this unique fusion. The album stands out as an achievement in experimental music. Discover the innovative soundscapes of The First Day — listen now and experience Sylvian and Fripp's unique musical journey.
The Blue Nile manage to strike the deepest chords of our being with their poetic and professional approach. These are romantic ballads, at times dreamy, accompanied by often electronic rhythms alongside strings and acoustic guitar riffs.
The Blue Nile manage to strike the deepest chords of our being with their poetic and professional approach.
These are romantic ballads, at times dreamy, accompanied by often electronic rhythms alongside strings and acoustic guitar riffs.
This review praises The Blue Nile's 1989 album Hats as their most complete and captivating work. It highlights Paul Buchanan's warm and expressive vocals and the seamless fusion of electronic rhythms with folk-pop ballads. The album is described as poetic, emotional, and unmatched by other pop bands. Notable tracks include "Stay," "Over The Hillside," and "The Downtown Lights." Discover the poetic charm of The Blue Nile's Hats—listen now and feel the timeless emotion.
Let it be remains a masterpiece, but in its original, tormented and dressed version. These post-mortem exhumations leave me a feeling of coldness and speculation, nothing more.
Let it be remains a masterpiece, but in its original, tormented and dressed version.
These post-mortem exhumations leave me a feeling of coldness and speculation, nothing more.
This review explores the 2003 re-release of The Beatles' Let It Be album under the 'Naked' edition, stripped of Phil Spector's orchestration. The reviewer respects the original as a historical masterpiece reflecting the band's final moments, but questions McCartney's motives as more commercial than artistic. While appreciating the rawer approach, the reviewer ultimately prefers the original's fuller, though conflicted, sound. Discover the story behind Let It Be... Naked and decide if Beatles' stripped-down classic lives up to the original legacy!
Boys for Pele, the third album by the red-haired musician, completely highlights her creative genius distinguishing itself from the previous ones with a more complex and heterogeneous musical structure. The journey to Tori is a wonderful, one-way trip...
Boys for Pele, the third album by the red-haired musician, completely highlights her creative genius distinguishing itself from the previous ones with a more complex and heterogeneous musical structure.
The journey to Tori is a wonderful, one-way trip...
This review highlights Tori Amos' 1996 album Boys for Pele as her most challenging and diverse work, showcasing her virtuosic piano skills and emotional depth. The album's eclectic style ranges from medieval to experimental sounds and deeply explores the female experience. Despite its complexity and length, it is a rewarding listen that marks a foundation for her future works. The reviewer praises the emotional impact and unique instrumentation throughout the album. Immerse yourself in the captivating complexity of Boys for Pele—listen now and experience Tori Amos' emotive genius!
Soundtrack and feature film are absolutely inseparable and self-sustaining in total symbiosis. Small gems of a great work with an impressive modernity and topicality that if you wish to know and deepen, I advise you to look for in the first version.
Soundtrack and feature film are absolutely inseparable and self-sustaining in total symbiosis.
Small gems of a great work with an impressive modernity and topicality that if you wish to know and deepen, I advise you to look for in the first version.
This review praises Vangelis’ Blade Runner soundtrack as an essential and evocative complement to Ridley Scott’s sci-fi masterpiece. It highlights the unique symbiosis between film and music and the significance of the original 1982 version with its rich orchestration. Memorable tracks like "Memories of Green" and "Blade Runner Blues" are celebrated for their emotional depth. The review also notes the differences between soundtrack versions and encourages fans to explore the original release. Dive into Vangelis’ iconic Blade Runner soundtrack and relive the unforgettable sci-fi journey through its evocative music.
Simple Minds' music, before being decadent rock, new wave, sophisticated synthpop or whatever, and not devoid of references and quotations, is pure energy, it’s charge, it’s emotion and a desire to live, dance, and play wildly in front of a crowd. The Simple Minds marked an epoch, this album and its natural continuation, Sparkle In The Rain, all the more so.
Simple Minds' music, before being decadent rock, new wave, sophisticated synthpop or whatever, and not devoid of references and quotations, is pure energy, it’s charge, it’s emotion and a desire to live, dance, and play wildly in front of a crowd.
The Simple Minds marked an epoch, this album and its natural continuation, Sparkle In The Rain, all the more so.
The review praises Simple Minds as a defining band of the 1980s whose energetic and mature sound deeply influenced subsequent music. Their albums New Gold Dream (81-82-83-84) and Sparkle In The Rain mark an epoch with thrilling songs and unforgettable riffs. The author shares a strong emotional connection to their music and live performances. It highlights the band's timeless appeal and cultural impact beyond mere nostalgia. Dive into Simple Minds’ iconic 80s sound—listen to New Gold Dream and feel the timeless energy today!
Metheny remains elusive, a step above everyone and above the genre itself... all without ever repeating himself (too much) and always remaining unmistakable on the first listen. 'Are you going with me?' is like a shake, a sudden jolt... a track of heartbreaking beauty and a bit retro.
Metheny remains elusive, a step above everyone and above the genre itself... all without ever repeating himself (too much) and always remaining unmistakable on the first listen.
'Are you going with me?' is like a shake, a sudden jolt... a track of heartbreaking beauty and a bit retro.
The review reflects a deep, personal connection to Pat Metheny Group's Offramp album, highlighting its importance despite the reviewer's usual rock preferences. It praises Metheny's guitar virtuosity and the album's mix of smooth jazz and fusion. Key tracks like 'Are You Going With Me?' receive special attention for their beauty. While the title track 'Offramp' is noted as more experimental and challenging, the album remains a historic and emotional work in Metheny’s discography. Discover the timeless beauty of Offramp—listen now and experience Pat Metheny’s jazz fusion mastery!
Reilly’s choice to make avant-garde experimental/ambiental music, distinguishing himself from Brian Eno and Harold Budd, denotes character and passion. Sonic carpets where the guitar, wisely accompanied by the piano, stands out as an excellent instrument above all.
Reilly’s choice to make avant-garde experimental/ambiental music, distinguishing himself from Brian Eno and Harold Budd, denotes character and passion.
Sonic carpets where the guitar, wisely accompanied by the piano, stands out as an excellent instrument above all.
The Durutti Column's 1981 album LC stands out as a peak in Vini Reilly's career, blending melodic guitar work with ambient and new wave influences. Known for its intimate production, the album features distinctive guitar and piano arrangements with subtle percussion. Though difficult to find for years, its recent reissue added valuable but non-essential bonus tracks. LC is a timeless work that appeals to listeners who appreciate avant-garde and nostalgic soundscapes. Dive into The Durutti Column's LC album to experience a unique blend of melodic guitar and ambient textures from the early '80s.
DeAge 7755
DeRank™: 0,07
DeRank™: 0,00
DeRank™: 2,36
DeRank™: 0,06
DeAge 6801
DeRank™: 4,92
DeRank™: 0,58
DeRank™: -0,08
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