mementomori

 It’s painful to speak in these terms about Federico Fiumani, for whom we have immense affection...

 'Preso nel Vortice' is an album probably longer compared to the actual amount of ideas available...

This review examines Diaframma’s sixteenth studio album 'Preso nel Vortice,' which reflects a more tired and melancholy Federico Fiumani. While not a disaster, the album lacks the inspiring vitality of earlier works, offering moments of poetic self-reflection amid repetitive sounds. Guest artists add interest, but overall the record feels long and somewhat exhausting. The reviewer respects Fiumani’s legacy but senses this work as a contemplative stage in his career marked by fading energy. Dive into the complex world of Federico Fiumani’s 'Preso nel Vortice' and discover the melancholic depths of this iconic Italian band’s latest chapter.

 Music of discomfort and disintegration... a full-fledged style, a spirit, an attitude usable over time.

 This "No One Dances Quite..." is able to arouse real emotions, all obviously negative.

Vår’s debut album 'No One Dances Quite Like My Brothers' channels the melancholic, dark spirit of early post-punk and dark-wave influences. Featuring Elias Bender Ronnenfelt’s raw vocal style, the short but powerful album blends synth-pop and industrial elements to evoke feelings of discomfort and urban desolation. Though derivative, it stands as a heartfelt and effective contribution to the genre. The review notes the band’s potential and bittersweet longevity in today's fast-paced music industry. Dive into Vår’s haunting dark-wave journey and experience the raw spirit of modern post-punk revival.

 This is the Paul Chain we like: the extreme one, absolute, loaded like a bomb, without limits.

 A sound in stark contrast with the candor of the cover, calling to mind those 'whited sepulchres' dedicated to the dead, victims of the injustice generated by the violence of human stupidity.

Whited Sepulchres by Paul Chain is a challenging but rewarding album that breaks genre boundaries with its sprawling psychedelic stoner jams and intense guitar work. The reissue by Minotauro allows new listeners to discover this overlooked classic. Featuring lengthy improvisations inspired by seventies psychedelic and space rock, the album showcases Chain's skill and fearless creativity. The music blends elements of heavy metal, ambient, and cosmic soundscapes, making it a must-have for fans of experimental and eclectic music. Dive into the cosmic sonic journey of Paul Chain's Whited Sepulchres—experience the fearless guitar mastery and psychedelic explorations today!

 Paul Chain certainly has flaws, but despite this, it is quite difficult for any admirer of guitar rock to belittle or dismantle his qualities and merits.

 "Life and Death" is a more than sufficient work, an honest and sincere product that sketches important premises for the subsequent flourishing of his solo career.

This review explores Paul Chain's 1989 solo debut Life and Death, highlighting its solid craftsmanship and creative moments. Although the album leans more toward accessible hard rock than Chain's usual doom metal intensity, it remains an important stepping stone in his solo career. Some tracks shine with dark and mystical elements, while others show a 70s rock influence. Overall, it is a sincere and worthwhile effort from a prolific artist. Explore Paul Chain's Life and Death to experience his unique blend of hard rock and early doom metal creativity.

 Neil Young, with his energy, his melancholy, with his courage, with his heart, with his ability to generate emotions, is certainly the one who struck me the most.

 This man, Devendra Banhart... now seems a fact, also because in the indie world he is no longer talked about.

This review captures the powerful and emotional live performance of Neil Young & Crazy Horse at the 2013 Lucca Summer Festival. The reviewer contrasts the uninspired opening act by Devendra Banhart with Neil Young’s commanding presence, virtuosic guitar work, and legendary status. The concert showcased songs from 'Psychedelic Pill' and classics, blending decades of rock history in an epic, heartfelt show. The memorable acoustic set and intense encores crowned a near-perfect evening. Discover the raw power and timeless magic of Neil Young & Crazy Horse’s live Lucca 2013 show—listen now or read our full review!

 Jonsi tearing through the atmosphere with his piercing falsetto, shaking his head as if seized by epilepsy, trying to hold the overflowing tension within himself.

 For once I had the impression of being in front of History, of the History of music.

This review covers the intense and breathtaking live performance of Sigur Rós at the Summer Festival in Lucca in 2013. Highlighting the emotional peak found in 'Untitled #8,' it praises the band's mastery in blending epic crescendos and intimate moments. The setlist perfectly balances new material from 'Kveikur' with beloved classics. Comparison with Radiohead underscores Sigur Rós' unique emotional connection with their audience. Despite acoustic challenges, the concert was a remarkable musical event. Discover the magic of Sigur Rós live—listen to their epic Lucca 2013 performance now!

 Unlike many similar albums, Pelagial is a true composition, a single sound stream where individual parts alone have little sense.

 If this is the best metal can offer today, then metal is in bad shape – evolving in horizon but not in depth.

The Ocean's Pelagial is a highly ambitious 53-minute metal suite that combines melody, technical skill, and conceptual depth inspired by a sea descent and Tarkovsky's Stalker. Despite impressive production and musicianship, the album's pacing and conceptual execution feel uneven and indulgent, lacking the emotional fullness some masterpieces achieve. The vocal performance is polarizing but doesn't overshadow the band's musical prowess. Overall, Pelagial is a meticulous and complex work showing metal's evolution but also highlighting its ongoing limitations. Dive into The Ocean's Pelagial for a complex and ambitious metal journey unlike any other – listen now and explore its depths.

 Their music is truly something special and wonderful, and the fact that we might never have been able to listen to it sends a chill down the spine during listening.

 This music also fits with the season we’re living in, in fact it might be the most 'summer' music that could reach the ears of dark art enthusiasts.

This detailed review explores The Revolutionary Army Of The Infant Jesus and their newly released box set After The End. The band merges neo-folk with experimental, industrial, and ethnic influences to create a rich, mystical soundscape. Despite their obscurity and limited output, the box set reveals their artistic maturity and unique contribution to the genre. The reviewer highly recommends the collection as a must-have for dark folk and experimental music fans. Explore the mesmerizing sounds of The Revolutionary Army Of The Infant Jesus with the After The End box set—immerse yourself in this unique neo-folk journey now!

 Peter Hammill is the oracle we will attentively follow with religious attention and worship morbidly throughout the performance.

 "Wilson’s concert proved to be a sparkling pyrotechnic spectacle of sounds and images, where the different facets of his artistic vision emerged."

This review captures the unique synergy between Steven Wilson and Van Der Graaf Generator at the 2013 Pistoia Blues festival. It highlights the legendary presence of Peter Hammill and the impressive musical execution despite reduced band configurations. The critique includes observations of stage setup, audience dynamics, and Wilson’s evolving solo performance style. The review emphasizes the passion and professionalism of both acts, blending classic prog rock heritage with contemporary innovation. Experience the raw passion of prog rock legends – read the full review and explore the live magic of Steven Wilson and Van Der Graaf Generator!

 The return of Albireon coincides with a partial abandonment of evolutionary ambitions and a desire to focus on the essentials: emotions.

 If the work had enjoyed more care in the mixing process and a few more considerations during arrangement, we might have had in our hands probably the best example of songwriting of our times.

Albireon's 2013 double album 'Le Fiabe dei Ragni Funamboli' follows their acclaimed 2008 release with a simpler, emotionally focused neo-folk sound. Anchored by Davide Borghi’s lyrics and voice, the record is divided into two parts featuring ballads in Italian and the Val d’Asta dialect. The album balances intimacy, nostalgia, and atmospheric depth, though some mixing issues and occasional monotony affect the overall listening experience. Recommended for attentive listeners who appreciate poetic folk narratives and intricate acoustic arrangements. Listen to Albireon's evocative neo-folk double album and dive into its emotional ballads and timeless poetic journey.