Grasshopper

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  • Here since 11 august 2004

 Concerto K 466 in D minor promises dark and at times diabolical suggestions: its language, and even the key, unusual for Mozart, are the same as the Requiem and the unsettling finale of Don Giovanni.

 A single record for two different, almost estranged Mozart, united only by an inhuman perfection, naturally in the good sense.

This detailed review celebrates Mozart's piano concertos K466 and K482, recorded by Vladimir Ashkenazy and the Philharmonia Orchestra. It explores the historical origins of the piano concerto, Mozart’s development as a composer, and the contrasting styles of the two concertos. K466 is praised for its dark, dramatic intensity, while K482 is highlighted for its harmonious and majestic beauty. The recording is described as impeccable and revealing of Mozart's profound artistry. Listen to the captivating interplay of Mozart’s concertos K466 and K482 and discover the genius of his piano music.

 "The defeats of that generation, with its utopias and ideals, have prepared for us a world that is anything but comfortable."

 "But how, with all the freedoms you have, do you also want the freedom to think?"

This review dives into Giorgio Gaber's 2001 album 'La mia generazione ha perso,' highlighting its thoughtful social critique and enduring relevance. It praises Gaber's sharp intelligence, irony, and emotional depth, blending musical quality with theatrical roots. The album reflects on societal decay, political disillusionment, and personal loneliness, while leaving room for hope through irony and reflection. Gaber's work resonates deeply with those aware of historical and cultural shifts. Discover Giorgio Gaber's timeless reflections—listen to 'La mia generazione ha perso' and explore a powerful blend of music and social critique.

 This veteran singer-songwriter has always been a difficult client for the world of show-business: absolutely indifferent to market rules and promotional operations.

 Overall, a classic of singer-songwriter music, a must-have for those who love poetry, music, and their intersection.

This review praises Leonard Cohen's 1969 album Songs From A Room for its poetic depth, minimalist instrumentation, and profound reflections on love and existence. Cohen's music prioritizes emotion and storytelling over commercial trends, establishing him as a unique voice in folk and singer-songwriter traditions. The album is recognized for its symbolic and often biblical imagery, touching on intimate personal themes and occasional social commentary. Overall, it's deemed a classic and essential listening for fans of poetic songwriting. Dive into Leonard Cohen's Songs From A Room and experience timeless poetic music that resonates deeply.

 If there is time, out of curiosity, one can also listen to the rock version... by Emerson, Lake & Palmer.

 The conclusion... is of a devastating power, involving the entire orchestra in a truly frantic manner.

This review praises Mussorgsky's Pictures at an Exhibition as a masterpiece of pictorial musical imagination, highlighting the contrast between the original piano version and the renowned orchestral arrangement by Ravel. It explores each movement's vivid storytelling and dramatic impact, appreciating the role of later orchestrators in making the work performable. The review also recommends listening to both versions to fully grasp Mussorgsky's genius and its transformation through orchestration. Dive into Mussorgsky's Pictures at an Exhibition—listen to both piano and orchestral versions to experience its timeless genius!

 The Unfound Island is the symbol of the truth that eludes us, the continuous effort to reach it, naturally destined to remain in vain, but at the same time a reason for living.

 It is clear that this is a classic 'to be read' album more than to be listened to, and in this sense, it is one of the best that our songwriters have ever given us.

This review dives deeply into Francesco Guccini's 1970 album 'L'isola non trovata,' highlighting its profound themes of searching for truth and meaning in life. The lyrics are praised for their poetic and philosophical depth, exploring life, death, and time. The album marks a milestone in Guccini's artistic journey and introduces key musicians who shaped his sound. Though musically modest with minor flaws, its lyrical richness makes it a classic to be read and cherished. Discover the poetic depths of Francesco Guccini's 'L'isola non trovata' and experience a timeless journey into life's mysteries.

 "Promise" may still be the most striking example of the perfect formal elegance previously mentioned.

 Those seeking strong sensations can safely steer clear of this, but those looking for excellent background music will find it absolutely perfect.

Sade's 1985 album Promise showcases her distinctive sensual voice and the band’s refined musical elegance. Though minimalist in African influences, it fits well within the British jazz-pop tradition of the 80s. The album balances catchy radio-friendly tracks with memorable slow ballads featuring engaging saxophone and piano solos. It's praised as perfect background music, though it lacks explosive creativity. Overall, Promise is a polished and enduring classic. Listen to Sade's Promise and experience timeless elegance in 80s jazz-pop sophistication.

 These places seem like the daydreams of a lazy dreamer who has never left that incredible place called Mocambo.

 The real gem of the album is 'Hemingway,' whose music marvelously represents immense nostalgia for Hemingway’s world and time.

Paolo Conte's 1982 album 'Appunti di viaggio' stands as a unique and underrated jazz masterpiece. Blending ironic yet melancholic lyrics with vivid, dreamlike places, the album evokes exquisitely crafted atmospheres of nostalgia and exoticism. Highlights include the memorable ‘Hemingway’ and the tango-inflected ‘Gioco d'azzardo.’ Though short with only eight tracks, it remains a deeply crafted work in Conte’s discography. Listen to Paolo Conte’s 'Appunti di viaggio' and immerse yourself in timeless jazz nostalgia and poetic storytelling.

 An absolute masterpiece, but to be taken in small doses: it is the work of a man who seems to sense that in two months, at the cursed age of 31, he will have to leave music forever.

 The Adagio is one of the most moving and intense pieces of music ever conceived, a moment of surreal hypnosis and emotional depth.

This review eloquently explores Franz Schubert's String Quintet in C major D.956, highlighting its monumental scale and emotional depth. The piece is praised for its symphonic complexity and unique instrumentation, especially the role of the second cello performed by Mstislav Rostropovich. The reviewer emphasizes the quintet's profound intensity as a reflection of Schubert's final creative phase. The performance by Melos Quartett is commended for its flawless execution and orchestral quality. Overall, the quintet is described as a masterwork of music history to be savored carefully. Listen to Schubert's String Quintet D.956 and experience one of classical music's deepest emotional journeys today!

 ‘Songs are like tattoos,’ the first verse says, and it’s a guarantee: once heard, it truly remains indelible in memory.

 Blue, a true poetry framed by delicate and captivating chords, stands out as the absolute masterpiece of Joni Mitchell’s acoustic phase.

The review praises Joni Mitchell's 1971 album Blue as a historic and emotional peak in her acoustic career. It highlights the interplay between piano-driven intimate songs and the more jazzy, guitar-infused ballads featuring James Taylor. Central themes include love, freedom, and personal reflection, conveyed through poetic lyrics and sophisticated arrangements. The review considers Blue an indelible and timeless masterpiece that remains deeply affecting. Listen to Joni Mitchell’s Blue and experience a timeless journey of poetic beauty and emotional depth.

 The ship advances blindly through the fog and darkness, but suddenly a blast sharper than a siren cuts through the night and momentarily illuminates the place we find ourselves.

 Jan Garbarek encapsulates world music, jazz, new age, Nordic folk, and even electronic music, creating splendid melodies that are singable but never banal.

Jan Garbarek’s 'Rites' invites listeners on a rich, nearly two-hour journey through diverse musical landscapes blending jazz, Nordic folk, and world music. The soprano saxophone leads with a unique voice, supported by delicate synths, percussion, and bass. The double album balances melodic elegance, ethnic rhythms, and emotional depth. From haunting Nordic moods to joyous Latin motifs, each track explores new sonic territories. The collaboration with skilled musicians enhances the album’s immersive and captivating experience. Experience the mesmerizing fusion of jazz and world music—listen to Jan Garbarek’s 'Rites' and embark on a sonic adventure today!