MrDaveBoy73

I’m sorry, I wanted "The walk," but instead, I associated the wrong song (silly me). In fact, it was "I could give you." I thought to myself, I remember liking it a lot... but it seems strange to me that I let the information about a song made to fill a space on the album pass through. It’s "The walk" or "This city never sleeps," which have been dancing since '86, the year I bought this record... ’86-’87, I was around Como, I remember it as if it were yesterday—I'd say an hour ago... then there was a trumpet solo that in the liner notes of the album, D&A, is defined as "our favorite trumpet solo." Of course, I'm biased, and the solo is really well done and carefully inserted, among the allowed and skillfully used folds in the structural architecture of the piece. So it’s beautiful, but I struggle to believe it’s their absolute favorite; in short, it certainly can't be their favorite considering that, with music something—I suppose—I seem to have understood—that they weren't starving for it. The best trumpet players were already dead, leaving behind their legacy. The direct information is in the records and in the emotions I convey and those they transmitted live (even though I wasn't there, it enriched—just knowing about it adds value to the information). I know that A. loves the Beatles... when he lived in Lugano, and there was still the "Comet/t/a" record store, Anto, a (former) saleswoman, told me that he is an anti-Diva and that he bought a lot of Beatles stuff, then... and then he doesn't remember... that silly... oh well, that’s enough as an anecdote. Listen to the solo—it’s really something) that silly, the lyrics are below matched with the wrong song. Now I’m putting the pure information, that is, the listening as it presents itself in the order of Sol and the staff, then everything dances inside, it's beautiful. Sometimes flying and swimming is painful, but then you also love your own pain, in some way—not certainly by cutting myself like the other night in the hospital when I was in pieces. They understood it, and yesterday I was here, anyway, a drawing came out at the end. I noticed it; okay, I could use another medium; in fact, now I’m trying to reproduce it on paper, but STOP with the closures of record stores!!!! I buy nothing online—I have to SEE (another tool for obtaining true and precise information)... we create the chaos that then dances with the information that falls on you like confetti that gets into the cracks of the soul and dances and creates structures that another dance will destroy and create something new. Pay attention to the information, therefore... certainly, while dancing, sometimes they fall and cause damage, breaking many things, whose destiny—or rather the very fact that they were there—was to shatter into pieces and to be recreated by:
Phase 1. pure information tout court
2. allow the chaos to exist (in this chaos of self-contained chaos, which then, however, in the development of phases 3 and 4, create the chaos that until now was allowed to exist and dance, breaking places).