123asterisco

DeRank ™: 9,32 • DeAge™ : 2704 days

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123asterisco
123asterisco
18 jul 20

DeRank™: 8,66  Capish

Stay tuned to #radiocapish

Today, in honor of the good suggestion from Monsieur @[odradek], RadioCapish offers you a contemporary listening experience: Alan Kushan, born in 1960 in the Republic of Mahabad (Kurdistan, Iran) and moved to Canada in 1988, is a virtuoso of the Santoor, a stringed instrument of Persian origin, as well as an actor and poet.
Let’s listen to some tracks from “East to east”, an album released in 2001 by “X DOT 25”, an American record label specialized in World music. Additionally, for those who are more eager, we are also airing a concert for solo Santoor recorded on January 28, 2017, in Broadway, NY.

Enjoy listening,
see you tomorrow.

Persia

Himalia

Kashmir

The Art of the Santur: A Concert with Alan Kushan
123asterisco
123asterisco
17 jul 20

DeRank™: 7,38  Capish

Well tuned in to #radiocapish

Today we are diving headfirst into 1960s France, where everything seemed musically possible, yet there was still much to discover and invent. We present to you two listens that are quite different from each other, but both fit into the most accessible range of the experimental music of that era.
The first is a brief soundtrack from the film “Maléfices” by Henry Decoin, composed by Pierre Henry and released on EP in 1962 for Philips.
The second is a collection of two LPs by Paul Boisselet (“Le Robot” and “Symphonie Rouge, Symphonie Jaune”: his only works, as far as we know), both released in 1965 for SFP (Société Française de Production).

Happy listening.

Pierre Henry ‎- Maléfices (1962) FULL 7" EP

Paul Boisselet, "Le Robot, Symphonie Rouge, Symphonie Jaune" [CP-036/102]
123asterisco
123asterisco
16 jul 20

DeRank™: 1,73  Capish

Tuned in to #radiocapish

Today’s listening takes us to the Sestiere of Cannaregio in the Serenissima, where Andrea Gabrieli was born (around 1510), a master in the contrapuntal art of Ricercare.

Enjoy the listening.

Ricercar del primo tono

Andrea Gabrieli, Ricercar Arioso II

Andrea Gabrieli Ricercar a 8, Symposium Musicum

Andrea Gabrieli - Ricercari
123asterisco
123asterisco
15 jul 20

DeRank™: 7,16  Capish

Well tuned in to #radiocapish

Today we take you by the hand into the Shanghai of the roaring 1930s, which at that time was a true crossroads between endemic popular music and the soft jazz from overseas. The iconic figure of this golden era of Chinese pop music is undoubtedly Zhou Xuan, of whose work we present a small taste here.

Enjoy listening.

Night Life In Shanghai (Ye Shang Hai)
Blooming Flowers and the Full Moon (Hua Hao Yue Yuan)
Burying Fallen Flowers (Zang Hua)

Wikipedia page: Zhou Xuan - Wikipedia
123asterisco
123asterisco
14 jul 20

DeRank™: 17,52  Capish

Well tuned in to #radiocapish

Did the pepper stew give you indigestion? RadioCapish has got you covered.
Today we present an excellent digestif: a chaotic bùtleg of the liveliest rock'n'roll ever recorded.

Enjoy the listening!

Can - Ogam Ogat 1971 Full Album
123asterisco
123asterisco
13 jul 20

DeRank™: 20,61  Capish

Well tuned in to #radiocapish

Today's listening comes from the (alas) little-frequented eleventh century. We are in Bingen on the Rhine, where the Benedictine nun Hildegard, one of the greatest mystics of the West, as well as a natural philosopher, herbalist, and poet, used to compose, as a culmination of her annihilation in God, timeless sweetness like those we are presenting to you today.

Enjoy the listening,
see you tomorrow.

Hildegard von Bingen - Canticles Of Ecstasy
123asterisco
123asterisco
12 jul 20

DeRank™: 17,81  Capish

Well tuned in to #radiocapish

Today, on this muggy Sunday, we present to you the classic of classics, but in a capish version: towards the end of April '66, the Velvet Underground, as is well known, recorded at Norman Dolph's studio a first version of their debut LP, which underwent, to satisfy Warhol's wishes, a substantial amount of editing. Furthermore, the order of the tracks was rearranged and "Sunday Morning" was added at the opening.

Now, this Sunday Morning, you can enjoy the original opening "European Son," in all its low-fidelity glory, followed by a selection of other tracks that are significantly different from the version with the yellow banana.

Enjoy listening,
see you tomorrow.

Velvet Underground & Nico- Unripened: The Norman Dolph Acetate - 01 - European Son
Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 06 - Femme Fatale
Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 07 - Venus In Furs&list=RDS3eCQbJifUE&index=2' href='Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 07 - Venus In Furs&list=RDS3eCQbJifUE&index=2'>Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 07 - Venus In Furs
Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 08 - I'm Waiting For The Man

Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 06 - Femme Fatale

Velvet Underground & Nico - Unripened: The Norman Dolph Acetate - 07 - Venus In Furs
123asterisco
123asterisco
11 jul 20

DeRank™: 7,54  Capish

#radiocapish is now open!

Today's listening comes directly from the well-stocked archives of Monsieur @[odradek], to whom the editorial team extends heartfelt thanks. "Zaar" by "Zaar" is a debut (and final) work released in 2006 by Cuneiform Records that we trust will please your palate. Here it is, in a live version recorded just before the fleeting project's dissolution.

Open this link to listen to "Sefir" and "Scherzo # C": Zaar | Cuneiform Records

See you tomorrow.
123asterisco
123asterisco
10 jul 20

DeRank™: 14,35  Capish

Can - Mother Sky (1970) [HQ]

"I say madness is too pure, like mother sky".

Capish-muzik par excellence.
123asterisco
123asterisco
9 jul 20

DeRank™: 7,17  Capish

With the royal approval of @[lector], I would like to propose a few questions that might (rather, #might) clarify a little the long-standing issue of the criterion by which one is de jure a citizen, or rather a subject, of the Capish kingdom of ancient times.

1) Are there, in your opinion, objective criteria for the evaluation of a musical/film product? (Please justify your answer.)

2) Assuming that many, although this does not apply to us, shape their tastes based on auctoritates rather than sincere appreciation, do you believe that the (more or less reasoned, more or less visceral) inclination for a certain work can be separated from the imagery that it carries with it? In other words: do you think that being, for instance, a frequent attendee of Slayer must necessarily make you a hater of Mùm (and vice versa)?

3) Do you think that being Capish is merely a matter of façade (therefore showing oneself as an admirer of X and a despiser of Y) or is it primarily a matter of mindset (considering oneself curious and musically omnivorous)? Which, as you can see, does not exclude at all that, having sampled everything without prejudice, AFTER having tasted and not BEFORE, one might ultimately refine their palate in such a way as to make informed judgments about the quality of X or Y.

Thank you for your attention,
*.
123asterisco
123asterisco
9 jul 20

DeRank™: 5,57  Capish

With the royal approval of @[lector], I would like to propose a few questions that might (rather, #might) clarify a little the long-standing issue of the criterion by which one is de jure a citizen, or rather a subject, of the Capish kingdom of ancient times.

1) Are there, in your opinion, objective criteria for the evaluation of a musical/film product? (Please justify your answer.)

2) Assuming that many, although this does not apply to us, shape their tastes based on auctoritates rather than sincere appreciation, do you believe that the (more or less reasoned, more or less visceral) inclination for a certain work can be separated from the imagery that it carries with it? In other words: do you think that being, for instance, a frequent attendee of Slayer must necessarily make you a hater of Mùm (and vice versa)?

3) Do you think that being Capish is merely a matter of façade (therefore showing oneself as an admirer of X and a despiser of Y) or is it primarily a matter of mindset (considering oneself curious and musically omnivorous)? Which, as you can see, does not exclude at all that, having sampled everything without prejudice, AFTER having tasted and not BEFORE, one might ultimately refine their palate in such a way as to make informed judgments about the quality of X or Y.

Thank you for your attention,
*.
123asterisco
123asterisco
8 jul 20

DeRank™: 8,85  Capish

I would propose three highly representative films of three different karst rivers in our culture:

1) for the "low budget" series: "La croce dalle sette pietre", also known as "Il lupo mannaro contro la camorra": La croce dalle sette pietre - Wikipedia

2) for the "years of lead" series: "Milano odia: la polizia non può sparare": Milano odia: la polizia non può sparare - Wikipedia

3) for the "Franco & Ciccio" series: since my favorite has already been mentioned by @[Caspasian], allow me to pay tribute to the late E. Morricone with "Per un pugno nell'occhio": Per un pugno nnell'occhio - Wikipedia
123asterisco
123asterisco
6 jul 20

DeRank™: 9,74  Capish

The Electronic Hole " the electronic hole " full album 1970

Electronic hole of Electronic hole is quite clear, right?
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