ThirdEye

I've fallen in love with it too, Antmo... anyway, the track you mentioned is beautiful, highly groovy like all the others. Kudos for the review!

Basically agree with Bartle! And the latest from Kylesa is a blast.

You're right (but I'm not Satan!). Anyway, even though you didn't mention genres or other reference groups, it's clear that they must really hurt (Steve Austin doesn't get riled up over some queens with bangs...), especially if the album has led you to these kinds of reflections.

I will try...thank you for the proposal.

Sincere and honest, just like Nietzsche ;)

I have to be honest: I had heard very little about this work, also because I'm not a frequent consumer of comics (apart from a few Japanese titles, Rat-man, and very few others)... however, when I do come across them, I read them with great pleasure. This review of Watchmen has piqued my curiosity quite a bit: the enormous publicity surrounding this phenomenon has, on one hand, helped bring in many who (like me) had heard little or nothing about such a great comic and its author... on the other hand, I hope that once the peak of visibility passes, Watchmen doesn't fall into oblivion and continues to be read and, above all, understood in its meaning (which I gather is very deep and on multiple levels). Not all bad comes to harm.

But is Tintarella di Luna here by any chance?

...in short, the only thing that would be saved is the cover?

Silence and respect for this review and for the Commodore 64... I wasn't even born when it was released, I found myself a few years later with the Amiga.

Simply a masterpiece: I hope that in thirty years or less it will be studied in schools just as it is for Orwell and Huxley (by the way: better than anti-utopias, dystopias). I believe that Gibson is not pessimistic or has a deterministic view of human life; he has simply been astute in reading his/our time and projecting it into the future; all of this he then intensified with his incredible imagination, as a good visionary artist. If we really have to be realistic, even Gibson himself doesn’t know if this is the future that lies ahead of us, no one can assert it with certainty: the path outlined by the American writer is a POSSIBLE road, but not THE road… "The Night We Burned Chrome" and "Down and Out in the Magic Kingdom" are also beautiful, along with other works co-written with Bruce Sterling… ah, I read somewhere that he doesn’t have a good relationship with computers ;)