Cornell

Sometimes the rhythms become tiring, in this album really too repetitive; overall an appreciable work, less than "Audioslave" but more than "Out of Exile." The divergences were too many, and perhaps Grant Nicholas was right when he said they should have left just "Audioslave" and then disbanded to leave a better image in music history. I fully agree.

You had me cracking up with laughter.. You're a genius!

The grades, damn it..

I've heard very good things about it, I'm voting on trust.. It's about time something worthwhile came out in this damn country..

Review visited 586 times.. We're doing really poorly.. Anyway, it's impossible that you didn't catch the irony of my comment..

It's a shame that someone like him is considered so little, Browne is great..

Well... I don't know if they are real or fake, but if they had never existed, nothing would have changed...

Take Litfiba for example, for many they were a great rock band, damn "El Diablo!", but Desaparecido, 17 Re, Litfiba 3, 12-5-87 Aprite i vostri occhi, who remembers them? They were the best products of Litfiba, those were the real Litfiba... But few know them and if you introduce them to a new Litfiba fan, they'll respond, "Who the hell are they? Litfiba, come on... What's this stuff?"

No, I'm not saying this to you hardrock.. x albi6, you’re right, I don’t condemn the choice of listening or not listening to Max Pezzali or Zero Assoluto or Paolo Meneguzzi at all.. I didn’t use harsh words, just a bit of irony, but how can you not joke about Max Pezzali come on.. It only pisses me off that this minstrel who is, IN MY OPINION, FOR HEAVEN’S SAKE, artistically null, along with many others, contributes to the exponential decline of Italian music by taking space away from far more valid groups that deserve more media visibility, and I assure you that Italy is full of them, but due to market rules that we all know, they remain in the shadows and are destined for a quiet end.. take Timoria for example (and I'm talking about the more commercial ones).. Great band, memorable albums like Senza Vento or 2020 speedball, Storie per vivere, Ritmo e Dolore, etc.. but who cared about them? What recognition did they get? Who remembers them? Few.. We will all remember Ramazzotti, Zucchero, Laura Pausini, Giorgia, Baglioni, etc.. This is the legacy of Italian music in the world.. And all of this makes me infinitely sad.. I try to make those who adore the GREAT MYTHS OF ITALIAN MUSIC understand not to stop at appearances and to dig deeper to discover much more interesting realities than Max Pezzali.. Everyone is free to do whatever the hell they want, and just as I am free to joke about Max Pezzali, I certainly won’t be the one to change the mind of the friend who wrote the review; in fact, for him, maybe I don’t know shit about music since I don't match his tastes.. DE GUSTIBUS NON DISPUTANDUM..