Nosebleed

What store Iside? JURIX, really when I saw Motorhead there were seats!

But weren't they playing melodic hardcore? Maybe I'm remembering wrong.

Already ThirdEye, I must have been really inattentive since high school not to notice that there's a ton of funk in this record...

Is it a Nes question? Who knows, Space Ritual!

Well, the review doesn’t add anything new; I don’t think it was necessary to emphasize that this album is a masterpiece of thrash...

Too many "anyways."

Well, and now we just need the first one! Really a good group, the kind that makes you travel a lot. The review, a bit hallucinatory as well, and I didn't understand much of the first part, so much so that I only knew "antinomìa," but still good. Anyway, I prefer the second one of the trilogy.

They have absolutely nothing to do with the early Incubus, not even close. They have a lot in common with the early Deftones because they also came from a new-school background (covers of Helmet, Fugazi, Bad Brains, Suicidal Tendencies..). Then there was lo-fi punk in the 90s? Snapcase, Sick Of It All, let's throw in Helmet too, and for what little the whole melodic hardcore means? "Powerful" punk had started way before 1998, and Refused themselves had begun earlier; this record is just the apex and at the same time the epilogue of the matter. In short, I wouldn’t make it just about "sound." @Franci, you write, "The people these Swedes were inspired by are revolutionary," yet I haven’t seen you on my review of Born Against! They were far more revolutionary than the people they take inspiration from.

No Frankie, I liked your comparison. I think it came to you quite spontaneously, and it summarizes the problem better than a thousand words. I wouldn't have dared to say that myself, I repeat, because for a group with certain expectations to find themselves compared to the Afterhours is, to say the least, humiliating, but the concept is there. @Sid: I don't feel like calling them idiots, to the amoeba-like audience, if they miss certain references, many of which are absolutely "just thrown out there" (unless someone convinces me that there is a coherent thought process behind this project, as in the case of the aforementioned illustrious anglophones). I hope to change my mind, because right now Italy really needs more "plump" realities. Instead, these guys feel like an unfulfilled promise.

No Maci, I misspoke, I wasn't just referring to you: it’s just that you see certain names popping up (even just popping up) when talking about these guys, Jesus Lizard, Melvins, Tool, and even in a photo a member was wearing a Neurosis t-shirt. Then you listen and you don't understand (at least I didn't understand). I know they will be in Italy, if only I could go to all the concerts I want...