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I also really liked the rock twist of Carcass. Great review of a project that has never interested me much, but it says a lot about the person in question.
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Very beautiful. This page managed to capture my interest even though the subject was mountaineering, which is no small feat.
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Huge shoutout and an amazing game, which of course I never finished...man, what memories, my favorite was the old one anyway, no one fought like that! What memories of the enemies, the beasts to ride, the Mongolian giants with the huge hammer...and it was incredibly hard, the curses I shouted at this game were few others! I still remember the music from the first level!
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Having seen a few clips... it has always intrigued me; not having watched it, I can't give a judgment, but for sure there haven't been many films of this kind made in Italy.
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I read a few issues years and years ago... I liked them, but then I didn't continue. In general, I have a positive view on Disney comics, even though the older ones seem to have an extra something compared to those from my time. Carl Barks and his universe of characters have always intrigued me. It would be great if some classics of his were reviewed, aside from the "usual ones." Anyway, you're talking to someone who recently went searching for episodes of Duck Tales... I agree, excellent recommendation and great analysis by the reviewer.
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I played it six hundred thousand years ago... I never managed to finish it, partly because it was difficult and partly because it scared me XD I recall some fantastic settings. I wouldn't mind picking it up again at all. On the other hand, I remember the second one well, much less scary and less avant-garde but a great title, with very enjoyable gameplay and well-designed levels.
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Fundamentals.
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I only know the first "Transnational Speedway League [...]" and I really like it, when they still had a bit of hardcore, vocals, some breakdowns, and not much else. From what little I’ve heard, they’ve become much more stoner since then, and I think it was the right way to go. I would like to explore this further because I have the impression that their best work came after. The review says many right things and other interesting points, and I agree, the packaging (at least judging by the cover and the title) must be very well done. Great Clutch. As for the idea that everything in rock has been written and it's just a matter of "sifting," I have some doubts, but I also believe that, regarding rock, we are in a sort of mannerist era, and more than movements, it’s sometimes individuals that pop up.
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I'm a bit ignorant, and I only know them from Only Theatre Of Pain, which I really like. It's a very painful album, and it has the added value of being quite raw. For me, that would be enough to prove that they weren't just a backup in the global dark scene. Honestly, though, I don't know how much sense they could have made without Rozz Williams. Great review, anyway.
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