Occulto Supersovrano

DeRank ™: 0,69

DeAge™ : 7304 days • Here since 11 june 2006

Ten East Extraterrestrial Highway

14 may 07

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@Psycho: these are quite different from Yawning Man, who make shorter and "relaxed" songs where the surf guitars take center stage. Ten East are rougher and more visionary; on the other hand, Arce set up this project specifically to do something different from Yawning—something akin to Homme's desert sessions (the early ones where, what a coincidence, Lalli and Bjork also play), but even more jammy (and pissy pissy). The drummer (never heard of him before) is a real beast, with a style very much like Brant Bjork.

Modest Mouse We Were Dead Before The Ship Even Sank

14 may 07

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I didn't like it at all.

Orson Welles L'Infernale Quinlan

13 may 07

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wonderful

Zu Live @ Ortosonico - Giussago (PV) 09.05.07

13 may 07

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morningstar, were you also at Rebeldia? Anyway, I fully agree with your comment. They have many qualities, and maybe it's me who can't appreciate them, but I've always found them a bit too soporific for my tastes...

Luigi Cozzi Star Crash - Scontri Stellari Oltre La terza Dimensione (1979)

11 may 07

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they should have called it Star Trash

Katsuhiro Otomo Akira

10 may 07

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beautiful also "Requiem," a perfect soundtrack for the apocalypse...

Dario Argento Inferno

10 may 07

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For me, it's a great film, my favorite along with Suspiria and Profondo Rosso. I find that the brilliant use of colors in the cinematography adds a surreal and unsettling touch that's definitely spot on. However, when it comes to the cinematography, I don’t see anything similar in Herzog's film; Fidia, did you watch it under LSD? :)

Hayao Miyazaki Mononoke-Hime (Principessa Mononoke)

10 may 07

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I absolutely love this, for me it's Miyazaki's best. An excellent critique of the crappy industrial society we live in and a heartfelt declaration of love for nature (these themes also recur in all the author's works).

Katsuhiro Otomo Akira

10 may 07

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More than minimal, the use of computer graphics is almost entirely absent (the computer was only used to create the reproduction of Tetsuo's aura, which is seen just in 2 or 3 very brief occasions). As for the release, it came out in Japan in '88, in the USA in '89, and in Italy in '91.