Occulto Supersovrano

DeRank ™: 0,69

DeAge™ : 7304 days • Here since 11 june 2006

Battles Mirrored

8 oct 07

Voto:

I really think they suck, I don’t understand what people find so exciting about them. Maximum respect for the musicians involved (Stanier foremost), but for me it’s a 1 record.

Brujeria Matando Gueros

8 oct 07

Voto:

for those who haven't seen it ---->

Brujeria Matando Gueros

8 oct 07

Voto:

However, it must be acknowledged that their version of Macarena (Marijuana) and Don Quijote Marijuana (with the related video) are brilliant!

Union 13 Youth, Betrayal And The Awakening

8 oct 07

Voto:

I don't know, but the cover with Papa Wobinda is a riot.

Throwing Muses House Tornado

8 oct 07

Voto:

a great group. They baptized the Pixies, who debuted ('86 or '87) opening one of their concerts.

You tell everyone to fuck off (by the way, you forgot about punk and rappers) without really saying anything about the album and the band; not even a little word about the jazz and funk influences in their music. The only thing that’s clear is that it makes you feel pretty cool to shove shit on other people's tastes and that you look down on those who listen to prog, metal, post-rock, or electronic music.

The Fuzztones Lysergic Emanations

6 oct 07

Voto:

In Heat isn't that bad, sure it's not as good as this, but there are some songs like Charlotte's Remains and In Heat that raise the average... I missed the Morlocks, but I saw the Fuzztones in November at Baraonda in Massa and they always put on a great show.

The Fuzztones Lysergic Emanations

6 oct 07

Voto:

Among all their studio albums, this one (the first) is probably the best, although the subsequent "In Heat" is not bad at all.

Pier Paolo Pasolini Accattone

3 oct 07

Voto:

No one has ever captured the sad condition of the underclass as well as Pasolini: this is poetry, the poetry of marginalization and solitude. An absolute masterpiece, one of the peaks of Pasolini's work.

M. Night Shyamalan Lady In The Water

3 oct 07

Voto:

As usual, Shyamalan suffers from self-indulgence and crafts a technically well-made film that is intrinsically lacking; the first half hour raises hopes, but soon the plot reveals itself to be (unnecessarily) convoluted, confusing, built around clichéd fairy-tale mechanisms. Beautiful cinematography and good actors do not make a great film.