Adriano Bernard

What a punch this movie is, when I watched it as a kid I cried.

Achille's Last Stand is worth the entire album, which is already worth it on its own. In any case, IV and Stairway are way above.

I have heard those considered the best, so I really can't imagine what this could be xd

One of the few products of Italian society for which I would suggest the death penalty. It really gets on my nerves, much more than mondo marcio and co.

I mean someone should admit him to the psychiatric ward, Tarantino has serious issues in my opinion!

This film makes no sense, except for pure and simple violence. It may be shot, directed, and acted brilliantly, Tarantino might be an excellent director, but can anyone explain to me what the content, the moral, the essence of this film is? No sense, just violence. Tarantino can be as talented as he wants, but for me, quality does not justify violence, especially when it is violence without meaning.

I have only listened to December and Autumn, but I think George Winston is one of the most banal, mediocre, and commercial pianists on the market. His music is hyper-melodic pop fluff, relying entirely on sentimentality and melody. It’s a constant recycling of clichés, with not a single idea that holds any value: banal and packaged new age music, easygoing and melodic, suitable for an airport or a supermarket. Nothing more.

The Duran Duran are worth one from the first to the last album.

"The keyboardist David Paich, son of a film score composer, the drummer Jeff Porcaro, son of the famous jazz musician, and the bassist David Hungate had just played with Boz Scaggs, as well as participating in the recording of albums by Alice Cooper, Leo Sayer, Steeleye Dan, Hall & Oates, Aretha Franklin, Pink Floyd, Earth Wind & Fire. Toto was formed in 1978 in Los Angeles by these seasoned recording studio veterans to accompany the singer Bobby 'Kimball' Toteaux (the name 'Toto' is simply 'Toteaux' pronounced in English). Throughout their long career, Toto had the unique merit of presenting keyboard-driven melodies (David Paich, also the author of the best tunes) rather than guitar-led ones (Steve Lukather). They debuted with the melodic hard rock of Hold The Line, from the album Toto (Columbia, 1978), but after Hydra (1979) and Turn Back (1981), they found their true calling with the hits of 1982, Rosanna and Africa, from Toto IV (Columbia, 1982). However, they never managed to replicate those successes, and merely changing singers was not enough to regain the audience's favor. Given that their music was largely produced in a commercial manner, they almost never performed live. Their albums Isolation (1984), featuring Stranger in Town, Fahrenheit (1986), and The Seventh One (1988) are terrible collections of clichés. Often, the only redeeming factor is the virtuosity of drummer Jeff Porcaro. Past To Present (Columbia, 1990) contains the hits.
Jeff Porcaro died of a heart attack (due to overdose) in 1992.
Kingdom of Desire (1992) is the last album on which he plays. The survivors (with the virtuoso Simon Phillips on drums) will record Tambu (1996) and Mindfields (1999) and will continue unperturbed to perform around the world." Piero Scaruffi.

But go back to listening to Burzum, I think you were more into viking metal: Pink Floyd are too evolved for you. As for what Scaruffi says about Dark Side, it’s nonsense. Sometimes Scaruffi gets it right, but at times he has to give scores randomly just to show he’s intelligent and therefore different from the crowd.