morningstar

This character is quite curious and bizarre. He was also with Guns and Roses during their brief reunion. Undoubtedly, he's an original. I didn't know he had done a semi-acoustic thing as well; he usually does things that, on a superficial listen, seem like they're from a crazy madman. I'm putting him on the shopping list. Even John Zorn has good things to say about him, and usually that's a good sign.

Thank you very much, Klaus, for the information.

If only we had more minor records like this...

In reality, I quite like this album; nothing revolutionary or exceptional, nothing to do with "If You're Feeling Sinister," maybe the beginning of a decline, but today it's raining outside and I'm happy to give it another listen.

Interesting, I thought he was just the author of Naked Lunch. "The black rider" by Waits is really beautiful though.

I think that for now, along with Orobas, which I reviewed, this is my favorite of the new Masada series (I've bought all 5, but I haven't really listened to some of them yet). There's nothing wild in this album, and I believe it will appeal to those who usually listen to smooth jazz; it almost feels like a Bill Evans-Masada. The same trio recently recorded a tribute album to Bob Dylan... but these volcanic gentlemen never seem to stand still, I agree with you Sfascia. Bye.

but dune buggy, with these talks you sound like the breadcrumb service on the news..... everyone moves on and they are a testimony, even my grandmother

I still haven't listened to this one, but I give "time out of mind" 4 stars, for example.

At first glance, it seems like a minor album, but it contains little gems, like "Winterlude" and "Man in Me," which was covered by Cohen in "Big Lebowski." Overall, I believe there isn't a bad or filler track. In my opinion, three stars are really too few for this little crepuscular album... Also because it doesn't sound pretentious; it feels like a consciously minor work that is practically successful in a perfect way. In this sense, I give it 5 stars, even if I might be exaggerating because I’m too attached to it.

In fact, Dylan has been around for quite some time now, but he remains a genius. Sure, he’s had a few annoyingly quirky moments, but if you take "Blonde on Blonde" or "Blood on the Tracks" and you don’t like them, I start to think you have an ear infection. In the eighties, his output was a bit inconsistent, and often in a crazily punk way, he released some of his worst songs, leaving the authentic gems for the bootlegs, like "Blind Willie McTell" or "Series of Dreams." Whenever he puts something out, I give it a listen, hoping to find something that lives up to the last two, "Time Out of Mind" and "Love and Theft," which were more than solid considering our man here is almost 70. For example, the last song on "Time Out of Mind," the lengthy "Highlands," I remember was an absolute gem... If I find even one track at that level, it will be money well spent.