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Honestly, I believe that the title of the album, rather than a reference to sodomy, seems like a mockery of "Sgt. Pepper's Lonely Hearts Club Band" by the Beatles: and you might want to believe it, just take a deep breath to read it! ;P.

I'll help you again and rightly so, Cool!

Damn... I got it wrong, this is the review of Cool Oras!

Some nu metal songs (like those on this album) could be used on TV for quick transitions in variety shows. Forget about cheap pop dance compilations.

Ah, the AAF has little to do with the Red Hot Chili Peppers...

Alien Ant Farm? They’re just mediocre cousins of Papa Roach, thanks to whose help they became famous (how strange, they’re all insects!). Only "Movies" and the cover of Jacko deserve 3 stars, especially for the comedy with which they deliver them.

I prefer "Getting Away With Murder," even though it strangely has the flavor of the Rasmus, while "Scars" is a bit boring. However, the fact that Jacoby Shaddix doesn't rap anymore leaves me a bit stunned (the "rapping" of nu metal is the only kind I like, I confess), but then again, the Scarrafoni have been playing since '93. Let's hope that the plagiarism rumor about Iron Maiden is just an urban legend.

Sure, I'm having issues with the server. So I'll wait, and if there are any problems, you can always see it here. Hi Cool!

Sorry, but I couldn't send you the review of Greatest Hitz by LB in the traditional way due to a server issue.

After three explosive albums, Limp Bizkit enter a declining phase marked by nonsense, arguments between band members, and poor records. And the Greatezt Hitz proves it.
The 18 tracks retrace ten years of Limp's career, from their early concerts alongside their mentors Korn (1995) to an embarrassing and pointless porn video by Fred Durst (2005). It is precisely this latter factor that affects the gradual decline in the quality of their music.
The journey starts with two singles from their debut "Three Dollar Bill Y'All," "Pollution" and the cover of "Faith" by George Michael (of excellent quality, almost on par with the original), and continues with all the hits from the explosive "Significant Other," demonstrating how the group was able at the time to move smoothly between carefree hip hop, alternative hard rock—which many consider the root of the "nu metal" movement—and what remained of grunge.
The quality of "Chocolate Starfish..." is good, but the tracks included in the GH already show the first signs of a decline in style, primarily "My Generation" (which I believe is much more MTV-oriented than the others). It concludes (perhaps in every sense) with three tracks from "Results May Vary," which are not very memorable due to their banal arrangements, excluding a bit "Build A Bridge."
For those interested, there's also the internet single "The Truth" and a few decent unreleased tracks. Rating: 3/5