AMALTEO

Dear Haira,
It's a shame about your dismissal. However, your review is a pleasant read (5).
I find Kate Melua absolutely brilliant, a singer who knows how to make the most of her talents (and Mike Batt is an intelligent talent spotter). I immediately compared her to Norah Jones, and I enjoy listening to both of them very much. I wish them a significant future.
I also noticed you mentioned La più grande fra i grandi: Nina Simone.
I almost have a reverence for her. My Album for Nina is here: NINA SIMONE
Cheers and thank you for your attention.
Paolo Ferrario/Amalteo

Dear Copernicus,
Thank you for this introduction to Edgar Varèse. There are musicians who intimidate me, and therefore, I haven't listened to them until now. Having some key to access is very important. I will finally listen to Edgar Varèse.
Can you believe I came across your review while searching for musical influences in the Australian jazz group The Necks, which uses sounds, minimalism, and a mild use of electronics in their sound exploration?
Looking forward to hearing from you,
Paolo Ferrario/Amalteo

For the debaserian friends. A minute ago I received some treasures directly from Australia: - The Necks, Athenaeum, Homebush, Quay, Raab (four concerts in total!!!!) I'm listening to one while I write. I have no words ... - The Necks, Mosquito (two concerts!!) - The Necks, Hanging Gardens. Happy days await me .... I assure you: with the Necks, you experience the happiness of being in the world. In the future, my reviews, thanks for reading. Paolo Ferrario/alias Amalteo

For debaserian friends
a minute ago I received some little treasures directly from Australia:
- The Necks, Athenaeum, Homebush, Quay, Raab (four concerts!!!!) I’m listening to one while I write. I have no words…
- The Necks, Mosquito (two concerts!!)
- The Necks, Hanging Gardens
Happy days...
In the future my reviews
thank you for reading
Paolo Ferrario/alias Amalteo

Thank you Gabbox,
but the work of getting to know the Necks should continue. I'm doing it in every possible way, De Baser first and foremost, but also sand-zine, my website, and still the Blog on Splinder.
I’m thrilled that you also like "Sex." Can you believe it? It's a CD from 1989 and it feels timeless. The Necks are already CLASSICS.
Last week, I had an exciting moment of satisfaction. In a communicative frenzy, I wrote to the Necks, down there in Australia. And Loyd Swanton (Bass) replied to me:
Dear Paolo,
This is simply fantastic! You have done an incredible job! Grazie, grazie so much!
It means so much to us to know that our music has moved someone the way it has moved you. You inspire us and we promise to keep making our music!
All the best,
Lloyd
The most interesting thing about the response is the pleasure of knowing that there is an audience that inspires them to continue their musical project. It's true that music is made by musicians. But they make it with their listeners.
See you soon,
Paolo Ferrario/Amalteo

We meet again through Debaser!
Nice philological review.
I will look for the record and put your listening guide in the envelope.
By association, your writing reminded me of "Private Concert" by John Lewis. Outside the context of the Modern Jazz Quartet, one can appreciate his "pianism of the note."
Thank you.

I enjoy philological reviews. Many thanks for the explanation. I've had this record at home for ages. Now I'll listen to it with some keys of interpretation. DeBaser is truly always a wonderful discovery!!! Paolo Ferrario / Amalteo

Very nice the reviews "at the service" of the listener. Those that bring the album to life.
I will listen to Nighthawks at the Diner again with more pleasure and attention
And I will give the score to the album after the re-listening. While the review is 5
Thank you
Paolo Ferrario/Amalteo

Hi Valeria. I’m glad to meet you here as well. I hope some debaserian, even after your words, will get this record from 1989 (!!!) that sounds like it was made today.
Yes, Sex and Drive By are two twins that make life more beautiful.
Thank you.

I almost forgot: review 4
I'm listening to the album. I'll say more later. However, it seems to me that it corresponds to the effective "portrait" of Gabbox.