easycure

but really very interesting! I'm looking right away. great

Dear Alessio, thank you very much for your approval. I assure you that I also feel a bit of guilt when I realize that we play considerably more than many other bands (and in better venues) just because we do covers, especially now that with my band I see it from the opposite point of view. I’ll gladly post the link, but not yet because we are preparing a proper recording that we’ll do in September. As soon as it's done, I’ll share it with you ;-)

pardon WITH the slint, as it wouldn't make sense

beautiful definition "lynch sounds like slint" :-) great blackdog!

It would be missing… one can always like someone who has built an entire career singing like Curtis… oh right, but there’s that extra touch with those little guitars that can’t get more indie. So it’s fair to say that they’re actually not the same as Joy Division ;-D… personally, I must say I really don’t understand the point of this group’s existence at all. Oh, and there are some nice songs too, but still, they just don’t make much sense.

great alessio iride, the more I read you the more I would give you five :-D it's true, the '80s are years of deep divides. So much that the mainstream is the worst shit ever seen, yet digging deeper you find some of the most beautiful things of all time.. so, here you go:

great recommendation! downloading now. I've always heard it mentioned, but in the end, I never really knew what it was about. I wonder why I never delved deeper... I need to make up for it.

let's say that in his intent he has always been tied to melodic songs but trying to develop them in an expressly NON-commercial context. Ultimately, this has been his little "revolution." For me, too, pet sounds is not my favorite. It's certainly the best for arrangements; for me, the best are "today" and especially "smiley smile." That’s where the experimentation with song form really happens, nothing compared to sgt. pepper ;-D

I doubt it very much. The intrinsic mediocrity of this group doesn't seem to have any chance of being overcome from your description. The "same old" group from the 2000s.

Lux, the story of the Beach Boys is much more complex than appearances might suggest. There is a need to distinguish between periods and elements of the group. Let's say the experimenter was one: Brian Wilson, who was the composer of all the songs (sometimes together with Mike Love) and very often, especially during the Pet Sounds period, absolutely opposed by the other members of the group, who would have preferred to continue a purely "pop" approach throughout their career. Not by chance, from '68 onwards, there was a complete regression of intentions in the Beach Boys. Brian Wilson entered a crisis (he wasn't exactly a simple guy), stopped performing live, and the Beach Boys returned to the format of the most blatant chart-topping songs. Still, they had always been "commercial" in fact. But Wilson wanted to expand the concept of melodic song until it became something artistic. It is in this light that his trajectory should be understood. Ultimately, it was the trajectory that from the early '60s led to psychedelia. Wilson was as much a prototype as he was a harbinger of the times.