Senmayan

I agree with occult supersovereign, I don't understand how a cultured person can be caught up by a dangerous eugenicist like Al Gore.

1 for principle to the film since there is behind the gore. Vade retro from me these pseudo-environmentalists who, under the guise of environmental catastrophe, want to increase the gaps between poverty and wealth. Then, when it comes to pollution, it’s always the fault of us poor souls, never of the military apparatus and the big industrial magnates. We with hair spray are bastards... I agree not on everything, but on several parts of Nero's speech. Also, be careful of those who talk about overpopulation, which is one of the biggest bullshit ever said. Food and water are abundant for everyone; it’s economic policies that generate poverty and wealth, not nature. Be careful, because those speaking of overpopulation in the 30s were the racist and Nazi eugenicists, the propagators of sterilization among gays and inferior races. Shit, all shit!

The film is very beautiful and the review is beautiful too!

aaah! So I'm not the only loser who knows the movie Howard the Duck. Legendary! When I was very, very young, watching it, I hoped the duck would punish the protagonist; one of my hidden perverse thoughts...

in agreement with Poletti and that Troisi is not understood is honestly nonsense

useless... watched it yesterday with friends, forgettable. A few funny scenes aren't enough. The movie is entertaining for the first few minutes, then it gets boring...

the montage, the stroller, the stroller with the poor child... can we see it again? and maybe my friend... Anyway, the scene in the cinema is not a critique of German expressionism or that type of cinema, but rather of the intellectuals who impose their vision and whose snobbish and superior behavior corrupts and drives people away from art...

I saw it many years ago on Italia1 late at night! I was just a teenager, and yet the title and the runtime inspired me and (crazy enough) I watched it all the way through. It struck me a lot because it blends esotericism, mysticism, even Masonic doctors, and at times has a claustrophobic atmosphere. I remember little, but of that little I have a nice memory. We give it a 4!

ihsahn is a genius; I absolutely have to listen to him. I'm also happy that Emperor is reuniting; they weren't following a downward trajectory at all. In fact, they were moving away from many black metal stereotypes (and the last Prometheus of black metal has almost nothing to do with it), and that is a good thing, as I believe it was limiting to continuously release albums that were strictly black (considering ihsahn's musical personality). Sure, Prometheus is not a masterpiece, but it’s a transitional album that gave hope for the future...

The photography is very beautiful, the setting etc. etc., but as a film, it’s nothing exceptional; from Salvatores, I prefer Mediterranean, which is the only film by the director I’ve seen, along with this one, of course.