Fidia

Three also to the album

Sorry, but can you tell me where the hell this dark album is?
And then, all those constant comparisons to the Beatles, Dylan, and the Rolling Stones, which, in my opinion, are totally pointless.
No hard feelings, but I really didn't like this review much, but I'm feeling generous and I'll give you a passing grade.

I've been to a few concerts myself, but the only thing that provokes those sensations is the result of a mix between a joint and wine. With this cocktail, you can experience the same feelings even at a Jovanotti concert.

I'll tell you, as a review (not even that harsh considering they gave the album a 3), it doesn’t seem that bad to me, if it weren't for the reference to Galeazzi and the completely out-of-place final greeting. The album, in my opinion, is mediocre.

Our aka, when not copying, shows all his (non) talent...

EDITORS, WRITE THAT IT HAS BEEN COPIED PLEASE SO WE CAN GET RID OF THIS GUY BACK.

LET EVERYONE KNOW THAT THE GUY COPIED THE REVIEW ON SIMPLE PLAIN. THERE YOU GO..

Haven't you realized that maybe you weren't good at making it clear?
Oh right, always someone else's fault...

Everything that Harry Poser has written is definitely among the scariest nonsense on the site... I also opt for the human case...

The review is very childish and full of grammatical errors and musical inaccuracies.
First of all, it states that: The fact is that this album sells and does not sell in Japan. The present tense was thus used. Not to mention the clumsy "they turned the history of Italian metal around."
Let's move on to the inaccuracies: let's skip the rather obvious and untruthful opening (it doesn't seem to me that metal is only appreciated in the countries you mention), then there's a contradiction in terms when you say: "the pure metal of power metal." You should know that if it is pure metal, it cannot be power, since this type of metal is very contaminated.
As for the rest, it’s a piece full of exaggerations that are meaningless, all seasoned with big words like breathtaking solos, which don't need commenting on, terrifying riffs, songs that go uncommented for their charm, and even the phrase: "I better turn off the stereo or I’ll faint," which is really exaggerated.
In my opinion, you should practice more with writing; otherwise, the result can only be this.