Surferkangaroo

DeRank : 0,34
DeAge™ : 7484 days • Here since 13 december 2005
Led Zeppelin Led Zeppelin II
Voto:
Well, the lyrics of Led Zeppelin aren't that great. Objectively. They were just playing at being playboys.
Led Zeppelin Led Zeppelin II
Voto:
axl, relax and above all write in lowercase.
Led Zeppelin Led Zeppelin II
Voto:
axl, relax and above all write in lowercase.
Led Zeppelin Led Zeppelin II
Voto:
Dave, I agree with everything except for "Plant's splendid voice." The voice is really outrageous. "Unique" should be the more fitting term. Different, interesting. But not beautiful!
Fabrizio De André Tutti Morimmo A Stento
Voto:
Alright, if you stick to the strict sense of poetry, I agree with you. Let's say a great wordsmith. Is that okay?
Led Zeppelin Led Zeppelin II
Voto:
vote.
Led Zeppelin Led Zeppelin II
Voto:
Well, I didn't see the point. The first 3 albums by Zeppelin are great in their own way. Led Zeppelin IV is, in my opinion, inferior to the first 3. In any case, my favorite is III, more acoustic and less rock, but it gives me the most emotions. In this one, there are some cornerstones of rock. Whole Lotta Love, Heartbreaker, and the beautiful Thank You, whose lyrics were copied (or perhaps inspired) from "if 6 was 9" by Lord Jimi Hendrix.
Fabrizio De André Tutti Morimmo A Stento
Voto:
De gustibus. Ways of seeing the same things differently. I wasn't referring to you when I said he is glorified, but for many he is untouchable. For me, he is not. That's all. I consider him a mediocre musician and an excellent poet.
Fabrizio De André Tutti Morimmo A Stento
Voto:
Understood in the narrow sense of "singer + guitar," perhaps De André is among the best. But I find it hard to rank them, choosing between De Gregori, Conte, Guccini, Gaber, and Battiato himself. In short, there are quite a few, and many of them have their own uniqueness. The acerbic irony of Gaber, for example. Or the musical experimentation of Battiato. The romantic sweetness of De Gregori. The jazz influences of Conte and his piano. In short, it's not easy to draw up a list with someone at the top.
Fabrizio De André Tutti Morimmo A Stento
Voto:
Wait. Battiato in his musical "madness" is clearly superior to De André (in terms of musical knowledge, arrangements, and experimentation). But I believe De André's lyrics are probably unattainable. I prefer the initial part as an impulsive push; it feels natural to me. At the same time, I like the final "experimental phase." Overall, however, I haven't noticed that blend that makes me say he's "the best singer-songwriter to ever exist in Italy." Then again, it's a matter of taste. I'm not saying he's just some fool. But he’s not a god either.