Vivis

On Friday night, I’m going to see them in Rome, a sold-out concert from what I've heard through the grapevine. I still need to listen to the album, but the icing on the cake has made an impression!

'web-sciacallaggiuo (also known as file sharing scaricator-portuense)':D! How cool! So they are releasing the new work after the EP?? Great, I won't miss them because fuga dal deserto I really liked a lot and he is a great guy.

I have been objective. I wrote “monotonous battery,” but you know better than I do that isn’t the point. The point is that you found them whiny, “du cocommeri” as you called them, ball-busters, etc. I didn’t at all, and that’s perfectly fine. However, in my opinion, if you were already prepared because, as you say, you liked the albums and therefore knew them pretty well, you shouldn’t have expected green ballets, pizza and figs, or who knows what; that’s why I found your reaction exaggerated. They are so splendidly rigid and cold in their manner but warm and alive in their feelings, in the music, in the words. Those who appreciate them know this.

I was there in Florence and that’s not what I perceived. That’s not what I felt. The Blond Redhead were amazing, hypnotic, captivating; she’s a gem with how she sings and moves. It’s fine that Fogarino always uses the same monotonous drums, but you can’t tell me they put on a mass. I haven’t stepped foot in a church since my first communion, but if masses were like that, by now I would’ve either become an altar boy or played hide and seek behind the holy water font with the priest. You can’t go see the Interpol yearning for the Morphine; you know those two things just don’t mix.
I experienced that live with a different spirit (I wasn’t thinking of a place in the sun or Ligabue ;)... I was thinking about those bastards that I can’t shake off, about Lighthouse that paralyzed me, about Rest in My Chemistry that drained my strength, about PDA and that Something to Sayyyyy and those piercing guitars, about C'mere; about that it’s way too late of hers and that 'trouble' very much trouble of hers.
They’re always impeccable and precise. I hate them only because they come up with those words so spot on and painful since they didn’t make me feel like Roland, because they disappear right away but get under your skin. The rest doesn’t matter, just chatter.

I missed this review. Good album, sometimes a bit repetitive and slow, but there are great tracks. I like it when Dave talks to his god. If there's a kingdom beyond it all?

very interesting analysis, well done. Wow, what trips!

how beautiful gospel plow is and look at you above all. Worn out.

Nice review, I want to listen to it because I'm curious.

I don't know if I've told you, I'm a skeptic. I followed them also because, after all, I know very little about their production, and instead "randagi" shed light and made a really good impression. Giving it a couple of listens won't hurt: there's nothing to hide and "randagi" are two nice tracks, but going from here to being amazing is a long way off. For sure.

sound of soul, extra time, malfunk, inside and strays, 5 no? Anyway, since one should read carefully when writing and I instead say that I have autumn in my throat and I'm a bit scatterbrained, the third paragraph should sound like this: they alternate, mixing with precise guitars always in the foreground that never lag behind a powerful drum or a direct and dry voice... shall we correct it?