geenoo Banned

DeRank : 3,10
DeAge™ : 7509 days • Here since 19 november 2005
Nomadi Ma che film la vita
Voto:
This latest post of yours, and perhaps the review as well, comes off as a bit moralizing. Albums are made to sell, right? And are you so sure that their record label isn’t part of some powerful lobby, maybe within the orbit of Silvio, a Tronchetto Provera, or a Benetton?
AA.VV. Tropicalia - A Brazilian Revolution in Sound
Voto:
I came to see you mainly to compliment you on the editorial. I would have gone a bit harder on it. P.S. The review is great too, obviously. And, judging by the names, the collection should be remarkable.
Billy Joel 52nd Street
Voto:
A 4 for me too.
Billy Joel The Stranger
Voto:
I agree with the clarifications of Grendel and Nigtwalker10 regarding the beauty of "52nd Street."
Cluster & Eno Cluster & Eno
Voto:
This time I agree with Aeneas.
Cluster & Eno Cluster & Eno
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How good are you at changing the cards on the table, damn...
dEUS No More Soda For Clarence (Demo Disc)
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But I'm strange regardless... you have become one.
dEUS No More Soda For Clarence (Demo Disc)
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Hey Jimmy, get yourself together! I've never put a foot wrong. I've always told you everything to your face. I'm ready for any challenge. You're strange anyway, Jimmy...
Cluster & Eno Cluster & Eno
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Puntinicaz.... I find you here and I read nothing but nonsense. In short, there is absolutely not this variety in progressive, even the stones know it! Besides, the difference between Tangerine Dream and Can is vast. Furthermore, progressive is recognizable because Gong and Genesis have a uniformity, while kraut is varied because it encompasses different genres! Come on, seriously! A bit of knowledge about what you're writing wouldn't hurt.
Billy Joel The Stranger
Voto:
I also adore Joel, this and Piano Man, and unfortunately, in my opinion, I think that his -significant- production is limited to these two albums. Nevertheless, this is remarkable. Mosesgama, I don’t agree with the definition of rock for this album. Let’s say it’s much closer to pop than to rock. The songs are romantic, in a somewhat decadent way. What I’ve always loved about these albums is the America, and particularly the New York of the '70s, that comes through. Evergreen melodies, and personally, I have always preferred Joel by far over Elton John. Unforgettable and heart-wrenching that whistle at the beginning of The Stranger. I enjoyed writing this review, but I commend you. Perhaps the only superfluous and out-of-place sentence is the initial one. I mean, Debaser was specifically created to host reviews.