Sanjuro

Burn the southerners, the Sardinians who rape sheep above all, then the sellers of tricked car radios from Campania (Napoli I Hate You) and finally the Sicilian mafiosi, there you go.

The film is a masterpiece, the review is one of the few I've read with interest... Pratazzo Merda

Rating that fluctuates between 3.5 and 4, great road movie blah blah blah. Right now, I don't feel like talking, critiquing, and so on. I'm tired.

An absurd ball... one of the most overrated groups in the wooorld.

The problem is that for every highly praised "blockbuster," there is always a superior underground equivalent that enjoys greater freedom of expression, as it isn't on a leash to the same audience that will ultimately feed it or to those frantic expectations of the producer. Trainspotting, for example, is an abysmal piece of garbage compared to Amore Tossico by our Caligari, just as Fight Club is a mere fly's booger compared to Tokyo Fist by Tsukamoto. If you only focus on the surface-level gloss and the easy appeal and don’t have other points of comparison, that's your business. Fight Club in cinema = Nirvana in music; it's obvious that spreading these two audio-video ingredients across MTV or on Mediaset at decent hours will give them a surplus value that they actually don’t possess, in contrast to the other garbage in the schedule. But if this Fight Club is so dreamlike and blah blah blah, then what the hell are Miike, Tsukamoto, Cronenberg, Lynch, or even our own Fellini? What the hell? The next release will be "Kiss is a big band because they critique using advanced mass communication tools—it's a beautiful paradox, geniuses" ... I'm sorry, it's crap, and everyone deep down knows it's crap.

Visually superb. But nothing compared to Audition, which deserves a full 5.

It is undoubtedly a groundbreaking work: of balls.

"I had it with the usual 'culture bullies.' Those who brag about having seen 100,000 movies and listened to 100,000 albums. And who despise anything that is listened to by more than 15 people." If it was aimed at me, you're grossly mistaken. Do you think The Doors, early Pink Floyd, or early AC/DC are unknown? They are all bands I consider wonderful, so you're very wrong. The problem with Fight Club is that it wants to position itself as a groundbreaking work while paradoxically being created with Hollywood means; it’s a sort of no-global that drinks a Coke Fight Club. And then, if we want to go into the dreamlike, let’s look at Cronenberg, Miike, and Lynch, not this abortion that sucks javelins.

Pretend we're dead by L7, huh!

5.