Sanjuro

"in which in the second part of the piece our singer (if we can simply define him with this term) lets himself go into a vocal delirium that makes no sense, without the classic patterns of lyrics and words" this way of singing originated with the great jazz singers and is called Scat, be careful with the spaces. In Pekino, alongside this sort of scat, an effect with helium was also added; the Can were monsters with unprecedented technical preparation. Not surprisingly, several of them taught music, then there was the rough component represented by Damo. Like all the greatest bands, they were a blend of technique and immediacy, culture and crap. Just like the Velvet Underground, who had Mr. John Cale, a student at La Monte Young's minimalist school, but also misfits of rock n' roll; beautiful things are born from the sacred binomial "Culture and Crap" - I am increasingly convinced of this. If only the cultural component remains, everything collapses into intellectualism that wears you out, if it's just crap, everything collapses into punk nonsense. It's a balancing act, and the Can were one of the most balanced rock bands in this regard.