Galakordi Urtis Krat

post-sexual-violence delirium

Thank you for the advice One. For the ammazzadio, I'm re-translating the previous post into an understandable language (read from left to right interpreting the spaces as brief pauses): metal_ metal_ metal_ (or metal x3); cacatonic riff_; riff_; title track; Thrash; (cacata).

poor idiot of a killgod...

I fucking love them. Great review!!

Is the real name Olaffo Torseni?

great Tabba

And here is where I wanted you. The "industrial," musically speaking, has nothing to do with the imitation/reproduction of factory sounds and "mechanical things." This is a disgustingly superficial consideration, dear killgod, and you shouldn't take it personally if I point out that you've said something unreasonable. In the series of "the sound of a hammer hitting a conveyor belt isn't enough to make industrial music," I invite you to do a bit of research on the genre, considering that your knowledge stops at NIN. Together with the last sentence of your review, it sounds like you're saying that black metal starts and ends with the Cradle of Filth. Industrial is characterized by themes related to esotericism, conspiracy paranoia, and the sound forms are always traceable to noise (noise as the predominant element in an absolute sense) and the rejection of musical technique. You will agree that all of this does not correspond to FF.

ehhhhh?? "one (if not the) best album that exists in the entire nu/heavy/alternative metal scene since '90"?? LOOK, WORDS HAVE MEANING!! AND THEY ALSO HAVE WEIGHT!!

I notice that on this site the number 5 and the word "masterpiece" are overused. I give the review a 2 because it's written poorly.

Industrial? I mean, do you even know what you're talking about?