Mr. Green Genes

DeRank ™: 0,16

DeAge™ : 7538 days • Here since 19 october 2005

Love Contact

Pink Floyd Live At Pompeii

17 nov 05

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Do you know any musicians influenced by Bon Jovi and the like for their innovative music?

Pink Floyd Live At Pompeii

17 nov 05

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..F***... with the latest you really messed up

Pink Floyd Live At Pompeii

17 nov 05

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We'll talk about it again in 20/30 years.

Pink Floyd Live At Pompeii

17 nov 05

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josi_ what are you talking about!!! we always talk about good music, not crap like Bon Jovi or Robbie Williams

Eneathedevil, you’re just grasping at straws, GREAT ...SHIT... (they're not part of his little family) the argument is much simpler, Beethoven, like those before and after him, reflected his time (or saw further), rightly in a different way because the "feeling" is different, we’re not traveling by carriage anymore! With your argument then even Beethoven was influenced by other musicians, but his music is different, just as the music of the Pink Floyd (in this case) is different, and both have value if they’re good music. A certain Duke Ellington used to say, "There are 2 types of music: the GOOD and the BAD". And now SHUT UP, Eneathedevil.

Shelly Manne Shelly Manne & His Men At The BlackHawk Vol. #1-5

17 nov 05

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Why do you say that, Eneathedevil?

Pink Floyd Live At Pompeii

17 nov 05

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Both versions are beautiful, but personally, I prefer the "Director's Cut."

Frank Zappa Lumpy Gravy

27 oct 05

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Placing "You Are What You Is" among the masterpieces seems a bit excessive to me; in my opinion, it's a good album (the first appearance of Steve Vai). The instrumental track "Theme from the 3rd Movement of Sinister Footwear" is quite beautiful, but honestly, Frank has done better.

Frank Zappa Lumpy Gravy

26 oct 05

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My vote is not just for the “madness” of Zappa, or for its historical value, but also for the emotional qualities at play from Frank, for not simply ENDURING music as a pre-established language, but for CREATING Music to express his sensations. This album is (according to the data printed inside the CD) from February '67, and it is the first chapter of the diptych that includes the following year's album "We're Only In It For The Money"; it goes without saying that this second album is also a masterpiece. As for the duration of the tracks, which actually last 15:50, I don't think it's intentional, given that on the back of the album the times are slightly different from one another (Part 1 - 15:48, Part 2 - 15:51).