Mr.Moustache

Great review, really. Your take on the album is solid. No need to express my feelings about the band, one of the most apocalyptic ever. "Good, good, good..."

Never listened to. In '94 I was 9 years old..
Nice Preticoltore, really nice.

ENOUGH WITH THE AFTERHOURS! AFTERHOURS = MAFIA/MONOPOLY CONTROL OF THE ITALIAN MUSIC SCENE. REMEMBER: IF A CERTAIN HARD-TO-ACCESS MUSIC DOESN'T TAKE OFF IN ITALY, WE HAVE TO BLAME THEM!!

Shame on you. Here, new listening ideas are being proposed (UNIMAGINABLE ELSEWHERE!), and you sensitive-nosed little snobs allow yourselves to vent about trivial details like punctuation that doesn’t belong to you since it’s someone else’s, on a site overshadowed by the freedom of compositional review! Go take opium.
As for the review and its most respectable author, I humbly allow myself to congratulate as I usually do when I encounter a correct juxtaposition between personal content regarding sound and targeted retrospective quotes aimed at bringing clarity to the latter. I ask myself, instead of writing nonsense in the comments (which are deliberately aimed at discrediting Sfascia's expressive-verbal talent), why don’t you go LISTEN to those bands mentioned in this review? If not, shame on your despicable and presumptuous behavior, and keep on humming smells like teen spirit…

This, damn it, is a review.

X DE-ATOMICA: Anyway, thank you for the positive feedback at least on the review!

X DE-ATOMIKA: I strongly recommend you to reread the review; here the point is not to define them as sacred monsters of the Italian scene (who exactly would these monsters be? Afterhours? Verdena? Litfiba? Or maybe even worse, Marlene Kuntz, now lost in the MTV promotional tides?) but rather to make an effort to recognize those bands that the music business has periodically exploited only to leave them to the degeneration of such a market! Wake up people, have you seen Bugo? Four years ago he told off the presenter who was talking about his music without having a clue what he was saying (ALL MUSIC 2002), and now he dresses up in unappealing Beck-Bowie crossovers when invited to RAI(!!!). And all this why? Because when you go to the majors, everything fades away! Spontaneity fades, control over your own ideas is lost, and everything becomes monochromatic and geared towards bringing just one exclusive and explicit thing: money. Sorry, but I don’t buy the urban legend that Verdena are smashing it because they are the European comeback of Italian music, or that Agnelli's lyrics are post-decadentist (but nevertheless!) surrealist... Let’s not say nonsense. I’m not particularly addressing De Atomika, but to all those who spit on bands like Wolfango, who I believe have given more than what was asked of them. But then what difference does it make? Keep buying the CDs of Pelù or Negramaro; soon enough the prices will drop because it’s Christmas...

I respect your position. However, I find your vote on the album excessively negligent. You see, in my opinion, for a band to be "experimental," it doesn't have to be necessarily sophisticated as you claimed. The Wolfango are not Pink Floyd or Wolf Eyes; they simply reflected an era (one well described by Pretazzo) in which there were not many pathways to the aforementioned "experimentation." It is fair that you don't consider them experimental, just as I simultaneously don't believe that the Fountains Of Wayne are (it’s hard for me to believe!) psychedelic(?)...(?)

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