Mr.Moustache

It's a decidedly suggestive title. Definitely...

This, yes, is an absolutely damn proposal. Congratulations! I didn't know them.

No offense, but I believe that without the rise of grunge and a certain brand of American alternative rock, the unexpected resurgence of British music linked to Radiohead (formed in 1985) and (I want to emphasize) the VERY EARLY Oasis would have never happened. Without bands like Pixies, Fugazi, Faith No More, and many more, these people wouldn’t even know what clothes to wear. Therefore, I don’t agree with your view on their creativity and the alleged eclectic abilities you attribute to them. However, I admit that Song 2, when I was a kid, had its charm. Probably because it was the track they used to promote FIFA '98!

"Texts that, although simple, are capable of evoking various emotions even though they are straightforward."

I believe the name of the band is the most embarrassing in the history of stringed instruments. But above all, "there's something about these Jews that sometimes works": listen, friend, these are the same phrases that the History Channel attributes to Mengele once he landed in Argentina as a farmer..

The first album I listened to by the Sabbath was "Dehumanizer" at 12 years old, and I thought, "Damn, these guys are awful!! I'll never listen to a Sabbath CD again!" At 17 (for at least two years), I was whistling Paranoid and Master Of Reality for hours.. Good times.

Setting aside the review, which I believe is more than deserving for a fan of the early Sabbath, I think this record is a blatant commercial ploy that, in my opinion, is excessively stirring up too many people in a hasty and careless way: each track attempts to force (by dredging them up) the main hits, managing only to evoke nostalgia for something that no longer exists and never will again. Ozzy's voice is definitely gone; when he stays in the lower tones, it still somewhat recalls the long-lost feats, but as soon as he raises it by a note or two, it's a syrupy punch in the gut. Ultimately, aside from the poor (and sick) Iommi, who despite everything he's going through has managed to salvage a sound that is a hallmark even in these poorly managed times. His riffs are the only thing that allowed me to listen to it all the way through. Geezer is rather wasted, and as for the total... I don't feel like giving any rating to this album. They are (or rather were) still the colossal Black Sabbath.

A masterpiece. Billy Bob Thornton is one of the most underrated actors in the history of Hollywood cinema. The cinematography is something unique... perfect cuts, perfect shades, perfect vintage shooting rhythms, vintage zoom, and I could go on forever... I loved it (was that not clear?).

'DeRango™: 0 | DeContrasto™: | DeEtà™: 2317 days'. Now, I wonder, after 2317 days on this site, the only review you come up with is about an album by Paola and Chiara? 2317 days is almost seven years. It took you long enough to start liking them...

The underlying idea of the film is quite interesting, but all the realism is lost when you realize that 99.9% of the actresses in the film seem to have walked straight out of a high fashion 'brochure'... honestly, it's an incomprehensible movie. Not to mention the ending, which is largely implausible. If it had been shot in the '90s with respectable actors (and especially with a tragic, devastating, and more realistic ending), it would probably have been decent. But in hindsight, sanity is lost...