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DeRank ™: 1,58

DeAge™ : 7604 days • Here since 16 august 2005

Love Contact

Neil Young Prairie Wind

27 oct 05

Voto:

Yes, yes, definitely beautiful.

Massimo Bubola Quel lungo treno

25 oct 05

Voto:

However, I can confirm that Bubola is an extremely cultured person from reading his interviews in magazines like "Mucchio Selvaggio" and "Buscadero"; I have personally never spoken to him.

Massimo Bubola Quel lungo treno

25 oct 05

Voto:

Yes, it's true that probably the best things come from two different characters clashing (and, perhaps for that reason, balancing each other out). However, hearing certain things said about De Andrè (for example, hearing him talk about "opportunism") didn't really leave a good impression on me. Bye.

Fabrizio De André Fabrizio De André in concerto volume 1

25 oct 05

Voto:

Ok, it’s possible that I made a mistake, thanks Hal.

Area Parigi-Lisbona

25 oct 05

Voto:

...maybe the one with "Ora no casa," crazy rap-style choruses and "let it be" for answering machines...

AC/DC Ballbreaker

25 oct 05

Voto:

I know well that any AC/DC album might seem the same as the others, since the sound is always the same, but you have to give them credit for being instantly recognizable after just one second of any of their songs. An almost unique consistency in a career that has now spanned thirty years. That said, it doesn’t mean I like all their albums; the masterpieces are those from the '70s up to "Back in Black," after which they've somewhat declined. Bye

Fabrizio De André Fabrizio De André in concerto volume 1

25 oct 05

Voto:

The second volume is also great, the only thing that could have been avoided was that lengthy presentation by Franz Di Cioccio (track 2). Couldn’t you put another song in place of that lengthy talk?

Massimo Bubola Quel lungo treno

25 oct 05

Voto:

Anyway, I saw Bubola in Colere in October 1998 or so, and I must say that I liked him as a musician; as a person, he didn't leave a great impression on me. I was a bit put off by the fact that there was some controversy on his part towards Fabrizio in the introductions to De André's pieces.