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DeRank ™: 16,16
DeAge™ : 8581 days • Here since 12 december 2002
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Darren Aronofsky Il Cigno Nero (Black Swan)
Darren Aronofsky Il Cigno Nero (Black Swan)
3 mar 11
Voto:
I'm sorry, but the dubbing being better than the original is simply impossible (if for no other reason than the lack of synchronization between lips and voice). It particularly bothers me that the voice actors use theatrical Italian diction, making the dialogues absolutely unnatural (no one speaks like that in real life). Furthermore, try watching any Italian film dubbed in English or German, and then we'll talk. The voice actors may be very skilled, the Italians may even be the best (well), but they're not the real thing, and on top of that, there's the adaptation of the dialogues, which is ALWAYS a reduction. I can't stand dubbed films anymore: I watched this film at Christmas in Norway, thank goodness.
Darren Aronofsky Il Cigno Nero (Black Swan)
Darren Aronofsky Il Cigno Nero (Black Swan)
2 mar 11
Voto:
Good film. The banality of the dialogues pointed out by some I fear is related to the Italian adaptation: when will they stop dubbing films? It will never be too late. The flaws of the film stem from Aronofsky's limitations: it often seems to me that he lacks the courage to fully explore certain insights, preferring to titillate the instincts of a certain audience, although - it must be said - with undeniable class.
Radiohead The King Of Limbs
Radiohead The King Of Limbs
25 feb 11
Voto:
But yes, but yes, it’s just that I wanted to point out your banality. Actually, no, I’m not someone who settles for less, and if you really want me to say it, OK Computer, to quote what you quote, I didn’t like it that much. There. Instead, I really like this. Oh, it might be a combination of particular events, but I can’t stop listening to it. And the video for Lotus Flower is pure poetry. The day after tomorrow, though, I’ll forget about it, what can I say.
Radiohead The King Of Limbs
Radiohead The King Of Limbs
24 feb 11
Voto:
No, I wouldn't say that: your cartoons, for example, I find them very trivial.
Radiohead The King Of Limbs
Radiohead The King Of Limbs
24 feb 11
Voto:
Instead, it’s really a nice little place. Just the right length, great sound, beautiful atmosphere, lovely people, and ample parking. No, really, I like it, it’s perfect, I wouldn’t change a thing.
Giulio Manfredonia Qualunquemente
Giulio Manfredonia Qualunquemente
12 feb 11
Voto:
Well, Geo, me too. But I can't help but laugh about it. Especially at the devout atheist that some still mistake for an intellectual.
Giulio Manfredonia Qualunquemente
Giulio Manfredonia Qualunquemente
12 feb 11
Voto:
In the sense that - I’m sorry for Albanese - Berlusconi, Gasparri, Ferrara, and various other cronies are much funnier.
Giulio Manfredonia Qualunquemente
Giulio Manfredonia Qualunquemente
12 feb 11
Voto:
A truly surprising marketing strategy for an Italian film (almost disproportionate, I would say), a film that is meticulously crafted, especially in terms of costumes and colors (fantastic, both). As for the rest: well, it could have been better, but in reality it’s hard to compete with the model.
Bret Easton Ellis American Psycho
Bret Easton Ellis American Psycho
21 jan 11
Voto:
A writer who had quite fascinated me with "Less Than Zero" and "The Rules of Attraction," but then he definitely began to decline. I even read the one you review, but I found it pointless and not particularly well written (I read them all in the original). I also read the subsequent ones, "The Informers" and "Glamorama," both total nonsense. Now he has written a sort of sequel to Less Than Zero; I refused to read it, just as I haven't read "Lunar Park": I have already given him too much trust, and he has disappointed me enough.
Clint Eastwood Hereafter
Clint Eastwood Hereafter
18 jan 11
Voto:
A tremendous film. As Curzio Maltese says: "If the scientific demonstration of the afterlife is yet to be found, there is at least one evident and irrefutable proof that men, despite the relentless death of cells, can continue to grow, deepen in maturity and creativity well into their eighties and beyond. This magnificent living proof is called Clint Eastwood."
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