claudio carpentieri

Fully agree: the comeback album for the Steinman/Meat duo, great review and well divided by topics;-)

When it comes to the Zep, it’s like this: you either delve into the subject or you risk going off-topic, getting bogged down in something that doesn’t really contribute to a calm verbal exchange. This time at least we avoided unnecessary insults. Just kidding, but I really think there’s nothing wrong with taking the time to write about an album that has already received other reviews. To be completely honest, I too, noticing that the topic had been extensively covered in the past, took a look at the already published reviews, adopting (without obviously quoting them) feelings or interpretations different from my own, while still being positively struck by the various natures of each one of us. This is simply to say (and going against the Debaserian Code) that if one believes they can still say something about a "classic," they should do so without hesitation; at worst, it may turn out that even if the reading is an "irritating repetition," it can always remind us not to let that album gather dust, which we haven’t played for so long.

Well done Boss, a very analytical review that, beyond your "personal passion" for "TEI," reveals an enviable knowledge of when you want to go further... now I'll read it again....

Certo! Invia il testo e procederò con la traduzione.

Great description hell. This is a time for the Dead when they continue to expand their audience, a task in which I believe they will succeed with this album, for anyone looking to broaden their musical horizons.

Your careful and peculiar analysis has piqued my curiosity. Listening is the next step. Good job, anyway.

Pearl Jam have released some great albums and others that are nice, but as usual, it’s personal taste that leads us to lean towards one category or another. I believe that, having formed at least 1/3 of the more commercially viable side (and I don’t mean that as an offense, I swear) along with Soundgarden (with "Superunknown") and Nirvana (with "Nevermind"), they perhaps represent the last musical wave capable of bringing something different (maybe not new, I know) to the music scene. It must be acknowledged that even through their latest productions, they've managed to compose quality tracks, even if they are not exactly children of the genre that provided them the opportunity to excel and flaunt the reputation they enjoy today.

Words deeply felt for a band that includes musicians who are certainly not inexperienced. The proof is in the listening and then a final opinion.

A group that still has so much to say, but in this case, it's a beautiful album to enjoy listening to.

With guilty delay, I realize that the review was missing a rating.