Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi, Walt Disney One Hundred and One Dalmatians
Voto:
from memory, one of the least entertaining/memorable... the good examples you mentioned are Pixar productions from the time when the studio was independent and Disney was merely a distributor. Unfortunately, at Walt's house, good ideas have run out for quite some time... and I agree with caz in saying that currently, Japanese productions say much more. At least the Americans have played the satire card well.
George A. Romero La notte dei morti viventi
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as old as the cuckoo and with laughable zombies (a bit of face paint and off you go), but cult, indeed stracult. Without this, zombies wouldn't be what they are today.
Rammstein Rosenrot
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for me their weakest album... but still a good one, at least half of the tracks are great
Bryan Singer L'allievo
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Beautiful, I saw it a few months ago when it premiered on Italia 1 at 3:30 in the morning -_- halfway through the film, I thought it would end with the usual clichéd drama, but it was surprisingly original.
Zack Snyder 300
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Seen... not a masterpiece, not even a great film... on the other hand, the comic itself wasn't sensational, so I was already biased... a decent film, the usual Hollywood blockbuster with good visual effects, machismo, and blood as per the assignment, a few too many clichés and some dialogue that needs rewriting (like in Sin City, copying exactly what's written on the pages doesn't always work; some things read well on paper but translated into real images just make you smile). As an adaptation, it deserves 4 and a half stars, but objectively as a film, I wouldn't go beyond 3 stars.
George Lucas Guerre Stellari
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the first (or fourth) is definitely the one I like the least from the old trilogy
Slipknot Slipknot
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you could start by not commenting en masse on this nonsense...
Jonas Akerlund Spun
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little movie... damn, but the review doesn't fit for me, maybe it's the timing...