odradek

Ajeje. It costs 10 euros. Stop saying nonsense and run to buy it.

And in the end, you did it. I've been thinking about this for quite a while because this album is fundamental and rich in insights regarding a sea of subsequent productions. There's also a tasty anecdote that I know about, and it specifically concerns Byrne, who doesn't come off too well, dear Enea. Where had they been? The anecdote answers that question. During those years, another figure was frequenting the sound experimentation rooms of Eno, and it was J. Hassell. Enea, yes, Before and after, but how can we forget Another green world? And the hybrid Remain in light, which also drew life from here? Well, I don't know if I will write one myself or take advantage of the "Insights," but something more will definitely need to be said. For now, I think I will include some samples, if you don't do it.

Well, my brother will definitely buy it. I'll give it a try, maybe then I'll share my thoughts with you, if you'd like.

Do you know what? The metaphor doesn't fit. It's that the marinated eel has a strong and challenging taste, but it's unique and undeniable, unlike anything else. You chose a dish of a very different nature that, it seems, doesn't excite anyone here. I appreciated some nice passages in the text. If Ligam comes on the radio, I sometimes don't change the station, an entire album....

Rocky, hurt me. I got this when it came out and traded the vinyl with, I don't remember which one, shortly after. But I remember regretting it pretty soon. It happens, but your rec. brings that mistake back to the surface...

Yes, be careful with other people's pockets, keep going with this rhythm. Remember Nightfall, always by Haden that I suggested? It seems to me that we are around those parts... When was this released?

Attack in the sense of beginning. Even in "musicalese" it’s used, right? Misunderstandings upon misunderstandings, it’s fantastic. I think I'll keep my mouth shut for a while and wait for your mine of suggestions to open up in the form of reviews, in territories I’ve always wanted to explore more frequently.
No, with Molvaer, it’s not about making a ranking (I would never do that, non me gustan), but it’s undeniable, and I have to repeat myself, that certain albums "condense" certain insights and characteristics, certain "worlds" better. I didn’t pay much attention to Redman back then, precisely because the overexposure always leads me to distance myself in favor of potential evolutions. The album in question seemed to me one of his best releases, also for the presence of M.
I’ve known Hassell since the beginning, I have all his works, all on vinyl, I heard him live many years ago, but even with him I’ve let go of the grip for a while, meaning that I haven’t followed his releases for years, although I recently had a resurgence of interest due to positive assessments of his latest albums skimmed here and there. Nice story about papi Redman, honor to all the unknown figures, and especially those overshadowed by the oversized shadows of their children.
Antò, you are truly welcome. See you later.

Antoniodeste, I seem to notice a misunderstanding in your "attack." Good Hal is certainly younger, but I think you and I are on par.... I too find "Blue Light 'til dawn" splendid, but I also prefer "New Moon Daughter" for almost sentimental reasons. So, you could review that "Moodswings," which would be one of the many happy approaches to jazz for the wanderers of DeBaser who, out of curiosity, aren't very familiar with the "genre." As for Molvaer: are you sure he has produced better things than Khmer? If so, point one out to me and I will trust you without a doubt. Khmer is definitely a great album; what I've heard afterwards seems to dilute the concentration of ideas that it represented.... Bai bai.

Help: W.A.S.P. But now I have to go, as I have the landfill buddies waiting outside.

Ajeje, Glass will be passing through these parts soon. The dump is quite far from the cave, so there's no danger. Of course, the reference to the rats and the dump is a cinematic quote and very easy. When I return, I hope to read the director and the star of the film. Bye.