odradek

DeRank : 8,55
DeAge™ : 7677 days • Here since 3 june 2005
Brendon Anderegg June
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Already the flowing water has left me suspended imagining it, then the sounds slipping over the steep surface falling like marbles in slow motion did the rest. In short, what substances are you using lately? They seem good stuff, not amphetaminic, let me know. And anyway, please share a link, be kind.
Wim Wenders, Juliano Ribeiro Salgado Il Sale della Terra
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@[AKid] I had a lengthy conversation with Monsignor Sfascia, without expressing my appreciation for your page or any thoughts about the film. Both of us (me and the Monsignor) had posted comments on the review already present on DeB: the re-proposition of the work is nonetheless useful and the page, filled with interesting references, offers another layer of interpretation. Thanks a lot.
Mnortham From Within the Solar Cave
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Yes, but come on, with all this heat chaos, when, more or less, will the pasta be cooked? There's a risk of overcooking it...
Driftmachine Shunter
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@[dipsomane] you can find it here, mp3 or flac, as you prefer: Driftmachine – Shunter (2018) | exystence
Arthur Lee Vindicator
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Oh fuck, Conte...
Massimiliano Parente L'inumano
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Tommaso, have you finished the novel? Did you publish it? I can't find any news online...
Future Bible Heroes Eternal Youth
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I didn't know, strange to say (I have a lot of Merritt's stuff). Thank you. Too bad you can't find a link for the download.
The Coral Nightfreak and the Sons of Becker
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You seem more like a magpie to me. The beginning refreshed my ears, the next one wasn’t bad, you're right. What is this, new?
Yasuaki Shimizu Music for Commercials
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Lao Tze’s comments are always at least interesting (and of course they would be, Lao Tze, not Diego Fusaro) and often reveal to me how differently the same things can be perceived. However, the fact that good Shimizu has given up a potentially more reassuring and profitable career does not automatically place him among the "greats," and I don't think that having collaborated with notable names is sufficient either. As for "sell-out" jazz musicians, I wouldn't consider them part of the greats, so they seem somewhat irrelevant to me, but those are just details. This doesn’t exclude appreciation, just as it doesn’t rule out the possibility that a certain eccentricity is more beneficial in terms of "branding" than mere conformity. And perhaps it leads to greater satisfaction and serenity. "I do my own thing" is nice, I believe. I don't know, I can't quite find all this courage, but perhaps I'm the one taking for granted that gbvtyggg (this was written by the cat that walked over the keyboard, I find it significant, so I’ll leave it). Yes, I’ll close like this; it seems the cat knew better than I what I wanted to say. Regards.
Yasuaki Shimizu Music for Commercials
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Old enough to have bought it on vinyl when it came out, but I haven’t given it many listens over the years, I’m not even sure if I still have it. I have some reservations about it being "considered one of the greatest saxophonists in the world," and if so, I’d like to know by whom (actually, I don’t really care that much, I’m just saying). But my Shimizu I place in later years, when I would surprise new clients at the shop with his version of "Besame Mucho." It was one of the test pieces. It worked. Here it is: