odradek

As for your other one on the homepage, but with one more point for the page. - Samples Campaign 2006 -

I was curious about them. Now a bit more. Guys, do we want to use these samples? Come on. - Samples campaign 2006 -

In such beautiful pages, someone is drawn to the excess of a comma... Never had the pleasure, with Julia. Perhaps it's time to... give it a try.

Hold on everyone: wait for the samples (hopefully tomorrow). Maybe I didn't explain myself well (the 3 is the midpoint that expresses the suspension of judgment). Honestly, I don't know what to say about these guys. In truth, it was more of a reflection on the fact that we increasingly draw from the past (and sometimes from the idea of a future that was hidden down there) and on the strange way in which certain records that "shouldn't" be liked end up spinning longer than expected... @ Kosmo: I don't know what it depends on; when I send them, they seem compact... @Kill: this was sent, along with four or five others, before the other one appeared. If I had known, I would have avoided the duplicate.

I recommend an easily accessible album by Cesaria Evora, released about ten years ago by a major label, simply titled "Cesaria."

The comma

One of the most suitable albums to introduce jazz to those who are unfamiliar with it. The morna, Morning, is not just a saying from Vinicio, but the name of a kind of fado in its Cape Verdean version, whose most famous exponent is Cesaria Evora. I recall a beautiful Silver album, hard to find, titled Capeverdian blues (if I remember correctly), less known but perhaps more beautiful. It’s precisely the hybridization with funky soul, the greater "singability" that makes it certainly enjoyable, but not on the same level as contemporary albums that are probably less immediate (it's not always just about showing off, Morning). For this reason, a 4.5. I know, it seems like low accounting. But I believe it makes sense when looking at jazz and those years.

I don't really know what it's due to, you know, Massimof... - Can you suggest me some of his albums?

Well, I who have never listened to an entire album by Endrigo, even though I consider "Io che amo solo te" a great song, appreciated this biographical page. I remember the "Brazilian" period and there were some pretty good tracks there too. In short, next time perhaps you could skip the musician’s general information (but if the page is biographical, it does make sense) and find a way to get to the heart of the matter indirectly. In the meantime, I’ll give it a 5, because I was fine with it just like this.

The invasion of ultrasamples, as Sfascia said, has occurred. By the way: well, there's no comparison with that phenomenal Trio, dear shredder, and the listening to the little pieces clearly reveals it. We're waiting for your tangled and parenthetical DeNarratzionem - @ Hal: what a concert, if se puede domandar? - @ Punisher: I already replied, but I'll add: I don't like the idea of finding myself in front of my house with that other one, with Stronko, ready to avenge a dissatisfied listening after giving a record to Francesco:) And then: in Towner's piece, everyone revealed their age and you, who opened the dances, have disappeared. Add your number so we can play it in the lottery. @ Giorgioladisa: yes, a bit more circulation, inevitably, happens. Listen to the sempols, if you want, and tell me what you think. @ Lello: before the search, you can also take advantage of the little bits of Works. Useful precautions (but I'm definitely looking for Ted Barnes' one) - @ todos: have a nice day.