odradek

@ Sfascia: She is always too kind to me. We will end up being pointed out as a couple devoted to the most sordid practices, given the malice that sometimes circulates on the site plùs vivo et vegeto qùé mai :) - @ Vì: now those links in the text work: they lead to great pages dedicated to black musicians. How nice, even "What colour,..", right? - @ Socrates: Thanks. Did you read my "suggestion" in the review of the GoBetweens? - @ Massimof: I think it's worth it. You get an idea from the samples... - @ ZiOn: Well, the paragraph "the cornucopia of..." talks only about the album, and it seems rather lengthy to me... I didn't know him, I discovered him with this CD. Sometimes I read very fine "biographical" pages about much more famous musicians: a few coordinates for someone I believe is not too well known came to me spontaneously. Of course, if I could just rein in my verbosity a little... :)

No way, it happens to me too...

I had been here before in another guise. Now I'm passing through again, because I'm listening to this album. It's not wandering through the galaxy yet, but for now, it's in my player. Thank you really, Symbad.

Beautiful, Bleak. It's been a while since you checked in, hasn't it? Come on, drop some samples. - Samples Campaign 2006 -

Too many, Rocky! There was a review where, among the comments, many of us residents of Villa Arzilla stated our age. I am 47 years old. And you?

Sure! Please provide the text you'd like me to translate.

The vote, indeed.

Come on. - Well, this, in my highly debatable opinion, should be over there (on the left) and stay there for a while. For them ("You know the pieces" was a sarcastic remark?) I don't think they're that popular - For you. It reads in one go. And it conveys the idea. And I like it.

Well done, Giorgio! You see, old age... it's pointless to try to catch up, I have an outdated vocabulary. Thanks for the tip :)

Yes, we may have different opinions, of course Lone, but it might depend a little on the connotation of the term, right? (Is there an etymology for "tamarro"?) My connotation, in this case (and also in others, now that I think about it) was positive. The crude and carefree manner, "over the top" in the tempo of the two pieces I mentioned, the somewhat "raucous" tone of the voices, the "physical" impact, are not exactly examples of "refinement." But they are perfect for those pieces. In fact, for me, in that context, they become qualities. By the way, to refer to your challenging question (I imagine rhetorical), well, unfortunately, I must confess that I am far from being overly sensitive. On the contrary, I am becoming less and less so... - Bai