odradek

Oh really? Good, good. Thank you, Hal.

Symbad, it seems incredible to me... Yes, you are absolutely right. If I may...

The Trio Loussier also took on Bach, just for fun, can you believe it, EthosAntropoDaimon... I couldn't find that record, which I had originally and gave away. I think I'll dig it up with the mule, along with the one suggested by Zigghio. - I also find the review good, the quality of the music, which is absolutely enjoyable, is not in question, of course.

And from the encirclement in which he seemed to find himself, due to his decisive critique of the record in question, Basentini emerged with a surprising availability, shunning any temptation for an angry reaction (even when others' tones might have "justified" it) in a way that I appreciated as much as the original and personal vision he proposed. He even went so far, in his availability, as to make an "extreme" gesture, which from my point of view is both reckless and naive, by providing a cell phone number in a place like this. I then see that other lengthy comments were posted in another review, I believe in February of this year. Then it disappeared. Well, I just wanted to say that I'm sorry. And that if he had used this "place" to recommend, perhaps in the form of brief "reviews," records and musicians, it would have been very interesting. And probably useful. Anyway, best regards, Mr. Basentini.

I have spent an indeterminate amount of time (a first for me) reading all these comments. What Socrates calls, in his usual delightful synthesis, the Basentineide. I found some (quite a few, actually) assertions and positions from some "jazz lovers" (musicians and enthusiasts) that I know, generally older than me (who is already quite old, compared to the average). Some old friends and acquaintances of Urbani, among others. Unpopular theses and arguments, far from the usual iconography and sometimes capable of eliciting indignant and hysterical reactions. But without a shadow of a doubt, they are all marked by an overall coherence and a perspective developed over years of in-depth understanding. It’s a cornucopia of references, suggestions, connections, and stimuli that I have never read on any page of DeBaser, nor anywhere else.

Thank you for the samples. They remind me of other things I've listened to recently, with a flavor of naivety that can be cloying at times, but perfect for other moments...

Dear SuperCheri, I’m still Lorna's fan. It seems like I want to promote a product, and that's not the case, but I will take that risk again: regarding the considerations in your post, and especially the last sentence, I happened to focus a "review" of a recent album on the same topic. The review is for The Knife's album, "Silent Shout," the one under the name odradek. If you happen to take a look at it, I would love to know what you think about it. - I like the compilations you are highlighting, and your concise and effective way of presenting them. This one intrigues me as much as the others. I wasn’t aware of it. So thank you. - Greetings from a millennial.

Ah, masturbatory. That's why I liked it!

Ajeje, what does gazzosaro mean? Come on, don't leave me in this excruciating doubt, unveil some secrets to me...

Here’s one stale one: I liked it a lot, and if I put it back on the turntable or in the player, I still like it for sure. A button for always astonishing listens. - Brief but intense the page, which might just redirect someone to this record. And that would be a great result, right?